Effects
Genzler Crash Box 4 Effects Pedal
$ 239.99 $ 279.98
GENZLER® AMPLIFICATION proudly announces the third effects pedal in the product line, the CRASH BOX 4™, CLASSIC BASS DISTORTION.
This new model continues the collaboration of the GENZLER AMPLIFICATION design team and Andy Field, former Genz Benz engineer. Together they possess decades of innovative audio product design and manufacturing expertise. The GENZLER® AMPLIFICATION pedal line continues to explore a variety of pedal concepts based on their decades of collaboration together, looking back into hundreds of pages of their old design ideas, and to explore interesting concepts and blending them with new innovations. A retrospective of sorts, this is a chance to dig into their collective experiences to develop what they feel players would use and appreciate, going forward.
And now the new CRASH BOX 4™ takes up where their original 4 ON THE FLOOR™ Classic Overdrive Pedal leaves off. While the 4-OTF compares to the smooth, effortless shifting of a syncro-mesh, manual transmission —- the CRASH BOX 4™ is reminiscent of the rough shifting, gear grinding, non-syncro straight-cut, gear boxes in vintage off-road vehicles and heavy trucks – often called “heavy metal” vehicles.
Description
The new CRASH BOX 4 PEDAL is an ALL-ANALOG distortion pedal that dynamically emulates 4 different distortion types found in popular tube and solid-state distortion circuit topologies and then gives the player additional flexibility and control over drive/gain, distortion path (only)–high pass and low pass filters and separately a clean signal path blend. The result is the ability to tailor and fine tune the distortion to fit a wide spectrum of music and playing techniques, without the loss of touch sensitivity, musicality, or the addition of excess noise.
1st GEAR: Reminiscent of a tube amp’s moderately driven channel (including natural harmonics) with a bit of compression when driven hard. Many players will find that this works well as a mellow/milder, smoother overdrive/distortion with plenty of even ordered harmonic richness , and dimensional texture.
2nd GEAR: Emulates a tube amp’s more heavily overdriven tone, with more odd order harmonics and compression, depth and top-end. While moderately compressed, there is still plenty of depth of tone, dynamics and feel present.
3rd GEAR: An aggressive up-shift from 2nd gear, this heavier and edgier distortion is higher in odd order harmonics as well as having greater compression for a tighter feel. The harder you dig in, the thicker the harmonics and texture, and the more compressed the feel, with greater sustain.
4th GEAR: This is the most aggressive gear of all — a heavy, symmetrical, mostly odd order harmonics style distortion. While there are a lot of harmonics and compression present, this gear does not give up tone but adds additional crush and increased sustain.
The CRASH BOX 4 is a dynamic and versatile distortion pedal and is an excellent compliment with our other pedals and either of our MAGELLAN 350 or MAGELLAN 800 bass amps.
Features:
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- Black Lightweight Aluminum Chassis
- Rugged Stomp Switches
- Low-noise, Silent Switching Circuitry
- High-Pass and Low-Pass Filter (Distortion Engine Only)
- 4 Position Distortion “Gear” Selector Switch
- Parallel Clean Signal Path
- High/Low Drive Sensitivity Switch
- Accepts Power Supplies From 9VDC – 18VDC (low noise type), Either Polarity (auto detecting) 40mA Max — (Power Supply Not Included)
- Dimensions: 5”W X 4.1”D X 2.3”H
- Weight: 1 Lb.
Specifications
- Power Supply: 9VDC-18VDC (low noise type), either polarity (auto-detecting), 40mA max (Power supply not included).
- Input Impedance: >1M ohm
- Output Impedance: 1k ohm
- Overdrive Engine Input HPF: 30Hz – 200hz
- Overdrive Engine Output LPF: 1kHz – 14kHz
- Input Sensitivity (nominal): -20dBu (high sensitivity), -10dBu (low sensitivity)
- Maximum Input Level: 0dBu (9V supply), +5dBu (12V supply), +10dBu (18V supply), high sensitivity, DRIVE at 9:00
- Maximum Input Level: +5dBu (9V supply), +12dBu (12V supply), +18dBu (18V supply), low sensitivity, DRIVE at 9:00
- Maximum Output Level: +9dBu (9V supply) +14dBu (12V supply), +20dBu (18V supply)
- Dimensions: 5” (127mm) W x 4.1” (104mm )D x 2.3” (59mm)H
- Weight: 1.1 lb (0.5kg)
Genzler Re/Q Dual Function EQ Pedal
$ 244.99 $ 285.98
GENZLER® AMPLIFICATION proudly announces the addition of a second pedal from the “redux collaboration” that brings Jeff Genzler and engineer Andy Field back together again — developing a new line of bass effect pedals under the Genzler Amplification brand.
The GENZLER® AMPLIFICATION pedal line will explore a variety of pedal concepts based on their decades of collaboration together, looking back into hundreds of pages of their old design ideas, and to explore interesting circuits that were started but never used, blending them with new innovations. A retrospective of sorts, this is a chance to dig into their collective pasts to develop what they feel players would use and appreciate, going forward.
And now, the introduction of the second model in the line —- the Re/Q — DUAL FUNCTION EQUALIZATION pedal, which offers 2 specific and separate filter networks, HPF and LPF filters with on/off switching and a 5 band EQ network, with its own on/off switching. And the EQ network provides an EQ Output level of +/- 9dB. This versatile design allows the pedal to be used as a clean boost, and is a great combination with the 4 ON THE FLOOR, CLASSIC BASS OVERDRIVE pedal. This pedal also offers another level of versatility as it accepts nearly any power supply; 9 – 18 Volts, either polarity. (Power supply not included).
