Effects
Fender Reflecting Pool Delay and Reverb pedal
Sold Out $ 419.98
The relationship between time-based effects, like delay and reverb, is critical to operating them correctly. The Reflecting Pool® Delay/Reverb pedal combines these two classic effects into one comprehensive chassis, making it easy to integrate into any pedalboard. Utilizing cutting-edge DSP for rich and complex algorithms, Reflecting Pool® faithfully recreates classic sounds, while also conjuring otherworldly new ones. Type, Variation and Quality controls make it easy to precisely shape your sound, the Time toggle adds rhythmic subdivisions, and the Tap Tempo footswitch makes sure everything stays in time.
Designed by our in-house team of experts, the Reflecting Pool® Delay/Reverb is an all-original Fender circuit. The chassis is crafted from lightweight, durable anodized aluminum, and the Amp Jewel LED gives your pedalboard the classic Fender look. The switchable LED-backlit knobs show your control settings on a dark stage at a glance.
- Model #: 0234546000
Product Specs
General
- Country Of Origin: CN
- Material: Anodized Aluminum
- Series: Fender® Pedals
Electronics
- Power Consumption: 250mA
- Power Requirements: AC Adaptor-9V DC center negative (not included)
Miscellaneous
- Case Pack Qty: 12
Fender Santa Ana Overdrive Effects Pedal
$ 249.99 $ 300.00
Fender helped generate the classic guitar tones that inspired players to create new music, and now with the Santa Ana Overdrive, it brought its expertise to stompboxes. Armed with FET technology, this pedal lets you dial in sounds varying from “just a little hairy” all the way to thick, fully saturated overdrive. The flexible tone controls unlock a wide range of sonic flavors. This pedal cleans up with the guitar’s volume control, just like Fender's famous amplifiers.
Designed by Fender's in-house team of experts, the Santa Ana Overdrive is an all-original circuit. They consulted with a plethora of players while designing this pedal, and the resulting stompbox is packed with stage-ready features.
The chassis is crafted from lightweight, durable anodized aluminum. The LED-backlit knobs show your control settings on a dark stage at a glance. They even made swapping batteries quicker and easier with their exclusive “patent applied for”, magnetically latched 9V battery door.
From the Amp Jewel LED all the way down to the character of your tone, the Santa Ana Overdrive is Fender through and through.
- Controls: Bass, Middle, Treble, Presence, Output Level, Voice Toggle (A/B), Drive, Boost Footswitch, Bypass Footswitch
- Inputs: 1 x 1/4” instrument
- Outputs: 1 x 1/4” instrument
- Power Requirements: 9-volt battery or DC negative AC adaptor
- Power Consumption: 120mA
- Input Impedance: 1M ohm
- Output Impedance: 1.5k ohm
- Material: Anodized aluminum
Fender Tone Master Pro Multi-Effects Processor
$ 1,499.99 $ 2,010.00
Tone Master Pro is the first no-compromise multi-effects guitar workstation that features the amazing sound quality that the Tone Master series is known for. Combining a powerfully intuitive interface and the most comprehensive I/O array available, the Tone Master Pro is the best sounding, most powerful and easiest to use guitar processor ever.
Tone Master Pro features over 100 of the world's most popular amps and effects, including all of the classic Tone Master Fender models, the first officially licensed EVH 5150 III Stealth model, and other can't live without classics that have all been perfectly replicated using our proprietary Tone Master Modeling process. Tone Master Pro's lightweight, rugged, stage-friendly form factor is as beautiful as it is functional. With a full-color touchscreen, stunning graphics, and intuitive user interface, dialing in the perfect tone has never been easier or more inspired.
Create Presets, customize your footswitch assignments and combine them to create Songs and organize into Setlists with ease. Tone Master Pro's 10 custom-designed footswitch encoders make editing a breeze, giving you instant access to all your presets and parameters and make adjustments just like you would on the real thing. Connect to our Tone Master Pro Control app via USB for creating, editing and sharing your own presets or for auditioning and downloading thousands of tones created by Fender's community of players and artists.
- Over 100 Tone Master quality Amp & Effect Models
- Over 6000 Fender-captured Impulse Responses with a variety of cabinet and microphone options
- 3rd Party IR support
- 7" Color Touch-screen
- Innovative Song & Setlist modes
- 60 second Stereo Looper
- 4 Effects Loops for integrating your favorite pedals
- Instrument and XLR mic inputs
- 10 proprietary footswitch/encoders with LCD “scribble strips”
- True preset spillover of delay and reverb tails for seamless preset changes
- Firmware updates over USB
- Compatible with Tone Master Pro Control desktop app for editing, sharing and downloading presets
- Over 500 User Presets with access to thousands more from the Cloud using the Tone Master Pro Control App
- Bluetooth wireless connection for streaming audio from a mobile device
- Stereo 1/4" Headphone output jack for silent practice
- Compatible with the Mission Engineering SP1-TMP Expression Pedal for realtime control of parameters
- Lightweight, under 9 lbs.
Specifications
General
- Tone Master®
- Black
- CN
Performance
- 32 Bit
Inputs
- 3.5 mm Stereo
- 10 kΩ
- 1/4"
- 5.6V (2.8V with Input Pad Off)
- 1/4” TRS Female (Combo), Balanced
- 1MΩ
- 7.8V Balanced, 4.5V Unbalanced
- XLR Female (Combo), Balanced
- 1.8 kΩ Balanced
- 4.7V
- 2.4V
- 10 kΩ
Hardware
- Dual 5-Pin DIN (In/Out-Through-Merge)
- Mono Loops (1 & 2) 1/4" Unbalanced, Mono Loops (3 & 4) 1/4" TRS Balanced (Can Be Combined into Stereo Pair)
Fender Tone Master Pro Multi-Effects Processor B-Stock
Sold Out
**This product has been labeled as B-Stock by the manufacturer. May contain small blemish somewhere on body but does not affect playability. The price has been adjusted accordingly.
