Products
AKG C520 Headworn Vocal Microphone
$ 219.99 $ 279.99
Headset condenser microphone with maximum dynamic range for perfect vocal sound. Its cardioid polar pattern effectively rejects unwanted ambient noise. An ideal choice for frontmen, singing keyboardists, drummers, guitarists, and dancers. The microphone arm mounts either on the left or right side of the headband as desired. The C 520 provides the perfect solution for any performer needing a handsfree microphone.
A transducer shock mount reduces handling noise to a minimum. The moisture shield prevents perspiration from penetrating into the transducer element, ensuring a high degree of humidity protection for the microphone.
Requires phantom power.
Consumer Alert:
Most users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: the system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received from any other device. Purchasers should also be aware that the FCC is currently evaluating use of wireless microphone systems, and these rules are subject to change. For more information, call the FCC at 1-888-CALL-FCC (TTY: 1-888-TELL-FCC) or visit the FCCs wireless microphone website at: www.fcc.gov/cgb/wirelessmicrophones.
- Head-worn microphone with continuously adjustable behind-the-neck headband
- External shock mount for high mechanical-noise rejection
- Miniature gooseneck for precise positioning near the user's mouth
- Microphone arm provides choice of left or right-hand use
- Phantom powered
If you're an energetic performer, a headworn condenser is the way to go.
C 520 Headworn Condenser Microphone
- Polar pattern: cardioid
- Frequency response: 60-20 kHz
- Sensitivity: 5 mV/Pa (46 db)
- Maximum sound pressure level: 130/132 dB SPL, (for 1%/3% THD)
- Equivalent noise level: 31 dB-A
- Signal/noise ratio (A-weighted): 63 dB
- Impedance: <=200 ohms
- Recommended load impedence: >=2000 ohms
- Power requirement: 9 to 52 V phantom power to DIN 45596
- Current consumption: approx. 2 mA
- Connector: 3-pin XLR
- Cable length: 10 ft. (3 m)
- Finish: matte black
- Dimensions (length x diameter): 7.7" x 5.3" (microphone only), 179.1 mm x 51 mm (microphone only)
- Net weight: 0.9 oz, (26 g)
- Standard accessories: W44 windscreen
AKG WMS420 Ultra High Frequency Presenter Set Wireless Microphone System
$ 329.00 $ 397.00
The WMS420 wireless microphone system provides a highly flexible as well as easy to use solution. The ultra high frequency system is set up within seconds and is equally suitable on stage as well as in locations where a single- or multi channel solution is needed.
The entire WMS420 wireless system consists of the SR420 stationary receiver, HT420 handheld transmitter and the PT420 pocket transmitter. The HT420 handheld transmitter is available with the patented D5 dynamic microphone acoustic. This capsule guarantees maximum rejection against feedback, reduced handling noise and the famous AKG sound. Both transmitters are shipped with charging contacts that enable the use of rechargeable batteries. Moreover the transmitters offer exceptional eight hours of operation time from a single AA size battery, which dramatically reduces the operating costs in day-to-day use.
The detachable receiver antennas allow the use of professional accessories, such as antenna splitters and remote mounted directional antennas for multi channel systems. The WMS420 series includes three different bodypack sets. The head-worn set includes the high performance C555L condenser microphone. The presenter set includes the professional C417L lavalier microphone. The guitar set includes an instrument cable. With the AKG WMS420 system up to eight channels can be run simultaneously.
WMS420 Presenter Set is a professional multi-channel wireless microphone system. It includes the HT420 analog high-performance wireless handheld transmitter features a dynamic microphone capsule for demanding vocal performances, the PT420 wireless bodypack transmitter, the SR420 wireless stationary receiver and a Clip-on microphone C417 L.