Description
The re/Q™ DUAL FUNCTION EQ PEDAL is a low noise, ALL ANALOG multi-function HIGH PASS FILTER – LOW PASS FILTER and 5 BAND EQ pedal that gives the player complete tonal control over the cut-off of the extreme low and high frequencies, plus 5 bands of peak-dip equalization. The filter section is foot switched independently from the EQ section, and there is additional make-up gain or cut after the EQ for balancing of levels or to act as an additional boost/cut function when the EQ is switched into the signal path. The re/Q is also a great companion to our 4 ON THE FLOOR Classic Overdrive Pedal. It can be used to tailor your instrument’s tone for various overdrive settings, or increased boost levels for any of the Overdrive gears.
There are a wide variety of uses for the re/Q and is an excellent compliment to either of our MAGELLAN 350 or MAGELLAN 800 bass amps.
Features:
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- Lightweight Aluminum Chassis
- Rugged Stomp Switches
- Low-noise, Silent Switching Circuitry
- High-Pass and Low-Pass Filter
- 5 Band Fixed EQ Network
- EQ Output Level Control
- Accepts Power Supplies From 9VDC – 18VDC (low noise type), Either Polarity (auto detecting) 40mA Max — (Power Supply Not Included)
- Dimensions: 6”W X 4.1”D X 2.3”H
- Weight: 1.3 Lbs.
Specifications
- Input Impedance: >1M ohm
- Output Impedance: 1k ohm
- HPF: 30Hz – 200hz
- LPF: 1kHz – 14kHz
- EQ Filter Points:
- LOW: 90 Hz
- LOW MID: 250Hz
- MID: 630Hz
- HIGH MID: 1.3kHz
- HIGH: 2.6kHz
- EQ Band Control Range: +/- 12dB
- EQ Output Level Control Range: +/-9dB
- Input Sensitivity (nominal): -10dBu to -20dBu (instrument level)
- Input Level (maximum): 0dBu (9V supply), +5dBu (12V supply), +10dBu (18V supply)
- Output Level (nominal): -10dBu to -20dBu (instrument level)
- Output Level (maximum): +9dBu (9V supply) +14dBu (12V supply), +20dBu (18V supply)
- Power Supply: 9VDC-18VDC (low noise type), either polarity (auto-detecting), 40mA max (Power supply not included)
- Dimensions: 6” (127mm) W x 4.1” (104mm )D x 2.3” (59mm)H
- Weight: 1.3 lb (0.6kg)
Ibanez '80s Soundtank AW-5 Autowah Effects Pedal USED
$ 75.00
This pedal is in good condition, small amounts of wear on pedal enclosure.
Specifications
- Effect Type: Auto Wah/ Filter
- Controls: Range Knob, Depth Knob, Sens Knob, Footswitch
- Input: 1/4" TS
- Output: 1/4" TS
Ibanez BIGMINI Chromatic Tuner Pedal
Sold Out $ 85.70
The BIGMINI is a compact chromatic tuner pedal that features two different modes: needle and strobe. The tuning range is from A0 (27.5 Hz) to C8 (4186 Hz), which allows for accurate detection of the low B on a 5 string bass. The pedal has adjustable calibration from 435Hz to 445Hz and features a flat mode for additional tuning flexibility. A true bypass switch provides the shortest, most direct signal path for the cleanest possible sound, while the bright LED display is clear and easy-to-read on even the darkest stages.
•Tuning Range: A0(27.50Hz) - C8(4186Hz)
•Calibration: A4 = 435 - 445 Hz
•Drop tune: Flat 4 semitones
•Required Current: 14mA@9V
•Power Supply: External DC 9 volt AC adapter(Center-negative)
Features:
Controls
Tuning mode: Needle mode - Strobe mode
True bypass
True bypass switching provides the shortest, most direct signal path, as well as the cleanest tone.
Input is on the right side. Output is on the left side.
Required Current
Required Current: 14mA@9V
Power Supply: External DC 9 volt AC adapter(Center-negative)
Ibanez TS-808 Tube Screamer Overdrive Pro Effect Pedal
$ 179.99 $ 257.13
The Ibanez Tube Screamer, in its many versions and forms, can be found on pedal boards in every corner of the globe, on arena stages, in small studios, and bedrooms. Its warm overdrive is a sound many players, from advanced to beginner, could never do without.
Modeling and boutique pedal makers have copied the smooth and full tone of this pedal countless times. Now you can have Ibanez's faithful reissue at a price that doesn't break the bank. The reissue includes the JRC 4558D IC chip and analog circuitry, and features traditional overdrive, level, and tone controls.
•Overdrive, Tone and Level controls
•Required Current: 8mA@9V
•Power Supply: One 9 volt battery (006P) or external AC adapter (Use only DC 9V (Center-negative)), Converter Cable included.
Features:
Controls
Overdrive, Tone and Level.
Input is on the right side. Output is on the left side.
Required Current
Required Current: 8mA@9V
Power Supply: One 9 volt battery (006P) or external AC adapter (Use only DC 9V (Center-negative)), Converter Cable included.
Made In Japan
Ibanez Tube Screamer Mini Guitar Effect Pedal
Sold Out $ 114.27
For the guitarist who's looking to pack more onto to the pedal board, Ibanez offers the Tube Screamer Mini. Manufactured in Japan and measuring in at 1.375" wide and 3.5" long, the TSMINI has all the features that have made the TS808 a legend, including Overdrive, Tone and Level controls, analog circuitry and the legendary JRC4558 IC chip.