Tone Master Pro is the first no-compromise multi-effects guitar workstation that features the amazing sound quality that the Tone Master series is known for. Combining a powerfully intuitive interface and the most comprehensive I/O array available, the Tone Master Pro is the best sounding, most powerful and easiest to use guitar processor ever.
Tone Master Pro features over 100 of the world's most popular amps and effects, including all of the classic Tone Master Fender models, the first officially licensed EVH 5150 III Stealth model, and other can't live without classics that have all been perfectly replicated using our proprietary Tone Master Modeling process. Tone Master Pro's lightweight, rugged, stage-friendly form factor is as beautiful as it is functional. With a full-color touchscreen, stunning graphics, and intuitive user interface, dialing in the perfect tone has never been easier or more inspired.
Create Presets, customize your footswitch assignments and combine them to create Songs and organize into Setlists with ease. Tone Master Pro's 10 custom-designed footswitch encoders make editing a breeze, giving you instant access to all your presets and parameters and make adjustments just like you would on the real thing. Connect to our Tone Master Pro Control app via USB for creating, editing and sharing your own presets or for auditioning and downloading thousands of tones created by Fender's community of players and artists.
- Over 100 Tone Master quality Amp & Effect Models
- Over 6000 Fender-captured Impulse Responses with a variety of cabinet and microphone options
- 3rd Party IR support
- 7" Color Touch-screen
- Innovative Song & Setlist modes
- 60 second Stereo Looper
- 4 Effects Loops for integrating your favorite pedals
- Instrument and XLR mic inputs
- 10 proprietary footswitch/encoders with LCD “scribble strips”
- True preset spillover of delay and reverb tails for seamless preset changes
- Firmware updates over USB
- Compatible with Tone Master Pro Control desktop app for editing, sharing and downloading presets
- Over 500 User Presets with access to thousands more from the Cloud using the Tone Master Pro Control App
- Bluetooth wireless connection for streaming audio from a mobile device
- Stereo 1/4" Headphone output jack for silent practice
- Compatible with the Mission Engineering SP1-TMP Expression Pedal for realtime control of parameters
- Lightweight, under 9 lbs.
Specifications
General
- Tone Master®
- Black
- CN
Performance
- 32 Bit
Inputs
- 3.5 mm Stereo
- 10 kΩ
- 1/4"
- 5.6V (2.8V with Input Pad Off)
- 1/4” TRS Female (Combo), Balanced
- 1MΩ
- 7.8V Balanced, 4.5V Unbalanced
- XLR Female (Combo), Balanced
- 1.8 kΩ Balanced
- 4.7V
- 2.4V
- 10 kΩ
Hardware
- Dual 5-Pin DIN (In/Out-Through-Merge)
- Mono Loops (1 & 2) 1/4" Unbalanced, Mono Loops (3 & 4) 1/4" TRS Balanced (Can Be Combined into Stereo Pair)
Fender Tre-Verb Effects Pedal
$ 269.99 $ 323.98
There’s no mistaking the sound of genuine Fender amp Tremolo and Reverb. These lush, dynamic amp effects inspired entire genres of music. The Tre-Verb pedal places independent Tremolo and Reverb effects at your feet in a compact, easy-to-use pedal. We included classic reverb voicings based on our renowned spring reverb units from 1963 and 1965 and multiple tremolo modes to make sure you can get the exact sound you need for your music. A full suite of tone-shaping controls, including tap tempo for the tremolo effect, make this pedal sonically flexible, while the stereo inputs and outputs ensure it’s easy to connect to any pedalboard or amp.
- Power Requirements: 9-Volt DC Negative AC Adaptor
- Material: Anodized Aluminum
- Based on Fender’s most advanced DSP
- Independent Tremolo and Reverb effects with three voices each
- Tap Tempo for Tremolo rate
- Stereo inputs and outputs
- LED-backlit knobs
Fender Waylon Jennings Signature Phaser Effects Pedal
$ 129.99 $ 170.00
Few artists can lay claim to defining the sound of a genre, but Waylon Jennings is the undisputed outlaw of outlaw country. Defining a tone all his own drenched in a signature sweeping phase-shifting effect, Waylon toured through the most prominent phaser effect pedals that the '70s and '80s had to offer. And now the Waylon Jennings Phaser pedal takes you along for that same ride by emulating the stomp boxes he used to forge his own path.
Building on Fender's original four-stage phaser circuit developed in the 1970's, the Waylon Jennings Phaser provides three distinct flavors of phasing by switching between two, four, or six phase stages. When combined with the Range and Feedback controls, these three phase voices cover the gamut of phasing tones used by Jennings on stage and in studio. Skip right to the good stuff and turn on the Sweet Switch to jump right to the "sweet spot" of clean signal mixed with phase-shifting tones, perfect for adding the right amount of flavor to your favorite cowboy chords. Whether you're looking to nail Waylon's signature tone, or find a new one all your own, the Waylon Jennings Phaser can dial in just the right phase for you.
General
- Fender Signature Effects
- Aluminum
- CN
Electronics
- 1MΩ
- 1KΩ
- 100mA
- 9-Volt Battery or 9VDC Center Negative AC Adapter (not included)
Fishman PRO-AFX-DI2 Pocket Blender Pedal
$ 89.95
ALL THE ESSENTIAL TOOLS IN ONE COMPACT PEDAL
A level-adjustable A/B pedal. A built-in DI output with ground-lift. A boost pedal. An output Y-splitter. A two-channel mixer. The AFX Pocket Blender is the ultimateA/B/Y pedal combining four essential tools:
- an Input Mixer that lets you continuously adjust the level of audio source(s) connected to the TRS input
- a D.I. output featuring Fishman’s balanced line driver circuit that can be used to send to a house PA or amplifier
- an ABY output to split a signal or connect to one or two stage amps
- an A/B Mode switch determines the overall behavior when the footswitch is pressed
-
Balanced D.I. Output with Ground Lift
-
Innovative Dual Path Routing
-
Super Compact Design Fits Almost Anywhere
- 9V External Power Required (sold separately)
THIS IS THE CLASSIC POCKET BLENDER IN A SMALL FOOTPRINT.