The WMS420 Presenter Set package includes:
1 x Bodypack transmitter PT420
1 x Stationary receiver SR420
1 x Clip-on microphone C417 L
1 x Windscreen W407
2 x Receiver antennas
1 x AC adapter
1 x AA size battery
Audio-Technica AE5400 Cardioid Condenser Vocal Microphone
$ 379.99 $ 529.99
The AE5400 is intended for use in professional applications where remote power is available. It requires 11V to 52V DC phantom power, which may be provided by a mixer or console, or by a separate, in-line source such as the Audio-Technica AT8801 single-channel or CP8506 four-channel phantom power supplies.
Output from the microphone's XLRM-type connector is low impedance (Lo-Z) balanced. The signal appears across Pins 2 and 3; Pin 1 is ground (shield). Output phase is "Pin 2 hot" - positive acoustic pressure produces positive voltage at Pin 2. To avoid phase cancellation and poor sound, all mic cables must be wired consistently: Pin 1-to-Pin 1, etc.
When using the AE5400 in settings with a stage monitor speaker, the speaker should be located 180° off axis (at rear of the microphone). This placement, in conjunction with the microphone's uniform cardioid pickup pattern, will virtually eliminate the possibility of undesired audio feedback.
An integral 80 Hz hi-pass filter provides easy switching from a flat frequency response to a low-end roll-off. The roll-off position reduces the microphone's sensitivity to popping in close vocal use. It also reduces the pickup of low-frequency ambient noise (such as traffic, air-handling systems, etc.), room reverberation and mechanically-coupled vibrations. Avoid leaving the microphone in the open sun or in areas where temperatures exceed 110° F (43° C) for extended periods. Extremely high humidity should also be avoided.
AE5400 Cardioid Microphone
- Element: Externally polarized (DC Bias) condenser
- Polar pattern: Cardiod
- Frequency Repsonse: 20-20,000Hz
- Low Frequency Roll-Off: 80Hz, 12dB/octave
- Open circuit sensitivity: -40dB (10mV) re 1V at 1Pa
- Impedance: 150ohms
- Maximum Input Sound Level: 147dB SPL, 1 kHz at 1% T.H.D.;
- 157dB SPL, with 10dB
- Noise: 14dB SPL
- Dymanic range: 133dB, 1kHz at Max SPL
- Signal-to-Noise ratio: 80 dB, 1 kHz at 1 Pa*
- Phantom Power Requirements: 11-52V DC, 4 mA typical
- Switches: High-pass filter; 10dB pad (nominal)
- Weight: 11.6 oz. (330 g)
- Dimensions: 7.05" (179 mm) long, 1.97" (50 mm) head diameter, 1.30" to 0.87" (33 mm to 22 mm) tapered body diameter
- Output connector: Integral 3-pin XLRM-type
- Accessories: AT8470 Quiet-Flex stand clamp for 5/8"-27 threaded
- stands; soft protective pouch
Audio-Technica ATM510 Handheld Vocal Microphone
$ 99.99 $ 179.99
Equipped with newly designed internal shock mounting for reduced handling and stage noise, the ATM510 from Audio-Technica is designed for smooth, natural vocal reproduction and low noise. This cardioid dynamic workhorse features super-durable construction for long-lasting performance, a rare-earth magnet for high output, and a multi-stage grille design for excellent protection against plosives. Its cardioid polar pattern reduces pickup of sounds from the sides and rear, maximizing isolation from other sound sources and minimizing feedback. The ATM510 is enclosed in a rugged housing, and its multi-stage windscreen effectively controls popping, distortion from sibilant sounds and wind noise. The included AT8470 Quiet-FlexTM stand clamp permits mounting on any microphone stand with 5/8"-27 threads.
ATM510 Cardioid Dynamic Vocal Mic Featuring Advanced Internal Shock Mounting
- Element: Dynamic
- Polar Pattern: Cardioid
- Frequency Response: 90Hz-16kHz
- Open Circuit Sensitivity: -55 dB (1.7 mV) re 1V at 1 Pa
- Impedance: 300 ohms
- Weight: .57 lb. (9.1 oz.)
- Dimensions: 6-11/16" (170mm) long; 2-1/8" (53.7mm) diameter
- Output Connector: Integral 3-pin XLRM-type
- Accessories: AT8470 Quiet-Flex stand clamp for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; soft protective pouch
- Audio-Technica Case Style: T6
Audio-Technica Pro 61 Vocal Microphone
$ 69.00 $ 119.00
Taylored for vocals, it lets you be heard onstage.
