$ 603.00 $ 755.09
The D12 VR is a large-diaphragm cardioid dynamic microphone. Designed specifically for kick-drum recording applications, the microphone has a thin diaphragm to enhance the low frequency performance. Its predecessors have been the industry standard in kick drum mics for decades. The D12 and subsequently the D12E and the D112 have been the choice of drummers and the live sound engineers who love them since 1950.
Without phantom power, the microphone delivers the pure character of the sound source. With phantom power enabled, one of three switchable active-filter presets can be used to quickly adapt the microphone response to suit the desired kick-drum sound. The filter setting can be controlled using a switch on the microphone body. In this mode the output level is also reduced by 10 dB automatically.
Check it out. The latest version of a classic. It has retained the attributes of the original but taken advantage of modern innovations. Vintage and modern have just met up, and they have done so in front of the kick drum head.
D12VR Large-Diaphragm Cardioid Dynamic Kick Drum Mic
$ 99.00 $ 169.00
The Audio-Technica AT2020 Cardioid Condenser Microphone is the ideal mic for project and home studio applications. With a remarkably low price, cardioid pattern, and specs that put it in the big leagues, it features a custom-engineered, 16mm low-mass diaphragm and smooth 20Hz-20kHz frequency response. The AT2020's low self-noise is suited to digital recording, plus it has a high 144dB SPL handling.
Requires phantom power.
$ 149.00
The AT2040USB is an ideal microphone for creators, featuring a dynamic design for excellent voice capture with added USB functionality. Combining the broadcast-quality performance of the AT2040 dynamic podcast microphone with plug-and-play USB functionality makes this the ideal microphone for podcasters, streamers, and other content creators to achieve professional results.
$ 139.00 $ 249.00
The ATM230 hypercardioid instrument microphone brings a compact drum model to Audio-Technica’s popular Artist Series line. The mic’s proprietary capsule is designed to excel in high SPL applications, delivering full, well-rounded audio with an exceptional low-end. The hypercardioid polar pattern keeps the focus on the sound source, directionality that is aided by the mic’s low-profile design, which allows it to be placed in a wide variety of setups. All this makes the ATM230 ideally suited for miking toms, snare and other percussion instruments.
The ATM230 features rugged metal construction that stands up to the rigors of live and studio applications, and comes with an AT8665 drum mount and a protective pouch.
ELEMENT | Dynamic |
POLAR PATTERN | Hypercardioid |
FREQUENCY RESPONSE | 30-12,000 Hz |
OPEN CIRCUIT SENSITIVITY | –54 dB (1.9 mV) re 1V at 1 Pa |
IMPEDANCE | 600 ohms |
WEIGHT | 292 g (10.3 oz) |
DIMENSIONS | 82.5 mm (3.2") long, 38.0 mm (1.5") maximum diameter |
OUTPUT CONNECTOR | Integral 3-pin XLRM-type |
ACCESSORIES FURNISHED | AT8665 drum mount for 5/8"-27 threaded adaptor; 5/8"-27 to 3/8"-16 threaded adaptor; soft protective pouch |
AUDIO-TECHNICA CASE STYLE | R2 |
$ 299.00 $ 440.16
Designed for use with brass, saxophone and other instruments, the ATM350U UniMount® mounting system gives you the tools to perform with confidence. The system features the ATM350a cardioid condenser microphone, a high-SPL mic that provides a clear, well-balanced response from any instrument.
$ 69.00 $ 119.00
Taylored for vocals, it lets you be heard onstage.
The Audio-Technica PRO 61 is an exceptional vocal stage microphone. A dynamic mic that delivers outstanding gain before feedback, the PRO 61 has plenty of the presence needed for lead vocals. Its hypercardioid polar pattern improves isolation of the voice from surrounding sounds. The PRO 61 mic's superior internal shock mounting eliminates handling noise. A neodymium magnet yields the articulate reproduction needed for vocal use. Rugged Audio-Technica design and construction assure that the PRO 61 will serve you reliably with a long use life.
PRO 61 Hypercardioid Dynamic Microphone
$ 439.99
The Piano is an expressive instrument with a wide dynamic range and multiple sound sources coming from the strings and frame into which it is constructed. All of these subtle sounds and nuances have to be captured to make the Piano sound natural and to transfer the emotion with which it is played. The Opus 51 is purpose built for this type of instrument. Using the ™boundary effect™ it captures direct and reflected sounds from all parts of the instrument in perfect balance and at an equal level taking some of the guesswork out of microphone placement. As the Opus 51 effortlessly captures low frequency audio as well as the high frequency detail it also can be used perfectly for Kick Drums.