Without even touching the A/B features, it’s a mini two-channel mixer allowing you to connect two audio sources and blend them together. This is perfect for dual-source systems such as Fishman soundhole pickups that feature a mic or body pickup.
Build on the simple blender by setting up an “A mix” and a “B mix” where pressing the footswitch toggles between one mix and the other. You could balance your onboard pickup (50%) with your onboard mic (50%) on mix A. Then on mix B, which you use to take solos, you could boost the pickup to 75% while leaving the mic on 50%. All with a single stomp of the footswitch.
And it’s not only an A/B pedal with a mixer, it is the heart of Fishman’s unique AFX Dual Path ecosystem. By using common TRS audio cables, you assign effects on either tip or ring signal paths and essentially switch between two ‘scenes,’ each with mix levels you control.
SPECIFICATIONS
|
MODEL NUMBER |
PRO-AFX-DI2 |
|
AUDIO I/O |
1/4" TRS input and outputs, 1/4" balanced DI output with ground lift |
|
DSP |
N/A (all analog) |
|
DIMENSIONS |
1.9" W x 3.8" D x 1.92" H (49mm W x 97mm D x 49mm H) |
|
MATERIAL |
Durable aluminum enclosure |
|
CURRENT DRAW |
53mA, typical |
|
POWER |
910-R AC Adapter (sold separately) or suitable filtered and regulated 5.5mm OD, 2.1mm ID Barrel Connector, Center = negative |
Fishman PRO-AFX-EQ2 Pro Eq Mini Pedal
$ 119.95
PERFECT ACOUSTIC EQ CONTROL IN ONE COMPACT PEDAL
Based on the highly-regarded Fishman Platinum series of instrument preamps, AFX Pro EQ Mini offers quality preamplification and critical equalization voiced specifically for acoustic instruments.
-
5-Band EQ Specially Voiced for Acoustic Instruments
-
True Bypass with Options for Buffered Bypass or Mute
-
Feedback-Fighting Phase Control
-
Innovative Dual Path Routing
-
Super Compact Design Fits Almost Anywhere
-
9V External Power Required (sold separately)
This is no off-the-shelf graphic EQ – plug in and your signal begins with a high-impedance instrument preamp to condition nearly any passive or active pickup.
Then, use the four bands of acoustic tone control
to sculpt your bass, mids, treble, and brilliance. A sweepable Low Cut fine-tunes the very low frequencies to reduce or enhance thumps and subs.
Finally, hold the footswitch to toggle your output polarity. Also known as “phase,” this simple circuit can tame low-frequency howl very effectively.
SPECIFICATIONS
|
MODEL NUMBER |
PRO-AFX-EQ2 |
|
AUDIO I/O |
1/4" TRS input and output (TRS enables Dual Path Functionality) |
|
DSP |
32-bit processing |
|
DIMENSIONS |
1.9" W x 3.8" D x 1.92" H (49mm W x 97mm D x 49mm H) |
|
MATERIAL |
Durable aluminum enclosure |
|
CURRENT DRAW |
53mA, typical |
|
POWER |
910-R AC Adapter (sold separately) or suitable filtered and regulated 5.5mm OD, 2.1mm ID Barrel Connector, Center = negative |
|
ANALOG SIGNAL PATH |
Input impedance: 10M Ohm | Output impedance: 1k Ohm | Signal-to-noise: -100dB | Dynamic range: 100dB |
|
DIGITAL SIGNAL PATH |
A/D, D/A conversion: 24-bit | Signal processing: 32-bit |
Fishman PRO-AFX-LP2 Broken Record Pedal
$ 119.95
LOOPER AND SAMPLER PEDAL WITH 6 MINUTES OF AUDIO RECORDING!
AFX Broken Record packs high-quality audio looping and sampling into a tiny, yet deceptively-simple stompbox package. It features intuitive one-button operation, endless overdub capability and offers easy transfer to a computer.
-
Drag ’n Drop WAV File Transfer via USB
-
True Bypass with Buffered Bypass Option
-
24-bit / 44.1kHz Recording Quality
- Intuitive Record/Play Footswitch & Loop Level Control
-
Innovative Dual Path Routing
-
Super Compact Design Fits Almost Anywhere
-
9V External Power Required (sold separately)
CREATING LOOPS ON THE FLY COULDN’T BE EASIER.
A single footswitch is all it takes to record, overdub, and play along with your coolest riffs and patterns.
Featuring high-quality 24-bit, 44.1kHz audio recording of up to 6 minutes, AFX Broken Record let’s you capture cool ideas and build on them, or even play along with pre-recorded audio you transfer from your computer.
Built-in memory will retain what you recorded even after the power is disconnected. So, you can unplug at your gig and transfer your loop to your computer later. This also means that the backing track you transfer from your computer will be ready and waiting for you to play back at your next performance.
SPECIFICATIONS
|
MODEL NUMBER |
PRO-AFX-LP2 |
|
AUDIO I/O |
1/4" TRS input and output (TRS enables Dual Path Functionality) |
|
DSP |
32-bit processing |
|
BYPASS |
True Bypass with Buffered Bypass Option |
|
DIMENSIONS |
1.9” W x 3.8” D x 1.92” H (49mm W x 97mm D x 49mm H) |
|
MATERIAL |
Durable aluminum enclosure |
|
CURRENT DRAW |
53mA, typical |
|
POWER |
910-R AC Adapter (sold separately) or suitable filtered and regulated 5.5mm OD, 2.1mm ID Barrel Connector, Center = negative |
|
ANALOG SIGNAL PATH |
Input impedance: 10M Ohm | Output impedance: 1k Ohm | Signal-to-noise: -100dB | Dynamic range: 100dB |
|
DIGITAL SIGNAL PATH |
A/D, D/A conversion: 24-bit | Signal processing: 32-bit |
Gator GPB-LAK-GR Green Aluminum Pedal Board w/ Small Carry Bag
$ 119.99 $ 194.99
Screamer Green Small aluminum pedal board with Gator carry bag and bottom mounting power supply bracket. Power supply not included.