The Audio-Technica PRO 61 is an exceptional vocal stage microphone. A dynamic mic that delivers outstanding gain before feedback, the PRO 61 has plenty of the presence needed for lead vocals. Its hypercardioid polar pattern improves isolation of the voice from surrounding sounds. The PRO 61 mic's superior internal shock mounting eliminates handling noise. A neodymium magnet yields the articulate reproduction needed for vocal use. Rugged Audio-Technica design and construction assure that the PRO 61 will serve you reliably with a long use life.
- Excellent gain before feedback
- Outstanding stage presence for lead and back-up vocals
- Extended frequency response for optimal clarity and smooth, natural sonic characteristics
- Hypercardioid polar pattern improves isolation of desired sound source
- Superior internal shock mounting reduces handling noise
- Hi-ENERGY neodymium magnet for articulate vocal reproduction
- 2-stage ball-type headcase for superior "pop" protection
- Gold-plated XLRM-type connector
- Rugged design and construction for reliable performance
PRO 61 Hypercardioid Dynamic Microphone
- Element: dynamic
- Impedance: 300 ohms
- Polar Pattern: hypercardioid
- Weight: 11-3/4 oz (335 g)
- Frequency Response: 70 - 16,000 Hz
- Output Connector: XLRM-type
- Open Circuit Sensitivity: -55 dB (1.7 mV) re 1V at 1 Pa
CAD C195 Condenser Cardioid Microphone
$ 99.00 $ 199.00
The CAD C195 is a superior low-noise, electret condenser cardioid microphone designed for professional vocalists and musicians. It provides the performance and features to satisfy today's most demanding professionals.
The C195 mic has a wide, flat-frequency response that provides unsurpassed natural transparent sound. The cardioid pickup pattern minimizes annoying feedback and reduces the pickup of unwanted off-axis sounds. A transformerless electronic design provides optimum low-frequency response and low distortion. An effective internal multistage pop filter minimizes wind and breath noise.
The CAD C195 has a Flex-Form hardened steel grille screen that dramatically resists deformation while greatly reducing any risk of adverse performance caused by a bent or dented ball screen. This unique ability to retain its original shape assures that the CAD C195 will maintain its attractive appearance.
The C195 features the CAD exclusive (I.N.R.-3) Impact Noise Rejection system. A proprietary rubber shock mount isolates the transducer from the barrel, thus dramatically reducing cable, stand, and handling noise. The need for any external shock mounting device is virtually eliminated.
The low-frequency response of the CAD C195 may be enhanced by increasing or decreasing the distance from the sound source. This phenomenon is technically known as "proximity effect". Nominal or "flat" response is generated at a distance of 24 inches or more. However, as the distance to the sound source decreases, the bass sensitivity increases, providing a solid, robust character.
Requires phantom power.
C195 Cardioid Electret Condenser Microphone
- Generating Element: Electret condenser (Phantom Powered)
- Polar Pattern: Unidirectional (Cardioid)
- Frequency Response: 50Hz-18kHz
Output Level:
- Open Circuit Voltage: -55 dB (0 dB = 1 volt per microbar)
- Impedance: 500 ohms
- Dynamic Range: 110 dB
- Equivalent Noise Level: Less than 22 dB, A weighted
- Maximum SPL: 132 dB (1% THD, open circuit)
Powering:
- Supply Voltage: 9 - 52 Vdc, positive pins 2 & 3 reverse polarity protected
- Current Required: Less than 5 mA over operating voltage range
- Phasing
- Positive pressure on diaphragm generates a positive voltage on pin 2 relative to pin 3
- Grille Screen: Hardened Steel Mesh
- Case: Steel and die-cast zinc alloy
- Finish: Durable soft feel, non-slip, titanium gray body, midnight black screen
Samson Airline Synth AX300/AR300 UHF Wireless Microphone System
$ 449.99 $ 689.99
AirLine Synth Wireless Systems
Samson began as a wireless technology company over 25 years ago. We packed our high-quality wireless gear with value and professional sound capability. Now, we introduce the most versatile, technologically advanced wireless system in our history: AirLine Synth.
