$ 35.99 $ 43.99
Plug your high-impedance gear into low-impedance equipment with the dbx DI1 Active Direct Box. Using a 9V battery or phantom power from your mixing board or interface, the DI1 takes the high-impedance signal which comes from instruments and other unbalanced TS or XLR sources and transforms it into a low-impedance balanced XLR signal. Low-impedance balanced signals can drive long cables without picking up interference or losing high-end articulation.
Completely redesigned from the ground up, the all-analog Platinum Stage universal instrument preamp delivers incredibly accurate sonic detail for any acoustic instrument.
A discrete, high-headroom preamp combines with precision, high-speed circuitry for pure fidelity and low distortion. Classic Fishman tone controls are combined with a switchable guitar/bass EQ mode, making it more musical for use with bass instruments and more universal for recording and amplifying anything else. Critical performance features “ including adjustable volume boost and balanced XLR D.I. outputs “ are housed in a beautiful, road-ready design.
With an included belt-clip, the Platinum Stage is perfect for mobile instrumentalists, such as mandolin and fiddle players and other instruments which are too small or too precious for anything but a passive pickup. It can also be powered via 48V phantom power, offering complete control over your sound without batteries.
$ 249.99 $ 359.99
Originally developed by the bass playing engineers at LR Baggs for their own use, the Stadium Electric Bass DI infuses your signal with a blend of studio-grade circuitry and a vibrant palette of unique, tone shaping tools. Composed of carefully selected, “top shelf” components, the all-discrete electronics provide a level of fidelity that rivals even the most sought after studio DIs. Then engage the effects to unveil an expansive range of colorful tones shaped by just a few powerful and easy-to-use controls. Built in a rugged enclosure constructed of aluminum, steel, and ABS plastic, the Stadium DI ensures over-the-top reliability for life on the road. Hand assembled in California.
Unlike overdrives that employ full-range distortion, the Growl saturates a focused range of low frequencies, enhancing warmth and creating harmonically rich overtones without too much breakup. The effect compliments dynamics and is responsive to even the lightest touch, providing just the right amount of edge to cut through the mix. For added versatility, a paired Drive button pushes the Growl to a full-range overdrive.
The Comp EQ features 3 bands of compression for bringing evenness to your tone while retaining the natural feel of your playing dynamics. The low, mid, and high frequency compressors are essentially “touch-sensitive” EQs that respond in real time as you play. The harder you dig in, the more they compress and vice versa.
This highly specific EQ affects a unique, medium sized bandwidth to adjust the attack of the strings for a wide range of tones, covering all playing styles. Sweep left for warmer, muted jazz tones or right for added clarity and a punchier attack.