- Model: GPB-LAK-GR
- UPC: 716408536224
- Color: Green
Features
- Lightweight Aluminum Pedal Board
- Pedal Surface Measures 15.75" x 7"
- Screamer Green Finish
- Universal mounting bracket provided for mounting most common power supplies beneath the board
- Angled for ease of access to pedals
- Cable routing perforations make routing signal and power easy
- No Slip Rubber Feet
- Includes Adhesive Velcro Strips
- Deluxe carry bag with polyethylene reinforced top and bottom has removable shoulder strap
Interior Dimensions
- Length 15.75"
- Width 7.00"
- Height 2.25"
Exterior Dimensions
- Length 18.75"
- Width 10.50"
- Height 5.75"
- Weight 5.00 lbs
Shipping Dimensions
- Length 20.00"
- Width 12.00"
- Height 7.00"
- Weight 6.4 lbs
Gator GPB-LAK-WH White Aluminum Pedal Board w/ Small Carry Bag
$ 119.99 $ 194.99
White Small aluminum pedal board with Gator carry bag and bottom mounting power supply bracket. Power supply not included.
- Model: GPB-LAK-WH
- UPC: 716408543901
- Color: White
Features
- Lightweight Aluminum Pedal Board
- Pedal Surface Measures 15.75" x 7"
- White Finish
- Universal mounting bracket provided for mounting most common power supplies beneath the board
- Angled for ease of access to pedals
- Cable routing perforations make routing signal and power easy
- No Slip Rubber Feet
- Includes Adhesive Velcro Strips
- Deluxe carry bag with polyethylene reinforced top and bottom has removable shoulder strap
Interior Dimensions
- Length 15.75"
- Width 7.00"
- Height 2.25"
Exterior Dimensions
- Length 18.75"
- Width 10.50"
- Height 5.75"
- Weight 5.00 lbs
Shipping Dimensions
- Length 20.00"
- Width 12.00"
- Height 7.00"
- Weight 6.4 lbs
Genzler Crash Box 4 Effects Pedal
$ 239.99 $ 279.98
GENZLER® AMPLIFICATION proudly announces the third effects pedal in the product line, the CRASH BOX 4™, CLASSIC BASS DISTORTION.
This new model continues the collaboration of the GENZLER AMPLIFICATION design team and Andy Field, former Genz Benz engineer. Together they possess decades of innovative audio product design and manufacturing expertise. The GENZLER® AMPLIFICATION pedal line continues to explore a variety of pedal concepts based on their decades of collaboration together, looking back into hundreds of pages of their old design ideas, and to explore interesting concepts and blending them with new innovations. A retrospective of sorts, this is a chance to dig into their collective experiences to develop what they feel players would use and appreciate, going forward.
And now the new CRASH BOX 4™ takes up where their original 4 ON THE FLOOR™ Classic Overdrive Pedal leaves off. While the 4-OTF compares to the smooth, effortless shifting of a syncro-mesh, manual transmission —- the CRASH BOX 4™ is reminiscent of the rough shifting, gear grinding, non-syncro straight-cut, gear boxes in vintage off-road vehicles and heavy trucks – often called “heavy metal” vehicles.
Description
The new CRASH BOX 4 PEDAL is an ALL-ANALOG distortion pedal that dynamically emulates 4 different distortion types found in popular tube and solid-state distortion circuit topologies and then gives the player additional flexibility and control over drive/gain, distortion path (only)–high pass and low pass filters and separately a clean signal path blend. The result is the ability to tailor and fine tune the distortion to fit a wide spectrum of music and playing techniques, without the loss of touch sensitivity, musicality, or the addition of excess noise.
1st GEAR: Reminiscent of a tube amp’s moderately driven channel (including natural harmonics) with a bit of compression when driven hard. Many players will find that this works well as a mellow/milder, smoother overdrive/distortion with plenty of even ordered harmonic richness , and dimensional texture.
2nd GEAR: Emulates a tube amp’s more heavily overdriven tone, with more odd order harmonics and compression, depth and top-end. While moderately compressed, there is still plenty of depth of tone, dynamics and feel present.
3rd GEAR: An aggressive up-shift from 2nd gear, this heavier and edgier distortion is higher in odd order harmonics as well as having greater compression for a tighter feel. The harder you dig in, the thicker the harmonics and texture, and the more compressed the feel, with greater sustain.
4th GEAR: This is the most aggressive gear of all — a heavy, symmetrical, mostly odd order harmonics style distortion. While there are a lot of harmonics and compression present, this gear does not give up tone but adds additional crush and increased sustain.
The CRASH BOX 4 is a dynamic and versatile distortion pedal and is an excellent compliment with our other pedals and either of our MAGELLAN 350 or MAGELLAN 800 bass amps.
Features:
-
- Black Lightweight Aluminum Chassis
- Rugged Stomp Switches
- Low-noise, Silent Switching Circuitry
- High-Pass and Low-Pass Filter (Distortion Engine Only)
- 4 Position Distortion “Gear” Selector Switch
- Parallel Clean Signal Path
- High/Low Drive Sensitivity Switch
- Accepts Power Supplies From 9VDC – 18VDC (low noise type), Either Polarity (auto detecting) 40mA Max — (Power Supply Not Included)
- Dimensions: 5”W X 4.1”D X 2.3”H
- Weight: 1 Lb.
Specifications
- Power Supply: 9VDC-18VDC (low noise type), either polarity (auto-detecting), 40mA max (Power supply not included).