With its sleek, frequency-agile micro transmitters, one button channel selection and infrared scanning, the technology behind our new AirLine Synth provides easy setup and clear reception at every gig in every location.
Ideal for media production, house of worship and of course, professional music production of all varieties, AirLine Synth is a true diversity system that is frequency selectable, with the capability of operating on over 300 frequencies* with up to 11 simultaneous systems**.
AX300 - AirLine Synth Handheld Transmitter
Small and lightweight, the AX300 plugs directly into any dynamic microphone you want to use and we include the Samson Q7, a great mic for vocals and presentations. The transmitter is so lightweight and small, it feels like it's a natural part of the mic.
The AX300 contains a precision mic preamp that never colors your sound, a digital channel readout, a low battery indicator and a mute switch.
AR300 - AirLine Synth Receiver
The Handheld System includes the AR300 AirLine Synth Receiver. Roadworthy durability and crystal clear reception in any location make this receiver an intelligent choice for discerning professionals. Featuring automatic RF scanning and infrared programming, balanced and unbalanced outputs as well as front or rear mountable antennae, the AR300 is loaded with convenience and cutting-edge technology. We also designed it with a backlit LED front panel display that shows AF/RF levels, frequency, audio output level and group for easy setup on the fly. Up to four AR300M modules can also be rackmounted in a single rackspace using the AR4300 receiver.
* Channels: 320 channels 25kHz Step (N and U Bands), 71 channels 25kHz Step (E Band)
** Simultaneous Systems: Up to 11 (N and U Bands), Up to 5 (E Band)
*** Operating Frequency: 639.025–647 MHz, 798.025–806 MHz (not for use in the USA), 863–865 MHz (not for use in the USA)
Samson CO1 Studio Condenser Vocal/Instrument Microphone
$ 79.99 $ 119.99
Samson's C01 has all the performance features that you demand from a large diaphragm condenser microphone. It's the perfect solution for recording vocals, acoustic instruments and for use as and overhead drum mic.
Featuring a large, dual-layer 19mm diaphragm with a cardioid pickup pattern, the C01 produces a smooth flat frequency response. Its two ultra-thin sensor membranes pick up far more detailed sounds than any dynamic coil. The result is a mic that captures accurate, detailed and smooth audio with warm bass tones and extended top end. You'll hear the strings and wood of your guitar, the breath and resonance of a singer, or the brassy shimmer of a ride cymbal with crystal clear clarity.
The C01's design includes a heavy gauge mesh grill, gold-plated XLR connecter and an LED for monitoring its 48V of phantom power. It also comes with a swivel mount that can be attached to any standard mic stand. In addition, an optional SP01 spider shock mount is available for increased mic and sound stability.
Samson's C01 is one of the best values available from a professional recording microphone.
- Cardioid pickup pattern
- Large, dual-layer 19mm diaphragm
- Heavy gauge mesh grill
- Gold-plated XLR connector
- LED indicates 48V phantom power
- Smooth, flat frequency response
- Swivel stand mount
- Optional SP01 spider shock mount
Sennheiser e825s Dynamic Vocal Microphone
$ 79.95 $ 99.00
The e 825 S is a cardioid general purpose microphone ideal for vocal and instrument miking and club PA.
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Rugged metal body
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Excellent feedback and spillage rejection
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Good suppression of handling noise
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Balanced frequency response
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Warm transparent tonal response
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Silent ON/OFF switch
Sennheiser EW 100 G4-835-S-A Wireless Vocal Microphone
$ 649.00 $ 799.00
Now even more simple, flexible and reliable: The 100 series has become the first choice for both sound designers and occasional users because of its simple operating concept – and because the system makes no compromises in terms of live sound.
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Engineered for professional live sound: Rugged all-in-one wireless system for singers and presenters.