Features
- Controls: Overdrive, Tone and Level
- JRC4558D IC chip
- Analog circuitry
True-bypass switching
- Power supply: External AC adapter only (sold separately)
- Made in Japan
- Dimensions: 1.375"W x 3.5"L x 1.625"
Ibanez Tube Screamer Overdrive Pro TS-808 45th Anniversary
$ 199.99 $ 240.00
The TS808 has made its way onto the pedal boards of countless musicians and guitar lovers since its debut in 1979. 2024 marks its 45th anniversary and in celebration, Ibanez is releasing a limited edition TS808 featuring a special sapphire blue housing.
Specifications:
•Limited production
•45th-anniversary sapphire blue housing
•Overdrive, Tone, and Level controls
•Power supply: One 9 Volt battery or External DC 9 Volt AC Adapter (Center-Negative), Converter Cable included.
JHS Morning Glory V4 Overdrive Effects Pedal
$ 199.00 $ 258.70
The Morning Glory is undoubtedly our most well-known overdrive pedal, winning more awards and receiving more accolades than any of our other designs. We worked hard to make it one of the most transparent overdrives out there. When you want to add some mid- to low-level grit to your crystal-clean tone, use the Morning Glory. When you want to boost a crunchy tone into thicker sustain, use the Morning Glory. When you need to add tube-like touch response to a less-than-ideal amp, use the Morning Glory. When you need to switch between two gain levels on the fly...Yeah, you get the idea.
TRULY TRANSPARENT TONE
The best way to explain the Morning Glory is that it delivers all the tonal and responsive nuance that your amp is missing, and nothing that your tone already has. It’s difficult describing a pedal that can be set to have little effect on your tone, so just plug into our Morning Glory overdrive for yourself, and then you’ll understand.
- Gain control sweeps from completely clean to rock‘n’roll
- Tame high end on brighter rigs with the side-mounted bright-cut switch
- Increased headroom and output for use as a full-frequency boost
ON-THE-FLY VERSATILITY
An update for the Morning Glory V4 is moving the original's front-mounted bright-cut switch to the side of the pedal and replacing it with a powerful boost circuit. And by pairing your Morning Glory V4 with the JHS Red Remote (sold separately), you’re able to access the boost mid-song. It’s like having two Morning Glorys in one pedalboard-friendly package.
- Switch to a more powerful sound with enhanced low end and grit
- Plug in your JHS Red Remote to switch between the two voices with a tap of your toe
- Handy LED changes from blue to red, indicating the status of the boost circuit
VERSION HISTORY:
V1 = Bigger white enclosure with black knobs; no bright-cut switch; no logo.
V2 = Changed to smaller current enclosure; gold powder coat color.
V3 = Bright-cut toggle added.
V4 = Two times more headroom; Gain Toggle added; Red Remote system added.
JHS Pedals Active A/B/Y Effects Pedal
Sold Out $ 170.00
The JHS Pedals Active A/B/Y is the perfect solution when you need to send one signal to two outputs with the ability to choose either output (or both) on the fly.
Just plug in your instrument cable (or patch cable) into the input, then use the outputs to send signal to any combination of amplifiers, interfaces, mixing board, or anywhere else you want to send your signal. Once hooked up, use the left footswitch to select between A and B channels. When the LED is red, the A channel is engaged. When the LED is green, the B channel is engaged. Hit the right “Y” footswitch to engage BOTH channels for full stereo output. Because the Active A/B/Y has an output transformer on one of the outputs, there is no need for a ground lift as the transformer eliminates any hum.
The Active A/B/Y has a high impedance buffered input. The outputs are isolated from each other to eliminate ground loops. The transformer isolated output, the A channel (red LED), has a signal polarity reversal switch that can be used in cases where there is signal cancellation. When the side switch is pushed in, the polarity is inverted. The signal polarity reversal switch only applies to the A channel (red LED).
With an output transformer, FET transistors for completely silent switching, the capability to use one or both outputs simultaneously, the JHS Pedals Active A/B/Y will be the one pedal that you can never leave home without!
JHS Pedals Mini A/B Effects Pedal
$ 65.00 $ 86.00
There are two types of players, those that utilize an A/B box like our Mini A/B here, and those that don’t know what they’re missing. Add one to your pedalboard, and you’ll find the Mini A/B is full of indispensable benefits on the gig, in the studio, or even at home. At its core, the simple footswitch design selects between a pair of ¼” jacks on the left side of the unit. Hook one up and you’ll instantly be switching between amps, quickly swapping guitars between songs, using it to isolate your tuner from your signal, killing your stage sound as a mute, and more. And with its adorably tiny footprint, the Mini A/B will fit on even the most cramped pedalboards.
THE DO-IT-ALL SWITCH
How many ways you utilize the JHS Mini A/B is only limited by your necessity. While it may not be a modulation pedal or fuzz (don’t worry, we have those for you too: Mini Foot Fuzz, Emperor), you’ll be hard pressed to find a pedal you step on more than this little gem.
- Instantly swap between two instruments
- Perfect for switching tones on dual-amplifier rigs
- Isolate your tuner from the signal chain, while achieving silent onstage tuning
- Leave output unplugged for a convenient mute function
CONVENIENT LOW-PROFILE DESIGN
Like its name suggests, the Mini A/B is a bite-sized wonder. We can achieve that because of its passive design, which also means it won’t cause any tonal loss. However, we did choose to include a bright LED indicator, letting you know which jack is selected. Don’t need that light? Just unplug the power cable. The Mini A/B will still work just fine.