- Input Impedance: >1M ohm
- Output Impedance: 1k ohm
- Overdrive Engine Input HPF: 30Hz – 200hz
- Overdrive Engine Output LPF: 1kHz – 14kHz
- Input Sensitivity (nominal): -20dBu (high sensitivity), -10dBu (low sensitivity)
- Maximum Input Level: 0dBu (9V supply), +5dBu (12V supply), +10dBu (18V supply), high sensitivity, DRIVE at 9:00
- Maximum Input Level: +5dBu (9V supply), +12dBu (12V supply), +18dBu (18V supply), low sensitivity, DRIVE at 9:00
- Maximum Output Level: +9dBu (9V supply) +14dBu (12V supply), +20dBu (18V supply)
- Dimensions: 5” (127mm) W x 4.1” (104mm )D x 2.3” (59mm)H
- Weight: 1.1 lb (0.5kg)
Genzler Re/Q Dual Function EQ Pedal
$ 244.99 $ 285.98
GENZLER® AMPLIFICATION proudly announces the addition of a second pedal from the “redux collaboration” that brings Jeff Genzler and engineer Andy Field back together again — developing a new line of bass effect pedals under the Genzler Amplification brand.
The GENZLER® AMPLIFICATION pedal line will explore a variety of pedal concepts based on their decades of collaboration together, looking back into hundreds of pages of their old design ideas, and to explore interesting circuits that were started but never used, blending them with new innovations. A retrospective of sorts, this is a chance to dig into their collective pasts to develop what they feel players would use and appreciate, going forward.
And now, the introduction of the second model in the line —- the Re/Q — DUAL FUNCTION EQUALIZATION pedal, which offers 2 specific and separate filter networks, HPF and LPF filters with on/off switching and a 5 band EQ network, with its own on/off switching. And the EQ network provides an EQ Output level of +/- 9dB. This versatile design allows the pedal to be used as a clean boost, and is a great combination with the 4 ON THE FLOOR, CLASSIC BASS OVERDRIVE pedal. This pedal also offers another level of versatility as it accepts nearly any power supply; 9 – 18 Volts, either polarity. (Power supply not included).
Description
The re/Q™ DUAL FUNCTION EQ PEDAL is a low noise, ALL ANALOG multi-function HIGH PASS FILTER – LOW PASS FILTER and 5 BAND EQ pedal that gives the player complete tonal control over the cut-off of the extreme low and high frequencies, plus 5 bands of peak-dip equalization. The filter section is foot switched independently from the EQ section, and there is additional make-up gain or cut after the EQ for balancing of levels or to act as an additional boost/cut function when the EQ is switched into the signal path. The re/Q is also a great companion to our 4 ON THE FLOOR Classic Overdrive Pedal. It can be used to tailor your instrument’s tone for various overdrive settings, or increased boost levels for any of the Overdrive gears.
There are a wide variety of uses for the re/Q and is an excellent compliment to either of our MAGELLAN 350 or MAGELLAN 800 bass amps.
Features:
-
- Lightweight Aluminum Chassis
- Rugged Stomp Switches
- Low-noise, Silent Switching Circuitry
- High-Pass and Low-Pass Filter
- 5 Band Fixed EQ Network
- EQ Output Level Control
- Accepts Power Supplies From 9VDC – 18VDC (low noise type), Either Polarity (auto detecting) 40mA Max — (Power Supply Not Included)
- Dimensions: 6”W X 4.1”D X 2.3”H
- Weight: 1.3 Lbs.
Specifications
- Input Impedance: >1M ohm
- Output Impedance: 1k ohm
- HPF: 30Hz – 200hz
- LPF: 1kHz – 14kHz
- EQ Filter Points:
- LOW: 90 Hz
- LOW MID: 250Hz
- MID: 630Hz
- HIGH MID: 1.3kHz
- HIGH: 2.6kHz
- EQ Band Control Range: +/- 12dB
- EQ Output Level Control Range: +/-9dB
- Input Sensitivity (nominal): -10dBu to -20dBu (instrument level)
- Input Level (maximum): 0dBu (9V supply), +5dBu (12V supply), +10dBu (18V supply)
- Output Level (nominal): -10dBu to -20dBu (instrument level)
- Output Level (maximum): +9dBu (9V supply) +14dBu (12V supply), +20dBu (18V supply)
- Power Supply: 9VDC-18VDC (low noise type), either polarity (auto-detecting), 40mA max (Power supply not included)
- Dimensions: 6” (127mm) W x 4.1” (104mm )D x 2.3” (59mm)H
- Weight: 1.3 lb (0.6kg)
Ibanez '80s Soundtank AW-5 Autowah Effects Pedal USED
$ 75.00
This pedal is in good condition, small amounts of wear on pedal enclosure.
Specifications
- Effect Type: Auto Wah/ Filter
- Controls: Range Knob, Depth Knob, Sens Knob, Footswitch
- Input: 1/4" TS
- Output: 1/4" TS
Ibanez Tube Screamer Overdrive Pro TS-808 45th Anniversary
$ 199.99 $ 240.00
The TS808 has made its way onto the pedal boards of countless musicians and guitar lovers since its debut in 1979. 2024 marks its 45th anniversary and in celebration, Ibanez is releasing a limited edition TS808 featuring a special sapphire blue housing.
Specifications:
•Limited production
•45th-anniversary sapphire blue housing
•Overdrive, Tone, and Level controls
•Power supply: One 9 Volt battery or External DC 9 Volt AC Adapter (Center-Negative), Converter Cable included.
JHS Pedals Mini A/B Effects Pedal
$ 65.00 $ 86.00
There are two types of players, those that utilize an A/B box like our Mini A/B here, and those that don’t know what they’re missing. Add one to your pedalboard, and you’ll find the Mini A/B is full of indispensable benefits on the gig, in the studio, or even at home. At its core, the simple footswitch design selects between a pair of ¼” jacks on the left side of the unit. Hook one up and you’ll instantly be switching between amps, quickly swapping guitars between songs, using it to isolate your tuner from your signal, killing your stage sound as a mute, and more. And with its adorably tiny footprint, the Mini A/B will fit on even the most cramped pedalboards.
THE DO-IT-ALL SWITCH
How many ways you utilize the JHS Mini A/B is only limited by your necessity. While it may not be a modulation pedal or fuzz (don’t worry, we have those for you too: Mini Foot Fuzz, Emperor), you’ll be hard pressed to find a pedal you step on more than this little gem.