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State-of-the-art live sound featuring Sennheiser‘s renowned e 835, e 845, e 865, e 935, e 945 capsules on a lightweight aluminum transmitter with integrated mute switch
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True diversity half-rack receiver in a full-metal housing with intuitive LCD display for full control
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Easy and flexible wireless synchronization between transmitter and receiver via infrared
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Fast frequency allocation for up to 12 receivers via new linking functionality
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Up to 20 compatible channels
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Up to 42 MHz bandwidth with 1680 selectable frequencies, fully tunable in a stable UHF range
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Transmission Range: up to 100 meters / 300 feet
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High RF output power (up to 30 mW) depending on country regulations
Specifications
EM 100 G4
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- Frequency range
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1G8: 1785 - 1800 MHzA: 516 - 558 MHzA1: 470 - 516 MHzAS: 520 - 558 MHzB: 626 - 668 MHzC: 734 - 776 MHzD: 780 - 822 MHzE: 823 - 865 MHzG: 566 - 608 MHzGB: 606 - 648 MHzJB: 806 - 810 MHzK+: 925 - 937,5 MHzA: 516 - 558 MHzAS: 520 - 558 MHzGB: 606 - 648 MHzG: 566 - 608 MHzB: 626 - 668 MHzC: 734 - 776 MHzD: 780 - 822 MHzE: 823 - 865 MHz1G8: 1785 - 1800 MHzJB: 806 - 810 MHzK+: 925 - 937,5 MHz
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- Dimensions
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Approx. 190 x 212 x 43 mm
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- Compander
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Sennheiser HDX
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- THD, total harmonic distortion
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≤ 0.9 %
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- Weight
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Approx. 980 g
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- Audio output
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6.3 mm jack socket (unbalanced): +12 dBuXLR socket (balanced): +18 dBu
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- Signal-to-noise ratio
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≥ 110 dBA
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- Switching bandwidth
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up to 42 MHz
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- Peak deviation
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±48 kHz
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- Nominal deviation
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±24 kHz
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- Modulation
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Wideband FM
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- Power supply
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12 V DC
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- Antenna connector
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2 BNC sockets
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- Current consumption
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300 mA
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- Adjacent channel rejection
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Typically ≥ 65 dB
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- Intermodulation attenuation
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Typically ≥ 65 dB
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- Receiving frequency
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Max. 1680 receiving frequencies, adjustable in 25 kHz steps 20 frequency banks, each with up to 12 factory-preset channels, no intermodulation 1 frequency bank with up to 12 programmable channels
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- RF sensitivity
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< 2.5 μV for 52 dBA eff S/N
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- Squelch
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low: 5 dBµV middle: 15 dBµV high: 25 dBμV
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- Equalizer
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Preset 1: FlatPreset 2: Low Cut (-3 dB at 180 Hz)Preset 3: Low Cut/High Boost (-3 dB at 180 Hz, +6 dB at 10 kHz)Preset 4: High Boost (+6 dB at 10 kHz)
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- Temperature Range
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-10 °C to +55 °C
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- Receiver Principle
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True diversity
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- Blocking
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≥ 70 dB
SKM 100 G4-S
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- Dimensions
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Approx. Ø 50 x 265 mm
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- Compander
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Sennheiser HDX
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- THD, total harmonic distortion
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≤ 0.9 %
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- Weight
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(incl. batteries) approx. 450 g
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- Signal-to-noise ratio
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≥ 110 dBA
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- RF output power
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Max. 30 mW
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- Switching bandwidth
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up to 42 MHz
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- Peak deviation
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±48 kHz
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- Nominal deviation
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±24 kHz
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- Operating time
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Typically 8 h
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- Modulation
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Wideband FM
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- Power supply
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2 AA batteries, 1.5 V or BA 2015 accupack
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- Current consumption
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at nominal voltage: typ. 180 mAwith transmitter switched off: ≤ 25 µA
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- Input impedance
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40 kΩ
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- Max. Input voltage
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3 Veff
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- Powering
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3 V battery / 2.4 V rechargeable battery
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- Transmission frequency
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Max. 1680 transmitting frequencies, adjustable in 25 kHz steps 20 frequency banks, each with up to 12 factory-preset channels, no intermodulation 1 frequency bank with up to 12 programmable channels
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- AF frequency response
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80 – 18,000 Hz
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- Temperature Range
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-10 °C to +55 °C
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- Frequency stability
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≤ ±15 ppm
Shure 55SH Series II Vocal Microphone
$ 179.00 $ 199.00
55SH SERIES II
Iconic Unidyne Vocal Microphone
If you want to capture a classic look, you need the gear to match the genre. Nothing completes the style quite like the 55SH Series II, a microphone that has been gripped by legends for decades. Others may imitate, but none can duplicate the form and function standards Shure has held from our first Unidyne mic to our latest.