$ 219.99
The Beyerdynamic Opus 88 condenser microphone is a perfect choice for close miking toms and snare drums, and is designed to excel at professional sound reinforcement or recording. The snare drum is hit most often, the hardest, and produces a very complex sound pattern. The Opus 88 mic has been optimized for the snare, both electrically and physically, to capture a precise sound. With its patented microphone clamp with integrated preamplifier and 3-pin XLR plug the Opus 88 can easily and quickly be mounted to the rim. The short flexible gooseneck and the horizontal swivel joint ensures optimal positioning.
Requires phantom power.
Opus 88 Condenser Clip-On Microphone
$ 99.99
$ 99.99 $ 129.99
The CADLive D90 supercardioid dynamic handheld mic is outfitted with a Trueflex diaphragm and PowerGap high- gauss neodymium magnets creating a hot and articulate live performance vocal microphone.
$ 79.99 $ 89.99
Packaged in a rugged small, all metal body, the ICM417 electret condenser microphone provides natural, transparent sound quality. The transformerless design of this cardioid condenser provides optimum low frequency response and low distortion. Designed for use with cymbals, overheads, and stringed instruments, the wide, flat frequency of the ICM417, coupled with the CAD exclusive I.N.R. shockmount, make this an extremely high quality percussion microphone, as well.
$ 261.00
The ABS system is quickest and easiest way to amplify your banjo or resonator guitar. It combines a dynamic microphone (with the versatile cardioid pattern) and a compact gooseneck coupled to a shock mounted adjustable bracket that has no exposed wiring. The ABS reliably captures the sound of your banjo or reso-guitar at the precise spot you prefer for the tone you're after, without the annoyance of extraneous vibrations. ABS can be moved from one instrument to another in seconds and includes a stomp-box preamp (our 9-volt-powered ABS-2). A footswitch can increase gain (volume) to punch out lead breaks. An AC adapter is available (ABS-ADT). Connection to the sound system or amp is via standard 1/4" guitar cable; two cables are required for connection with preamp and amplifier. ABS comes in a hard plastic carrying case with fitted foam inserts for the mic and pedal.
$ 439.00
Specifications
$ 449.99 $ 689.99
Samson began as a wireless technology company over 25 years ago. We packed our high-quality wireless gear with value and professional sound capability. Now, we introduce the most versatile, technologically advanced wireless system in our history: AirLine Synth.
With its sleek, frequency-agile micro transmitters, one button channel selection and infrared scanning, the technology behind our new AirLine Synth provides easy setup and clear reception at every gig in every location.
Ideal for media production, house of worship and of course, professional music production of all varieties, AirLine Synth is a true diversity system that is frequency selectable, with the capability of operating on over 300 frequencies* with up to 11 simultaneous systems**.
Small and lightweight, the AX300 plugs directly into any dynamic microphone you want to use and we include the Samson Q7, a great mic for vocals and presentations. The transmitter is so lightweight and small, it feels like it's a natural part of the mic.
The AX300 contains a precision mic preamp that never colors your sound, a digital channel readout, a low battery indicator and a mute switch.
The Handheld System includes the AR300 AirLine Synth Receiver. Roadworthy durability and crystal clear reception in any location make this receiver an intelligent choice for discerning professionals. Featuring automatic RF scanning and infrared programming, balanced and unbalanced outputs as well as front or rear mountable antennae, the AR300 is loaded with convenience and cutting-edge technology. We also designed it with a backlit LED front panel display that shows AF/RF levels, frequency, audio output level and group for easy setup on the fly. Up to four AR300M modules can also be rackmounted in a single rackspace using the AR4300 receiver.
* Channels: 320 channels 25kHz Step (N and U Bands), 71 channels 25kHz Step (E Band)
** Simultaneous Systems: Up to 11 (N and U Bands), Up to 5 (E Band)
*** Operating Frequency: 639.025–647 MHz, 798.025–806 MHz (not for use in the USA), 863–865 MHz (not for use in the USA)
$ 199.99 $ 599.99
$ 79.99 $ 199.99
An incredibly well-made kick drum mic. Rigid, and featuring a huge diaphragm element, the Q Kick sounds better than mics costing hundreds more.$ 179.00 $ 199.00
If you want to capture a classic look, you need the gear to match the genre. Nothing completes the style quite like the 55SH Series II, a microphone that has been gripped by legends for decades. Others may imitate, but none can duplicate the form and function standards Shure has held from our first Unidyne mic to our latest.