- Instantly swap between two instruments
- Perfect for switching tones on dual-amplifier rigs
- Isolate your tuner from the signal chain, while achieving silent onstage tuning
- Leave output unplugged for a convenient mute function
CONVENIENT LOW-PROFILE DESIGN
Like its name suggests, the Mini A/B is a bite-sized wonder. We can achieve that because of its passive design, which also means it won’t cause any tonal loss. However, we did choose to include a bright LED indicator, letting you know which jack is selected. Don’t need that light? Just unplug the power cable. The Mini A/B will still work just fine.
- Small size is ideal for saving pedalboard space
- LED indicator tells you which ¼” you have selected
- Can run perfectly without power
- Built rugged
JHS Pedals Red Remote Pedal
$ 45.00
Use our new Red Remote with select JHS Pedals to remotely activate the on-board toggle found on the pedal itself. By connecting the Red Remote to a Red Remote equipped pedal with any 1/4” instrument cable, this essentially acts as an on-the-fly switcher to give you more tonal options in any setting. The Red Remote is currently compatible with the following JHS Pedals:
- MORNING GLORY V4
- SUPERBOLT V2
- TWIN TWELVE V2
- DOUBLE BARREL V4
- KILT V2
- SWITCHBACK
When using the Red Remote, the remote itself will act as the toggle, therefore disabling the pedal's onboard toggle switch. For example, if you have our Red Remote plugged into the SuperBolt, the SuperBolt's "GAIN" toggle will be deactivated and the Red Remote will switch the toggle on/off as you step on the footswitch.
To use the Red Remote, plug the remote into the jack of the pedal labeled "REMOTE..." ...this jack will have a red washer to denote it is the appropriate jack to plug the Red Remote into.
Keeley Engineering Compressor Pro Effect Pedal
$ 299.00 $ 349.99
Keeley Compressor Pro. The stomp-box sized compressor/limiter is made in Oklahoma, USA and engineered to be an indispensable tool for your musical endeavors. It is in no way limited to be used with only guitar. It has been designed to work as a studio compressor accepting any range of inputs and a frequency response and noise level matching the finest compressors made.
Introduction of Features
-
Compression LED Display – 7 Segment LED display for fast and accurate metering of compression and gain reduction. Gain Reduction Levels of -1dB to -20dB are indicated.
-
Threshold LED Indicator – Bi-Color LED to indicate when compression is initiated and released.
-
Exact RMS Analysis (ERA) – Senses the true RMS value of the input program material such as your guitar, bass or drum machine.
-
Hard/Soft Knee Compression – Hard Compression for limiting or adding sustain, soft knee or Komfort Kompression for gentle compression, keeping performances lively and natural sounding without potential phase issues in parallel, or blending style compression.
-
Auto Mode – Program dependent Attack and Release times. Set to Auto ON for worry-free performance and automatic Attack and Release times.
-
True-Bypass – No tone or signal loss when OFF
General Compressor Usage
The Keeley Compressor Pro is designed to be used at home or in the studio for creating full sounding recordings of any instrument. In live situations, the Compressor Pro can be used to achieve full sounding, polished performances as well as protect amplifiers and speakers from overload. The Comp Pro is designed to work with any instrument from voice and guitar to keyboard, bass, or drums. Use it when creating a podcast or YouTube videos to maintain professional performance levels. Use it around the home to create tons of sustain while at low volumes or low gain settings!
Device Controls
THRESHOLD, RATIO, ATTACK, RELEASE, GAIN, KNEE, & AUTO
THRESHOLD Control and LED – This is probably the most important control on the Comp Pro. It is adjusted to determine when the compressor is working or when sound is being passed through unaffected. The Threshold control is turned down or CCW until the THRESHOLD LED turns Red as you play your instrument. When the THRESHOLD LED turns Red the Comp Pro is actively compressing your signal. If the LED is Green, the Comp Pro is not compressing and sound is passed through unchanged.
Range of Adjustment is from -50dBu to +10dBu. 2.45mVRMS to 2.45VRMS – Pro Audio (studio) Levels are +4dBu Consumer Audio Levels are -10dBu. Passive guitar or bass pickups are typically about -25dBu to 2.5dBu.
RATIO Control – “the Compression Knob”, Ratio is the amount of compression you set the Comp Pro for. You can set it from No Compression (1:1) when all of the way off or CCW. You can set it as high as Infinite Compression (∞:1) which means that the output level will never increase in output level no matter how loud the input. This type of setting can be used for hard-limiting to protect recording or speakers or in some cases for guitar effects like chicken-pickin’.
ATTACK Control – Attack Times between 0.15ms and 150ms. Controls the time it takes for the Comp Pro to start compressing.
RELEASE Control – Release Times between 0.1s to 3s. Controls the time before the Comp Pro releases or stops compression .
GAIN Control – This is the output level of the compressor. It does not affect the compression controls like THRESHOLD, RATIO, ATTACK or RELEASE. It is for make-up gain if you set for heavy compression gain reduction. +20dB of boost is possible.
KNEE Switch – Hard Knee/Soft Knee. Hard Knee Compression follows a hard fast rule: If THRESHOLD is met, then Compress at this RATIO. Soft Knee is Komfort Kompression. It’s a way to keep compressed guitar or instrument parts sounding lively and dynamic, without the “blanket” of compression found in many types of compressors.
AUTO Switch – OFF/ON – Set to ON in most cases for automatic setting of Attack and Release Times. This will sound natural and work in a very large number of cases. The Comp Pro looks at the input signals like guitar, bass, vocals or drums and determines the correct attack and release times depending on what you’re playing and what signal levels are being detected.
Good Compression Settings
SMOOTHING – Changes in signal level happen when the singer moves away from the microphone or when a guitar player may not use perfect technique in controlling their dynamics, i.e. less than perfect picking hand technique. To smooth changes in dynamics use the Comp Pro for low to medium compression. Set AUTO Switch to ON. Adjust the Compression RATIO Control to 2:1 to 4:1 for example. Set the Gain Reduction LEDS by adjusting the THRESHOLD Control to indicate 3-9 dB of gain reduction on the 7 Segment LED Bar. Adjust GAIN Control if needed. Set KNEE Switch to SOFT. Now play slow and steady chord work, list to how toggling the KNEE switch back and forth Hard/Soft affects your tone and the attack or punch of the notes as well as the release.