PRODUCT DETAILS
- 1 - 95A2050 5/8" to 3/8" Thread Adapter
Built on the hardware of our seminal Unidyne 55 microphone, the look of the 55SH Series II transports you to a classic era. Whether you recreate the broadcasting golden age or sing with the hip-swinging swagger of the birth of rock n’ roll, this is the mic that makes the scene.
A standout on any stage
The cardioid directional pattern captures the exact sound you want, regardless of acoustic environment. So it’s perfect for live performance in a variety of venues.
Made to move
The shock-mounted cartridge minimises stand noise. So swing while you sing. It can handle the motion.
Stage proof
Microphones get dropped, tossed and knocked around. We know. We’ve been making them for nearly a century. It’s why we built the 55SH Series II with a rugged, die-cast casing, so it’s always ready for the next show.
Shure Beta 58A Vocal Microphone
$ 159.00 $ 199.00
BETA® 58A
Dynamic Vocal Microphone
Big sound. Full sound. Sophisticated sound. Is your mic living up to the power of your vocal? For decades, the BETA® 58A has been through the wringer, pushing voice to the forefront on the biggest stages in the world. For sound that commands the attention of the entire crowd, this is your microphone.
PRODUCT DETAILS
- 1 - A25D Adjustable Stand Adapter
- 1 - 95A2050 5/8” to 3/8” (Euro) Thread Adapter
- 1 - 26A21 Storage Bag
On stage or in the studio, the BETA 58A is made for refined voice. The brightened midrange and bass roll-off give lead and background vocals a mighty presence in the mix. And the supercardioid pattern works harder to isolate your sound from every other source in the air. You could say it’s a singer’s best friend.
No worse for wear
The hardened steel mesh grille stands up to some of the roughest sweat drips, mic drops and van rides, without so much as a dent to show for it.
Out-louds the noise
The neodymium magnet provides higher output levels, so your sound is clear - and everything else stays in the background.
A worldwide star
The BETA 58A is a top-selling, single-element, dynamic microphone, and can be seen every night on stages all around the globe.
Shure Beta 87A Vocal Microphone
$ 249.99 $ 311.99
The Shure Beta 87A Supercardioid Condenser Mic is a new take on an old classic. The Beta 87 was consistently a top choice of performers and audio technicians due to its accuracy, detail, and rich vocal production. Now this longstanding favorite has been redesigned as the Shure Beta 87A. It has a thicker handle that gives a more comfortable feel when hand-held. It also includes a new break-resistant swivel adapter and low-frequency roll-off to compensate for proximity effect and to prevent boominess. The supercardioid pattern provides high gain-before-feedback, and its 3-stage pop filter minimizes breath pop and noise. Frequency response: 50Hz-18kHz.
Requires phantom power.
- Supercardioid electret condenser mic
- Redesigned with a thicker shank for hand-held comfort
- Break-resistant swivel adapter
- Low-frequency roll-off
- 3-stage pop filter
- 50Hz-18kHz frequency response
Shure KSM32 Cardioid Condenser Microphone - Charcoal
$ 599.00 $ 749.00
Cardioid condenser microphone delivers a smooth, neutral sound reproduction with full character and consists of a microphone, a padded, zippered carrying bag, and a swivel mount.