- Small size is ideal for saving pedalboard space
- LED indicator tells you which ¼” you have selected
- Can run perfectly without power
- Built rugged
JHS Pedals Red Remote Pedal
$ 45.00
Use our new Red Remote with select JHS Pedals to remotely activate the on-board toggle found on the pedal itself. By connecting the Red Remote to a Red Remote equipped pedal with any 1/4” instrument cable, this essentially acts as an on-the-fly switcher to give you more tonal options in any setting. The Red Remote is currently compatible with the following JHS Pedals:
- MORNING GLORY V4
- SUPERBOLT V2
- TWIN TWELVE V2
- DOUBLE BARREL V4
- KILT V2
- SWITCHBACK
When using the Red Remote, the remote itself will act as the toggle, therefore disabling the pedal's onboard toggle switch. For example, if you have our Red Remote plugged into the SuperBolt, the SuperBolt's "GAIN" toggle will be deactivated and the Red Remote will switch the toggle on/off as you step on the footswitch.
To use the Red Remote, plug the remote into the jack of the pedal labeled "REMOTE..." ...this jack will have a red washer to denote it is the appropriate jack to plug the Red Remote into.
Keeley Engineering Compressor Pro Effect Pedal
$ 299.00 $ 349.99
Keeley Compressor Pro. The stomp-box sized compressor/limiter is made in Oklahoma, USA and engineered to be an indispensable tool for your musical endeavors. It is in no way limited to be used with only guitar. It has been designed to work as a studio compressor accepting any range of inputs and a frequency response and noise level matching the finest compressors made.
Introduction of Features
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Compression LED Display – 7 Segment LED display for fast and accurate metering of compression and gain reduction. Gain Reduction Levels of -1dB to -20dB are indicated.
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Threshold LED Indicator – Bi-Color LED to indicate when compression is initiated and released.
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Exact RMS Analysis (ERA) – Senses the true RMS value of the input program material such as your guitar, bass or drum machine.
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Hard/Soft Knee Compression – Hard Compression for limiting or adding sustain, soft knee or Komfort Kompression for gentle compression, keeping performances lively and natural sounding without potential phase issues in parallel, or blending style compression.
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Auto Mode – Program dependent Attack and Release times. Set to Auto ON for worry-free performance and automatic Attack and Release times.
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True-Bypass – No tone or signal loss when OFF
General Compressor Usage
The Keeley Compressor Pro is designed to be used at home or in the studio for creating full sounding recordings of any instrument. In live situations, the Compressor Pro can be used to achieve full sounding, polished performances as well as protect amplifiers and speakers from overload. The Comp Pro is designed to work with any instrument from voice and guitar to keyboard, bass, or drums. Use it when creating a podcast or YouTube videos to maintain professional performance levels. Use it around the home to create tons of sustain while at low volumes or low gain settings!
Device Controls
THRESHOLD, RATIO, ATTACK, RELEASE, GAIN, KNEE, & AUTO
THRESHOLD Control and LED – This is probably the most important control on the Comp Pro. It is adjusted to determine when the compressor is working or when sound is being passed through unaffected. The Threshold control is turned down or CCW until the THRESHOLD LED turns Red as you play your instrument. When the THRESHOLD LED turns Red the Comp Pro is actively compressing your signal. If the LED is Green, the Comp Pro is not compressing and sound is passed through unchanged.
Range of Adjustment is from -50dBu to +10dBu. 2.45mVRMS to 2.45VRMS – Pro Audio (studio) Levels are +4dBu Consumer Audio Levels are -10dBu. Passive guitar or bass pickups are typically about -25dBu to 2.5dBu.
RATIO Control – “the Compression Knob”, Ratio is the amount of compression you set the Comp Pro for. You can set it from No Compression (1:1) when all of the way off or CCW. You can set it as high as Infinite Compression (∞:1) which means that the output level will never increase in output level no matter how loud the input. This type of setting can be used for hard-limiting to protect recording or speakers or in some cases for guitar effects like chicken-pickin’.
ATTACK Control – Attack Times between 0.15ms and 150ms. Controls the time it takes for the Comp Pro to start compressing.
RELEASE Control – Release Times between 0.1s to 3s. Controls the time before the Comp Pro releases or stops compression .
GAIN Control – This is the output level of the compressor. It does not affect the compression controls like THRESHOLD, RATIO, ATTACK or RELEASE. It is for make-up gain if you set for heavy compression gain reduction. +20dB of boost is possible.
KNEE Switch – Hard Knee/Soft Knee. Hard Knee Compression follows a hard fast rule: If THRESHOLD is met, then Compress at this RATIO. Soft Knee is Komfort Kompression. It’s a way to keep compressed guitar or instrument parts sounding lively and dynamic, without the “blanket” of compression found in many types of compressors.
AUTO Switch – OFF/ON – Set to ON in most cases for automatic setting of Attack and Release Times. This will sound natural and work in a very large number of cases. The Comp Pro looks at the input signals like guitar, bass, vocals or drums and determines the correct attack and release times depending on what you’re playing and what signal levels are being detected.
Good Compression Settings
SMOOTHING – Changes in signal level happen when the singer moves away from the microphone or when a guitar player may not use perfect technique in controlling their dynamics, i.e. less than perfect picking hand technique. To smooth changes in dynamics use the Comp Pro for low to medium compression. Set AUTO Switch to ON. Adjust the Compression RATIO Control to 2:1 to 4:1 for example. Set the Gain Reduction LEDS by adjusting the THRESHOLD Control to indicate 3-9 dB of gain reduction on the 7 Segment LED Bar. Adjust GAIN Control if needed. Set KNEE Switch to SOFT. Now play slow and steady chord work, list to how toggling the KNEE switch back and forth Hard/Soft affects your tone and the attack or punch of the notes as well as the release.