SUSTAIN – To add sustain to guitars or keyboards start with a higher Compression RATIO setting for example 10:1 to ∞:1, Set THRESHOLD Control so that THRESHOLD LED turns Red for average level of your guitar or performance, the LED stays red about half the time. You can set the KNEE Switch to HARD or SOFT, SOFT may seem more transparent.
CHICKEN PICKING COMPRESSION – Set RATIO Control to 5:1 to 10:1, a quick RELEASE Time of .5s to 1s. ATTACK Time for quick attack 10-50ms and THRESHOLD Control set to give you 9-12dB of Gain Reduction/Compression on the 7-Segment COMPRESSION LED Array. This will typically give you compression artifacts or effects like a breathing or pumping sound.
BASS BOOM AND SLAP – For a punchy bass guitar sound set the Comp Pro for a medium to high Compression RATIO (6:1 to 10:1) and adjust the THRESHOLD so that the -12dB and sometimes -20dB COMPRESSION LEDs are lit while playing. Set KNEE to Hard mode. That will make the bass punchy and slap a bit harder, reducing boominess. Try Soft KNEE for a a different feel. Set AUTO On.
PREVENT DIGITAL DISTORTION – Set Keeley Compressor Pro as a Hard Limiter by turning RATIO control all of the way up to Infinity to One compression ratio. Set KNEE for Hard. By adjusting the final Gain level to your clipping lights on the digital recorder, you can insure you won’t ruin recordings or get unwanted distortions.
SPEAKER PROTECT (Concerts, Churches, Sound Systems and P.A.s) – You can use the compressor as above as a Hard Limiter. If when playing you hear distortions from your sound reinforcement equipment you can reduce the THRESHOLD, increase RATIO, and reduce GAIN to achieve perfect results. This is where it might be nice to use your Keeley Compressor Pro as the last effect in your signal chain as it can prevent different effects from getting too loud or being added together to drastically increase output volume.
NEVER LEAVE HOME WITHOUT YOUR KEELEY COMP PRO – The Compressor Pro makes the perfect booster or driver for your rig! You can always set the RATIO control for 1:1 compression (otherwise known as No Compression) and use the GAIN to push your amp, pedals, speakers, or other guy out of the way! Once you have learned your new Comp Pro there will never be a reason not to use it.
Keeley Engineering Magnetic Echo Pedal
$ 149.00 $ 249.00
Keeley Magnetic Echo – The Mag-Echo pedal simulates tube tape echo sounds by using the delay circuit and a little bit of modulation. Tape echos have long been regarded as a warm and very guitar friendly form of delay. The Mag-Echo achieves similar results by using a touch of Lo-Fi delay, a slightly filtered echo response to keep things warm, and some modulation. Modulation, or “Wow and Flutter” in the tape world is a slight pitch shift or wavering that occurs as the tape is pulled across the heads. The modulation we use is similar to what we use in our Seafoam Chorus, a slight wavering of pitch on the trails of the repeats. With a simple set of controls for the delay – Time, Regen, and Level and with the “Wow and Flutter” controls – Depth and Rate you can create some very vintage or rather unique tones.
ECHO CONTROLS
Delay Time – This Time control roughly sets the length between your repeats between 40ms and 600ms. This range is well suited for classic, vintage delay sounds that are great for slap-back or medium length delay times.
Regen – This control sets the number of repeats. You can set this for a single slap back echo or turn it up for a runaway, self-oscillating or self-regenerating echoes. (Now go back and twist the Time control for some crazy sounds!)
Delay Level – The Level control is your mix, how loud you want to hear the echoes.
WOW AND FLUTTER CONTROLS
Depth – Turn this control to achieve deeper and deeper chorusing and pitch shifting on your echoes. As you raise the control the Depth and Rate LED will start to glow giving you a visual indication as to the amount of modulation you are applying to the repeats.
Rate – This is your Flutter control. It’s another way to control how poorly your tape echo is performing! Not that any tape deck was every in this bad of condition, but it sure sounds good to have a little pitch modulation on your echo! Using these controls gives you a nice way to create unique and very musical delays.
Whether you’re into Rockabilly slap-back echoes, experimental sounds, or just want a great classic rock sounding echo, the Magnetic Echo will sound great in your rig.
Keeley Electronics started to develop and produce this delay way back in 2005. But as things happened, we worked on other projects, always keeping an eye on the growing delay and echo market. We sure you will be very happy with the tone of this echo/delay/modulation effect.
Keeley Enginnering Katana Clean Boost V2 Effects Pedal USED
$ 210.00
This pedal is in very good condition. Very little wear on pedal. Comes with original box. Does NOT come with power supply.
Effect Type: Boost
Boost Amount: +35dB
Controls: Footswitch, Volume Knob, Pulled out Volume Knob for Boost
Kemper Profiler Stage Guitar Effects Pedal
$ 1,799.00 $ 2,572.50
PROFILER STAGE overview:
PROFILER STAGE™ is an ultra compact, full featured Profiling Amplifier designed for gigging guitar and bass players. PROFILER STAGE brings all of the power and versatility of the Profiler and Remote in a compact, highly portable format for the musician on the go. The sturdy metal housing weights just 10 lbs (4.6 kg) and the super small footprint is only 50% larger than a Remote Foot Controller.
Made with international touring in mind, the built in power supply automatically adjust to all local power standards. Professional musicians will love unique features such as two effect loops and dedicated stereo monitor and balanced main outputs. On top, to boost your performance, up to four pedals can be connected.