PRODUCT DETAILS
An embossed single-diaphragm, side-address, cardioid condenser microphone for highly critical studio recording and live sound productions. The Shure KSM32 offers an extended frequency response for an open, natural sounding reproduction of the original sound source.
- Class A, transformerless preamplifier circuitry eliminates cross-over distortion for improved linearity across the full frequency range.
- Embossed, high-compliance diaphragm provides extended low-frequency response.
- Ultra-thin, gold-layered, low-mass, Mylar® diaphragm for excellent transient response
- 15 dB attenuation switch for handling extremely high sound pressure levels (SPL)
- Switchable low-frequency filter provides greater flexibility to reduce background noise or to counteract proximity effect.
- Integrated three-stage pop protection grille reduces "pop" and other breath noise
- Internal shock mount reduces transmission of handling noise
- Replacement cartridge: RK374
Performance Characteristics
- Extended frequency response
- Very low self-noise
- Exceptional low-frequency reproduction
- High output level
- High input SPL capability
- No cross-over distortion
- Extremely uniform polar response
- Superior common mode rejection and suppression of radio frequency interference
Applications
Some typical applications for the KSM32 are listed below. Microphone use, however, is a matter of personal taste. The KSM32 may be used for a variety of applications other than those listed.
- Voice -- solo, background, voice-over, broadcasting
- Acoustic instruments -- such as piano, guitar, drums, percussion, strings
- Wind instruments -- brass and woodwind
- Low frequency instruments -- such as double bass, electric bass, kick drum
- Overhead miking -- drums or percussion
- Ensembles -- choral or orchestral
- Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement have significant effects on the sound obtained when miking a source. You may need to experiment with these variables to achieve the best overall sound for each application.
Shure PGA48 QTR Handheld Vocal Microphone
$ 45.00 $ 62.00
The PGA48 is a professional quality vocal microphone with an updated industrial design that features a black metallic finish and classic silver ball grille. It's a great choice for spoken word and karaoke performances. Legendary Shure quality construction ensures exceptional performance in rigorous environments.
- Handheld microphone for spoken word and karaoke performance
- Dynamic cartridge (does not require phantom power) with cardioid polar pattern
- Tailored cartridge design for clear reproduction of speech
- Includes PGA48 with On/Off switch, microphone clip, zipper pouch and user guide
- XLR to 1/4" cable included
Shure SM35-TQG Head Worn Microphone
$ 99.00 $ 124.00
Performance Headset Condenser Microphone
Durable cardioid condenser microphone in a comfortable headset for hands-free vocal performance. Ideal for multi-instrumentalists.
- Headset microphone ideal for multi-instrumentalists in live vocal performance
- Condenser cartridge with cardioid polar pattern
- Available in both wireless TQG version that works with any Shure wireless bodypack and wired XLR version
- TQG model includes SM35, 2 windscreens, microphone clip, and user guide; XLR model includes the same items, plus a preamp
The SM35 Performance Headset Condenser Microphone gives multi-instrumentalists the freedom to express themselves without sacrificing sound quality. A tight, unidirectional cardioid polar pattern provides excellent rejection of off-axis sound sources to prevent feedback and signal bleed onstage, whether in use in small clubs, large installations, or arena tours.
Available in standard TA4F (TQG) connectivity, the SM35 seamlessly integrates into any Shure wireless headset system. Also available, the SM35-XLR includes an inline RPM626 preamp for use in standard wired (XLR) applications.
Features
- Wireframe headset fits securely and comfortably for active performers and multi-instrumentalists
- Tight, unidirectional cardioid polar pattern rejects signal bleed and feedback for use on loud stages and behind floor monitors
- Flexible gooseneck design allows for optimized placement that further improves source isolation
- Lightweight and low-profile form enables comfortable, long-wearing use
- TA4F (TQG) connector is compatible with any Shure wireless bodypack
- Locking snap-fit windscreens tame plosives, breath, and wind noise for clean and intelligible sound
- Tailored frequency response refined for clear, crisp vocal reproduction
- Included in BLX and GLX-D® wireless systems, renowned for their ease of use and reliable performance
- Legendary Shure precision engineering for durability and performance
Shure SM58-LC Vocal Microphone
$ 99.00 $ 124.00
SM58Vocal Microphone
Tuned to accentuate the warmth and clarity of lead and back-up vocals, the SM58 is a legendary live vocal microphone known for its rugged reliability on tour.