SUSTAIN – To add sustain to guitars or keyboards start with a higher Compression RATIO setting for example 10:1 to ∞:1, Set THRESHOLD Control so that THRESHOLD LED turns Red for average level of your guitar or performance, the LED stays red about half the time. You can set the KNEE Switch to HARD or SOFT, SOFT may seem more transparent.
CHICKEN PICKING COMPRESSION – Set RATIO Control to 5:1 to 10:1, a quick RELEASE Time of .5s to 1s. ATTACK Time for quick attack 10-50ms and THRESHOLD Control set to give you 9-12dB of Gain Reduction/Compression on the 7-Segment COMPRESSION LED Array. This will typically give you compression artifacts or effects like a breathing or pumping sound.
BASS BOOM AND SLAP – For a punchy bass guitar sound set the Comp Pro for a medium to high Compression RATIO (6:1 to 10:1) and adjust the THRESHOLD so that the -12dB and sometimes -20dB COMPRESSION LEDs are lit while playing. Set KNEE to Hard mode. That will make the bass punchy and slap a bit harder, reducing boominess. Try Soft KNEE for a a different feel. Set AUTO On.
PREVENT DIGITAL DISTORTION – Set Keeley Compressor Pro as a Hard Limiter by turning RATIO control all of the way up to Infinity to One compression ratio. Set KNEE for Hard. By adjusting the final Gain level to your clipping lights on the digital recorder, you can insure you won’t ruin recordings or get unwanted distortions.
SPEAKER PROTECT (Concerts, Churches, Sound Systems and P.A.s) – You can use the compressor as above as a Hard Limiter. If when playing you hear distortions from your sound reinforcement equipment you can reduce the THRESHOLD, increase RATIO, and reduce GAIN to achieve perfect results. This is where it might be nice to use your Keeley Compressor Pro as the last effect in your signal chain as it can prevent different effects from getting too loud or being added together to drastically increase output volume.
NEVER LEAVE HOME WITHOUT YOUR KEELEY COMP PRO – The Compressor Pro makes the perfect booster or driver for your rig! You can always set the RATIO control for 1:1 compression (otherwise known as No Compression) and use the GAIN to push your amp, pedals, speakers, or other guy out of the way! Once you have learned your new Comp Pro there will never be a reason not to use it.
Keeley Engineering Magnetic Echo Pedal
$ 149.00 $ 249.00
Keeley Magnetic Echo – The Mag-Echo pedal simulates tube tape echo sounds by using the delay circuit and a little bit of modulation. Tape echos have long been regarded as a warm and very guitar friendly form of delay. The Mag-Echo achieves similar results by using a touch of Lo-Fi delay, a slightly filtered echo response to keep things warm, and some modulation. Modulation, or “Wow and Flutter” in the tape world is a slight pitch shift or wavering that occurs as the tape is pulled across the heads. The modulation we use is similar to what we use in our Seafoam Chorus, a slight wavering of pitch on the trails of the repeats. With a simple set of controls for the delay – Time, Regen, and Level and with the “Wow and Flutter” controls – Depth and Rate you can create some very vintage or rather unique tones.
ECHO CONTROLS
Delay Time – This Time control roughly sets the length between your repeats between 40ms and 600ms. This range is well suited for classic, vintage delay sounds that are great for slap-back or medium length delay times.
Regen – This control sets the number of repeats. You can set this for a single slap back echo or turn it up for a runaway, self-oscillating or self-regenerating echoes. (Now go back and twist the Time control for some crazy sounds!)
Delay Level – The Level control is your mix, how loud you want to hear the echoes.
WOW AND FLUTTER CONTROLS
Depth – Turn this control to achieve deeper and deeper chorusing and pitch shifting on your echoes. As you raise the control the Depth and Rate LED will start to glow giving you a visual indication as to the amount of modulation you are applying to the repeats.
Rate – This is your Flutter control. It’s another way to control how poorly your tape echo is performing! Not that any tape deck was every in this bad of condition, but it sure sounds good to have a little pitch modulation on your echo! Using these controls gives you a nice way to create unique and very musical delays.
Whether you’re into Rockabilly slap-back echoes, experimental sounds, or just want a great classic rock sounding echo, the Magnetic Echo will sound great in your rig.
Keeley Electronics started to develop and produce this delay way back in 2005. But as things happened, we worked on other projects, always keeping an eye on the growing delay and echo market. We sure you will be very happy with the tone of this echo/delay/modulation effect.
Keeley Enginnering Katana Clean Boost V2 Effects Pedal USED
$ 210.00
This pedal is in very good condition. Very little wear on pedal. Comes with original box. Does NOT come with power supply.
Effect Type: Boost
Boost Amount: +35dB
Controls: Footswitch, Volume Knob, Pulled out Volume Knob for Boost
Kemper Profiler Stage Guitar Effects Pedal
$ 1,799.00 $ 2,572.50
PROFILER STAGE overview:
PROFILER STAGE™ is an ultra compact, full featured Profiling Amplifier designed for gigging guitar and bass players. PROFILER STAGE brings all of the power and versatility of the Profiler and Remote in a compact, highly portable format for the musician on the go. The sturdy metal housing weights just 10 lbs (4.6 kg) and the super small footprint is only 50% larger than a Remote Foot Controller.
Made with international touring in mind, the built in power supply automatically adjust to all local power standards. Professional musicians will love unique features such as two effect loops and dedicated stereo monitor and balanced main outputs. On top, to boost your performance, up to four pedals can be connected.