Features and specifications:
- Large, super bright display. Designed with sunshine in mind
- Backlit buttons and labels, made for dark stages
- Connections: USB / SPDIF / Headphone / Main mix / Monitor Mix / FX Send / 4 x Pedal
- Dimensions: 47 cm (w) x 26 cm (d) x 8,5 cm (h) / 18.5" (w) x 10.24" (w) x 3.35" (h)
- Weight 4,6 kg / 10.14 lbs
What’s in the box:
- Kemper Profiler Stage
- ICU Power Cable
- Printed Manual
Line 6 DL4 MKII Delay And Looper
$ 329.99 $ 461.98
DL4 MkII
Delay Modeler
The DL4™ MkII includes everything in the original DL4 Delay Modeler, while introducing 15 new MkII delays drawn from our HX® family of amp and effects processors and both 4-Switch and 1-Switch loopers with up to 240 seconds of record time (expandable to several hours using an optional microSD card). There's also an XLR microphone input, MIDI In and Out/Thru connectors, heavy duty footswitches, three bypass options, and a jack for connecting an optional expression pedal or two additional footswitches. The DL4 MkII is also smaller and lighter than the original, making it an even more appealing choice for modern musicians.
Features
• 15 new MkII delay models
• 15 original DL4 delay models
• 15 “secret” reverb models
• An improved Looper, plus a new 1 Switch Looper option, offering 240 seconds
mono or 120 seconds stereo record time—and much longer with a microSD™
card (not included)
• 128 customizable preset locations (6 via footswitches, and an additional 122
via MIDI)
• MIDI IN, OUT/THRU, and USB MIDI for preset, parameter, and Looper control
• Stereo in/Stereo out, via 1/4" (unbalanced) jacks
• True analog bypass, as well as options for DSP or Buffered bypass
• Tap Tempo and MIDI Clock tempo sync
• 4 on-board, multi-function footswitches with colored LED indicators
• External expression pedal + footswitch (or dual external footswitch) connectivity,
configurable for preset, parameter, or Looper control
• XLR Mic In, with built-in preamp and input level adjustment
• USB C for external MIDI control and easy firmware updating
Line 6 HX Stomp Multi-Effects Processor Pedal
$ 699.99 $ 979.98
The Line 6 HX Stomp delivers award-winning Helix line tones in a stompbox format. This lets you easily add pro-level multi-effects processing to your existing pedalboard, or replace it entirely. It provides programmable amp/cab/effects/IR versatility that seamlessly integrates into a host of playing and recording needs. HX Stomp can be used as a multi-effects stompbox, a super-portable amp/effects rig, or an audio interface.
Access over 300 amps, cabs and effects
Line 6 HX Modeling technology allows HX Stomp to run up to six processing blocks at the same time. It is the same HX modeling technology that powers the flagship Line 6 Helix guitar processor. The HX Stomp multi-effects processor includes over 300 amps, cabs and effects, including a looper. You will also find the Line 6 legacy library from M-Series pedals. Plus, it includes classic Line 6 stompbox modelers, such as the DL4, MM4, FM4 and DM4. There are presets created specifically for bass players, as well as individual bass amp and cab models.
Amazing versatility in a compact format
Additional features include a choice of true bypass and DSP bypass with trails for natural decay. Its stereo effects loop allows you to patch other pedals into the signal chain. There’s even a jack for connecting up to two external footswitches or expression pedals. External control via MIDI and optional expression pedal and footswitch control provide additional flexibility.
Line 6 HX Stomp features extensive MIDI control, IR (impulse response) loading capabilities and a multichannel 24-bit/96kHz USB audio interface. The free HX Edit app allows you to customize nearly every aspect of the pedal’s operation, and to create, save and load presets. It also provides preset librarian capabilities, IR loading and more.
Player-minded usability
In addition to its highly portable platform, HX Stomp is easy to use, thanks to its simple control layout, 320 x 240-pixel color LCD screen, and three capacitive-sensing footswitches with color-coded LED rings. Its I/O may be configured for sophisticated routing. That includes simultaneously feeding an amp and a front-of-house mixer, 4-cable method operation with an amplifier (with an effects loop), and easy studio re-amping.
Whether you need a backup for your Helix or other rig, a fly rig that will fit into a duffle bag with room to spare for cables and additional pedals, a convenient practice and rehearsal rig, or a complete guitar and effects studio recording setup, the HX Stomp multi-effects pedal provides the perfect solution. It even fits into the top pocket of a Helix Backpack.
Features
- Utilizes the same DSP chip and HX Modeling as Helix
- Compact yet extremely powerful
- Highest possible audio quality throughout, plus both true bypass and DSP bypass with trails
- Over 300 effects and models from Helix, M-Series, and legacy Line 6 products
- Up to 6 simultaneous amp, cab, and effect blocks (including a looper and IR loading) provide extensive tone-crafting options
- A complete guitar or bass rig in one pedal
- 3 capacitive-sensing footswitches with color-coded LED rings facilitate ease of use and fast editing
- Split/parallel signal paths provide flexible routing for both simple and complex signal chains
- TRS dual expression pedal/footswitch input extends creative control capabilities
- Stereo effects loop (mono/stereo TRS send + stereo returns) facilitates use with other pedals
Line 6 Pod Express Compact Effects Pedal
$ 179.99 $ 259.18
Take It Anywhere
POD® Express Guitar is an ultra-portable amp and effects processor that enables guitarists to take their tones wherever they choose. Simple controls make it easy to use, while models derived from the HX® family of processors ensure exceptional sound quality and authentic feel. POD Express Guitar gives guitarists seven amps, seven cabs, and 17 distortion, modulation, reverb, and delay effects—including a looper—and it may be powered by three AA batteries (included) or an optional 9-volt power supply.
Line 6 POD Express Guitar Features:
- Ultra-portable design can go anywhere you go
- 7 amp models, 7 cab simulations, and 17 effects based on Line 6's cutting-edge HX-derived technology
- Simple control set makes dialing in tones a straightforward affair
- Can be powered by either batteries or an optional power supply (sold separately)
- Includes tap tempo, a tuner, a noise gate, and a full-featured looper
- Stereo main outputs and a stereo headphone output
- Built-in USB-C audio interface for effortless recording, monitoring, and re-amping
- Accommodates an optional expression pedal or 2 external footswitches
Info
Shop
News & Updates
Sign up to get the latest on sales, new releases and more …
© 2025 Huber Breese Music. Powered by Shopify