Handheld microphone ideal for live vocals
Dynamic cartridge with cardioid polar pattern
Available with or without a cable and On / Off switch, and available in wireless versions
Includes SM58, microphone clip, storage bag, and user guide
Shure SM7B Vocal Microphone
$ 399.00 $ 499.00
The SM7B is a selectable frequency response microphone that delivers warm and smooth audio in close-proximity studio and vocal applications. Optimized shielding from external electromagnetic hum, along with internal shock mounting, external windscreens and adjustable bass roll-off and midrange emphasis response settings provide clean, consistent reproduction.- Type: Dynamic
- Frequency Response: 50 to 20,000 Hz
- Polar Pattern: Cardioid Electromagnetic
- Hum Sensitivity: (Typical, Equivalent SPL/milliOersted) 60 Hz: 11 dB 500 Hz: 24 dB 1 kHz: 33 dB
- Impedance: 150 ohms for connection to microphone inputs rated at 19 to 300 ohms. Output Level (at 1,000 Hz)
- Open Circuit Voltage: – 59.0 dB (1.12 mV) 0 dB = 1 volt per Pascal
- Switches: Bass rolloff and mid-range emphasis: Slotted response selector switches. Cartridge Shock Mount Internal air-suspension shock and vibration isolator. Microphone Connector Three-pin professional audio (XLR) Swivel
- Assembly: Integrated, captive nut for ease of attachment to stand, fits 5/8 in.–27 thread.
- Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3.
Shure Super 55 Deluxe Vocal Microphone
$ 249.00 $ 319.00
Super 55
Deluxe Vocal Microphone
The Super 55 features the vintage design of the original iconic vocal microphone with a frequency response tailored for natural-sounding vocals and speech.
Stand-mounted microphone for live and studio vocal applications
Dynamic cartridge with supercardioid polar pattern
Satin chrome-plated die-cast casing and vibrant blue foam
Includes Super 55 with integrated swivel stand mount, zippered storage bag, and user guide
The Super 55 Deluxe Vocal Microphone features a signature satin chrome-plated die-cast casing, Supercardioid polar pattern, vibrant blue foam, and tailored frequency response for natural vocals and speech. Integrated, swivel stand mount is included.
The combination of updates make the Super 55 the ideal choice when looking for a dramatic - yet affordable - improvement in sound quality with an unmistakable vintage design.
Ideal for stage, studio recording, podcasting, and other sound applications where a stand-mounted microphone with a classic look is desired.
Features
- Iconic chrome-plated design with vibrant blue color additions
- Tailored frequency response for natural vocals and speech
- High gain-before-feedback and excellent off-axis rejection
- Shock-mounted cartridge minimizes handling noise and ensures quiet operation
- Rugged die cast casing for reliability under rigorous conditions
- Self-tensioning swivel mount, permits tilting through 45 degrees forward and 80 degrees backward
TC Helicon MP-70 Modern Performance Vocal Microphone
$ 69.00 $ 150.00
The TC Helicon MP70 Dynamic Microphone offers what every singer deserves, a microphone engineered for the sonic realities of modern vocal performance including the requirements of vocal effect processors. You'd expect nothing less from the only pro audio company 100 percent dedicated to the needs of singers.
TC Helicon MP70 Dynamic Vocal Microphone Features
- Super-cardioid dynamic capsule for best in class off-axis noise rejection and feedback suppression
- 50Hz -18kHz frequency response tuned specifically for vocals
- Patented neodymium magnet structure for high output
- Voiced for the close-up mic technique modern vocalists use
- Heat-treated and hardened steel windscreen grill
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