Features and specifications:
- Large, super bright display. Designed with sunshine in mind
- Backlit buttons and labels, made for dark stages
- Connections: USB / SPDIF / Headphone / Main mix / Monitor Mix / FX Send / 4 x Pedal
- Dimensions: 47 cm (w) x 26 cm (d) x 8,5 cm (h) / 18.5" (w) x 10.24" (w) x 3.35" (h)
- Weight 4,6 kg / 10.14 lbs
What’s in the box:
- Kemper Profiler Stage
- ICU Power Cable
- Printed Manual
Korg BPX-3 Bass Synth & PK-13 Pedals USED
Sold Out
**This product is used and in full working condition. There is some signs of wear being a vintage piece. The devices have been attached to a piece of removable plywood. The price has been adjusted accordingly.
Serial Number: 400490
Korg BPX-3 Bass Synthesizer module & PK-13 Pedals
Made in Japan
Specs
- Control: 4 Preset Sound
- Tune: +/-50-90 cent
- Click
- Equalizer: 2 Band (Bass, Treble)
- Attack: 1-4 Sustain Level, Decay 0-1 Second
- Sustain: 0-2 Second
- Bass Volume
- Master Volume
- Sustain Off
- Ex in 1, 2: For Rhythm, Organ, Others
- Out Put
Line 6 DL4 MKII Delay And Looper
$ 329.99 $ 461.98
DL4 MkII
Delay Modeler
The DL4™ MkII includes everything in the original DL4 Delay Modeler, while introducing 15 new MkII delays drawn from our HX® family of amp and effects processors and both 4-Switch and 1-Switch loopers with up to 240 seconds of record time (expandable to several hours using an optional microSD card). There's also an XLR microphone input, MIDI In and Out/Thru connectors, heavy duty footswitches, three bypass options, and a jack for connecting an optional expression pedal or two additional footswitches. The DL4 MkII is also smaller and lighter than the original, making it an even more appealing choice for modern musicians.
Features
• 15 new MkII delay models
• 15 original DL4 delay models
• 15 “secret” reverb models
• An improved Looper, plus a new 1 Switch Looper option, offering 240 seconds
mono or 120 seconds stereo record time—and much longer with a microSD™
card (not included)
• 128 customizable preset locations (6 via footswitches, and an additional 122
via MIDI)
• MIDI IN, OUT/THRU, and USB MIDI for preset, parameter, and Looper control
• Stereo in/Stereo out, via 1/4" (unbalanced) jacks
• True analog bypass, as well as options for DSP or Buffered bypass
• Tap Tempo and MIDI Clock tempo sync
• 4 on-board, multi-function footswitches with colored LED indicators
• External expression pedal + footswitch (or dual external footswitch) connectivity,
configurable for preset, parameter, or Looper control
• XLR Mic In, with built-in preamp and input level adjustment
• USB C for external MIDI control and easy firmware updating
Line 6 HX Stomp Multi-Effects Processor Pedal
Sold Out $ 979.98
The Line 6 HX Stomp delivers award-winning Helix line tones in a stompbox format. This lets you easily add pro-level multi-effects processing to your existing pedalboard, or replace it entirely. It provides programmable amp/cab/effects/IR versatility that seamlessly integrates into a host of playing and recording needs. HX Stomp can be used as a multi-effects stompbox, a super-portable amp/effects rig, or an audio interface.
Access over 300 amps, cabs and effects
Line 6 HX Modeling technology allows HX Stomp to run up to six processing blocks at the same time. It is the same HX modeling technology that powers the flagship Line 6 Helix guitar processor. The HX Stomp multi-effects processor includes over 300 amps, cabs and effects, including a looper. You will also find the Line 6 legacy library from M-Series pedals. Plus, it includes classic Line 6 stompbox modelers, such as the DL4, MM4, FM4 and DM4. There are presets created specifically for bass players, as well as individual bass amp and cab models.
Amazing versatility in a compact format
Additional features include a choice of true bypass and DSP bypass with trails for natural decay. Its stereo effects loop allows you to patch other pedals into the signal chain. There’s even a jack for connecting up to two external footswitches or expression pedals. External control via MIDI and optional expression pedal and footswitch control provide additional flexibility.
Line 6 HX Stomp features extensive MIDI control, IR (impulse response) loading capabilities and a multichannel 24-bit/96kHz USB audio interface. The free HX Edit app allows you to customize nearly every aspect of the pedal’s operation, and to create, save and load presets. It also provides preset librarian capabilities, IR loading and more.
Player-minded usability
In addition to its highly portable platform, HX Stomp is easy to use, thanks to its simple control layout, 320 x 240-pixel color LCD screen, and three capacitive-sensing footswitches with color-coded LED rings. Its I/O may be configured for sophisticated routing. That includes simultaneously feeding an amp and a front-of-house mixer, 4-cable method operation with an amplifier (with an effects loop), and easy studio re-amping.
Whether you need a backup for your Helix or other rig, a fly rig that will fit into a duffle bag with room to spare for cables and additional pedals, a convenient practice and rehearsal rig, or a complete guitar and effects studio recording setup, the HX Stomp multi-effects pedal provides the perfect solution. It even fits into the top pocket of a Helix Backpack.