Built on the hardware of our seminal Unidyne 55 microphone, the look of the 55SH Series II transports you to a classic era. Whether you recreate the broadcasting golden age or sing with the hip-swinging swagger of the birth of rock n’ roll, this is the mic that makes the scene.
The cardioid directional pattern captures the exact sound you want, regardless of acoustic environment. So it’s perfect for live performance in a variety of venues.
The shock-mounted cartridge minimises stand noise. So swing while you sing. It can handle the motion.
Microphones get dropped, tossed and knocked around. We know. We’ve been making them for nearly a century. It’s why we built the 55SH Series II with a rugged, die-cast casing, so it’s always ready for the next show.
$ 169.00 $ 239.00
BETA 56A
Instrument Microphone
Compact drum microphone engineered for close miking of snare and toms.
The Shure BETA®56A microphone has a frequency response specifically tailored for drums and instruments. Its extremely uniform supercardioid pickup pattern provides high gain-before-feedback and excellent rejection of unwanted noise.
A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.
Features
Tailored frequency response provides drums, amplified instruments, and horns with studio quality sound
Built–in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility
Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off–axis sound
Compact design reduces stage clutter
Hardened steel mesh grille resists wear and abuse
Neodymium magnet for high signal–to–noise ratio output
Minimally affected by varying load impedance
Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
Legendary Shure quality and reliability
$ 149.00 $ 199.00
Dynamic instrument microphone provides high gain before feedback in demanding environments. It features a steel mesh grille for durability, shock mount to minimize transmission of unwanted noise, and a neodymium magnet for high signal-to-noise ratio.
$ 189.00 $ 284.00
Big sound. Full sound. Sophisticated sound. Is your mic living up to the power of your vocal? For decades, the BETA® 58A has been through the wringer, pushing voice to the forefront on the biggest stages in the world. For sound that commands the attention of the entire crowd, this is your microphone.
$ 259.00 $ 329.00
The Shure Beta 87A Supercardioid Condenser Mic is a new take on an old classic. The Beta 87 was consistently a top choice of performers and audio technicians due to its accuracy, detail, and rich vocal production. Now this longstanding favorite has been redesigned as the Shure Beta 87A. It has a thicker handle that gives a more comfortable feel when hand-held. It also includes a new break-resistant swivel adapter and low-frequency roll-off to compensate for proximity effect and to prevent boominess. The supercardioid pattern provides high gain-before-feedback, and its 3-stage pop filter minimizes breath pop and noise. Frequency response: 50Hz-18kHz.
Requires phantom power.
$ 289.00 $ 422.00
Vocal microphone delivers a tailored response for a warm, natural sound. It features a cardioid polar pattern for maximum isolation, minimal off-axis tone coloration, a 3-stage pop filter to minimize breath noise, and a break-resistant stand adapter.
Excellent for touring professionals, the BETA®87C premium vocal microphone delivers studio-grade performance and a smooth, extended high-end frequency response in a cardioid condenser design.
The microphone adds warmth to the frequency response and creates an ideal environment for personal monitoring. And its highly consistent cardioid pattern offers excellent rear rejection.
Vocalists who use personal monitor systems such as Shure PSM® will appreciate how effectively the BETA 87C rejects ambient sound from the rear of the microphone.
$ 219.00 $ 299.00
BETA 98H/C
Instrument Microphone
A versatile solution for brass or percussion instruments. No external mounting hardware required.
The BETA®98H/C and the wireless version WB98H/C are premium cardioid condenser instrument microphones that clamp onto the bell of wind instruments or onto the rim of percussion instruments. The integrated gooseneck and ratcheting swivel joint allows the mic to be easily positioned and secured, and an isolation shock-mount reduces the transmission of instrument 'key noise' and other mechanical noise. A gooseneck angle brace is included to provide better retention of the microphone placement during more active performances.
Features
$ 299.00 $ 418.00
Refreshed with a customizable LED touch panel, powerful DSP features and even better audio, the MV7+ Podcast Microphone is a dynamic microphone built for discerning podcasters, streamers and musicians. This updated version offers USB-C and XLR outputs, an improved Auto Level Mode, as well as a new digital pop filter, real-time Denoiser and reverb effects. Select from millions of color options to make the touch-to-mute LED panel as unique as the audio you’re recording.
Tap the Full Spectrum of Sound.
The MV7+ is the latest iteration of a microphone designed for creators looking to take control of their audio and dive into a vibrant world of color. Capture broadcast-quality audio in even the most challenging of spaces and customize the new LED touch panel to suit your style perfectly.