Features
- Utilizes the same DSP chip and HX Modeling as Helix
- Compact yet extremely powerful
- Highest possible audio quality throughout, plus both true bypass and DSP bypass with trails
- Over 300 effects and models from Helix, M-Series, and legacy Line 6 products
- Up to 6 simultaneous amp, cab, and effect blocks (including a looper and IR loading) provide extensive tone-crafting options
- A complete guitar or bass rig in one pedal
- 3 capacitive-sensing footswitches with color-coded LED rings facilitate ease of use and fast editing
- Split/parallel signal paths provide flexible routing for both simple and complex signal chains
- TRS dual expression pedal/footswitch input extends creative control capabilities
- Stereo effects loop (mono/stereo TRS send + stereo returns) facilitates use with other pedals
Line 6 POD Go Guitar Multi-Effects Processor- Black
$ 499.99 $ 669.99
With its simple plug-and-play interface, ultra-portable lightweight design, and best-in-class tones, the Line 6 POD Go guitar processor gets you on the road to ultimate tone.
Choose, edit, and control sounds using the large color LCD screen, five push encoders, eight rugged footswitches, and cast-aluminum multi-function expression pedal — and add two external footswitches or a second expression pedal for even more real-time control. All the essential audio connections are at your fingertips, too, including balanced stereo outputs, a duplicate amp out that can be tapped before the Cab/IR, a stereo effects loop, a headphone jack, and even a USB port for accessing the 4-in/4-out audio interface with re-amping.
In addition to its professional-quality amp, cab, and effect models drawn from the acclaimed HX family of effects processors, POD Go supports third-party IR loading, and sophisticated features such as Snapshots enable you to easily access all the tones you’ll need to cover every section of every song. With POD Go, you won’t just take the stage — you’ll own it.
- Best-in-class performance
- Simple Interface with large color display
- Compact, ultra-portable, lightweight design
- 270+ HX and legacy amp and effects models
- Headphone output
- Third-party IR loading
- Stereo effects loop and expression pedal/footswitch input
- Free POD Go Edit app
Line 6 POD Go Wireless Guitar Multi-Effects Processor
$ 599.99 $ 769.99
With its simple plug-and-play interface, ultra-portable lightweight design, and best-in-class tones, the POD Go Wireless guitar processor gets you on the road to ultimate tone. Plus, its onboard Relay wireless receiver and included Relay G10TII transmitter free you to go wherever your inspiration takes you. POD Go Wireless enables a simple and intuitive workflow.
Choose, edit, and control sounds using the color LCD screen, five push encoders, eight rugged footswitches, and a cast-aluminum multi-function expression pedal--and add two external footswitches or a second expression pedal for even more real-time control. All the essential audio connections are at your fingertips, too, including balanced stereo outputs, a duplicate amp out that can be tapped before the Cab/IR, a stereo effects loop, a headphone jack, and even a USB port for accessing the 4-in/4-out audio interface with re-amping.
POD Go Wireless boasts an arsenal of professional-quality amp, cab, and effect models drawn from the acclaimed HX family of effects processors--including classic amps like the Black-panel, Plexi Lead, and Treadplate--as well as supporting third-party impulse response (IR) loading. What is more, sophisticated features such as Snapshots enable you to easily access all the tones you'll need to cover every section of every song. With POD Go Wireless, you won't just take the stage--you'll own it.
LET'S MOVE
Experience the joys of wireless technology with a built-in Relay wireless receiver and included G10TII transmitter, and never worry about cable creep, jack noise, or untimely tangles ever again. Move without restrictions and play where the vibe is right. You're better untethered.
GET GOING
Remarkably light, compact, and portable, the POD Go Wireless guitar processor fits easily into a gig bag--or the optional POD Go Shoulder Bag--making it the perfect on-the-road companion for weekend tours, fly dates, and those last-minute rehearsals. Leave the bulky pedalboards at home and know you're covered with a treasure trove of classic amps, cabs, and effects; and a rugged foot controller for wah, volume, and real-time parameter control--everything you'll need to rock the gig like a pro.
STEP ON IT
With its streamlined plug-and-play Interface, POD Go Wireless gets you up and playing in no time. And editing, storing, and creating presets has never been easier thanks to features like Snapshots, which enables you to create up to four variations within a single preset and seamlessly transition between them without experiencing the audio dropouts and disruption of delay and reverb trails that normally occur when switching between DSP-intensive presets.
SONIC HIGHWAYS
Let POD Go Wireless bring your recording game to a new level, with a pro-quality onboard 4x4 24bit/96kHz audio interface for recording direct to your computer via USB. Re-amping tracks is also a breeze, enhanced by the ability to load third-party speaker cabinet IRs.
Features:
- Best-in-class performance Including HX amp and effects models
- Simple interface with 4.3" (11cm) color LCD for fast and easy tone creation
- Portable, compact, and lightweight design
- Relay G10TII transmitter included
- Color footswitch LEDs indicate type and status of assigned function
- Load third-party cabinet impulse responses (IRs) for unlimited cabinet options
- Snapshots let you seamlessly switch between tones without audio dropouts
- Free POD Go Edit app for easy preset editing and backup
- Stereo effects loop and TRS expression pedal/dual footswitch input
- 4-in/4-out 24bit/96kHz audio interface for recording and re-amping
- Optional POD Go Shoulder Bag (sold separately)
Maestro Comet Chorus Effects Pedal
$ 149.00 $ 224.00
Classic Analog Chorus Sounds That Will Send You Into Orbit
The Maestro Comet Chorus pedal uses iconic analog bucket brigade device (BBD) technology to deliver warm, classic chorus tones. This all-analog pedal boasts a Mode toggle switch for increased sonic versatility. The Earth mode provides an optimized, shimmering chorus effect. The Orbit mode adds some amplitude modulation to the chorused sound to more accurately simulate the sonic complexities of a rotary speaker. An internal trim pot lets you adjust the level of the rotary speaker Orbit effect to taste. The intuitive 3-knob control layout lets users quickly dial up the Depth (amount of pitch variation), Speed (modulation rate) of the chorusing, and adjust the amount of pitch modulated signal that is blended in with the dry signal by using the Mix control. The true bypass footswitch triggers the LED lights in the bugles in the Maestro logo when it’s on, so you’ll always know when the effect is active.
Specifications
- Switches: True Bypass footswitch, Orbit/Earth Mode toggle switch
- Led Indicators: Red, yellow, and blue bugles in the Maestro logo illuminate when the pedal is active
- Signal Processing: All-Analog
- Power Requirements: 9V battery or regulated 9VDC power supply (5.5 x 2.1 mm plug, wired center-negative)
- Current Draw: 55.4 mA
- Power On Switch: Incorporated into the input jack. Unplug the input when not in use to prevent battery drain. Remove the battery when the pedal is going to be stored for long periods to prevent leakage and damage.
- Input Impedance: 470 kOhms
- Output Impedance: 1 kOhms
- Switching Type: True Bypass
- Internal Trim Pot: The internal trim pot labeled Orbit allows the user to adjust the amount of the rotary speaker-style effect that is blended into the sound when the Mode switch is in the Orbit position. Using a small screwdriver, turn clockwise to increase, counterclockwise to decrease the amount of the Orbit effect.
Maestro Fuzz-Tone FZ-M Fuzz Effects Pedal
$ 149.00 $ 210.00
A Direct Descendant of the Very First Fuzz Pedals
Maestro created the world’s first fuzz pedal – the Maestro Fuzz-Tone FZ-1. Introduced in 1962, the Fuzz-Tone became the sound of rock and roll and a must-have accessory for guitarists everywhere after the success of 1965’s (I Can’t Get No) Satisfaction by the Rolling Stones, which prominently featured its cutting edge sound. Now Maestro is bringing the fun and sonic fury of those early Fuzz-Tones back with the new Maestro Fuzz-Tone FZ-M. This all-analog pedal boasts a Mode toggle switch that provides two pedals in one functionality for increased sonic versatility with both an FZ-1 inspired fuzz sound and a thicker, more modern fuzz tone. Its 3-knob control layout gives you intuitive control. The Attack knob controls the amount of fuzz. The Tone control lets you adjust the timbre from bright and raspy to warm and wooly and anywhere in between. Use the Level control to set the output volume; it can go way beyond unity gain when desired. The true bypass footswitch triggers the LED lights in the bugles in the Maestro logo when it’s on, so you’ll always know when the effect is active.
Specifications
- Switches: True Bypass footswitch, Modern/Classic Mode toggle switch
- Led Indicators: Red, yellow, and blue bugles in the Maestro logo illuminate when the pedal is active
- Signal Processing: All-Analog
- Power Requirements: 9V battery or regulated 9VDC power supply (5.5 x 2.1 mm plug, wired center-negative)
- Current Draw: 21 mA
- Power On Switch: Incorporated into the input jack. Unplug the input when not in use to prevent battery drain. Remove the battery when the pedal is going to be stored for long periods to prevent leakage and damage.
- Input Impedance: 32 kOhms
- Output Impedance: 5 kOhms
- Switching Type: True Bypass
Maestro Orbit Phaser Effects Pedal
Sold Out $ 210.00
Send Your Sound Into Orbit
The Maestro Orbit Phaser is a descendent of the very first phaser pedal ever produced - the legendary Maestro PS-1. This classic effect has been re-engineered and tailored to the needs of today’s players. The Maestro Orbit Phaser is designed to optimize all the character and vibe you expect from an all-analog phaser. Warm and smooth, the Maestro Orbit Phaser offers all the versatility needed to dial in the tastiest of phaser effects. Its two-position Mode switch gives you a choice of 4 or 6-stage phasing. The intuitive 3-knob control layout lets you quickly set the desired Width (the intensity of the phaser effect), Feedback (emphasizing the amount of vocal phase effect), and adjust the Rate (speed) of the phasing effect. The true bypass footswitch triggers the LED lights in the bugles in the Maestro logo when it’s on, so you’ll always know when the effect is active.
Specifications
- Switches: True Bypass footswitch, Hi/Lo Mode toggle switch
- Led Indicators: Red, yellow, and blue bugles in the Maestro logo illuminate when the pedal is active
- Signal Processing: All-Analog
- Power Requirements: 9V battery or regulated 9-12*VDC power supply (5.5 x 2.1 mm plug, wired center-negative) *Running the pedal at 12V provides increased headroom
- Current Draw: 30.4 mA
- Power On Switch: Incorporated into the input jack. Unplug the input when not in use to prevent battery drain. Remove the battery when the pedal is going to be stored for long periods to prevent leakage and damage.
- Input Impedance: 1 Megohm
- Output Impedance: 1 kOhms
- Switching Type: True Bypass
Marshall Bluesbreaker Overdrive Effects Pedal
Sold Out $ 340.00
The sound of the 1962 ‘Bluesbreaker’ amplifier became a legend, with the smooth tone, rich warmth and full character that gave guitarists more expression than ever before. The original Bluesbreaker pedal took this and put it in a stompbox. Today, this reissue accurately delivers timeless tones and style once again. It captures the magic of those classic vintage amps with added sweetness, crispness and extra edge to carry solos and squeeze out those vital harmonics.
Specifications
General
- Model: PEDL-00100-U
- Power: 9V Battery or 9V DC Power Adaptor
- Outputs: 1 x 1/4" Jack
- Inputs: 1 x 1/4" Jack
- Controls: Gain, Tone, and Volume
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