Microphone
AKG C520 Headworn Vocal Microphone
$ 219.99 $ 279.99
Headset condenser microphone with maximum dynamic range for perfect vocal sound. Its cardioid polar pattern effectively rejects unwanted ambient noise. An ideal choice for frontmen, singing keyboardists, drummers, guitarists, and dancers. The microphone arm mounts either on the left or right side of the headband as desired. The C 520 provides the perfect solution for any performer needing a handsfree microphone.
A transducer shock mount reduces handling noise to a minimum. The moisture shield prevents perspiration from penetrating into the transducer element, ensuring a high degree of humidity protection for the microphone.
Requires phantom power.
Consumer Alert:
Most users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: the system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received from any other device. Purchasers should also be aware that the FCC is currently evaluating use of wireless microphone systems, and these rules are subject to change. For more information, call the FCC at 1-888-CALL-FCC (TTY: 1-888-TELL-FCC) or visit the FCCs wireless microphone website at: www.fcc.gov/cgb/wirelessmicrophones.
- Head-worn microphone with continuously adjustable behind-the-neck headband
- External shock mount for high mechanical-noise rejection
- Miniature gooseneck for precise positioning near the user's mouth
- Microphone arm provides choice of left or right-hand use
- Phantom powered
If you're an energetic performer, a headworn condenser is the way to go.
C 520 Headworn Condenser Microphone
- Polar pattern: cardioid
- Frequency response: 60-20 kHz
- Sensitivity: 5 mV/Pa (46 db)
- Maximum sound pressure level: 130/132 dB SPL, (for 1%/3% THD)
- Equivalent noise level: 31 dB-A
- Signal/noise ratio (A-weighted): 63 dB
- Impedance: <=200 ohms
- Recommended load impedence: >=2000 ohms
- Power requirement: 9 to 52 V phantom power to DIN 45596
- Current consumption: approx. 2 mA
- Connector: 3-pin XLR
- Cable length: 10 ft. (3 m)
- Finish: matte black
- Dimensions (length x diameter): 7.7" x 5.3" (microphone only), 179.1 mm x 51 mm (microphone only)
- Net weight: 0.9 oz, (26 g)
- Standard accessories: W44 windscreen
AKG C7 Reference Condenser Vocal Microphone
$ 249.99
The C7 Reference Condenser Vocal Microphone from AKG is a handheld condenser microphone that delivers premium studio-quality sound with hassle-free operation. It can be used to capture lead and background vocals with clarity and sparkling high end in applications for live stage, theater, rehearsals, and more.
Powered with 48V phantom power, the C7 allows lead and background vocals to shine through. Featuring specially engineered circuitry and custom-designed components, the C7 prevents feedback, handling noise, and pop noise from interfering with your performance. No matter where you're performing, this microphone delivers premium, worry-free vocal reproduction so you can focus on what really matters.
- Condenser Sound Quality
- The C7 microphone features a custom-tuned supercardioid condenser capsule with hand-selected components, so your voice is reproduced with pristine clarity and sparkling highs. The C7 also handles incredibly high sound pressure levels, for maximum fidelity during your loudest performances
- Open-Space Capsule Technology
- The C7 mic's innovative open-space capsule technology delivers a supercardioid pattern across the entire frequency spectrum that virtually eliminates on-stage feedback
- Proprietary Shock Absorber Suspension
- The C7 features a proprietary mechano-pneumatic shock absorber suspension that ensures handling noise won't clutter your sound. The capsule sits on top of a unique rubber, preventing vibrations from reaching the capsule
- Multi-Layer Pop Noise Protection System
- The C7 features a three-layer pop noise rejection system to protect your vocals from annoying plosives. This multi-layer system includes the proprietary mic grill, dense foam underneath the grill, and a mesh layer that encases the capsule
- Rugged Construction
- With extremely rugged zinc alloy construction and spring steel grill, the C7 stands up to the most demanding tour schedules. And its 24-karat gold-plated capsule protects the microphone against moisture and corrosion
AKG D112 Instrument Microphone
$ 199.00 $ 249.00
On stage or in the studio the AKG D 112 Kick Drum Mic is the microphone to use to clean up the dirty low down. Stays free of distortion even at high sound pressure levels. Solid and powerful response below 100Hz. Very low diaphragm resonance, relatively narrow-band rising high-frequency response at 4kHz, and extremely robust construction are other outstanding features. Also works great for bass cabs, trombone, and other low-frequency instruments.
Channel Strips of the Stars: Ronan Chris Murphy
World-class producer/engineer/mixer Ronan Chris Murphy's credits include King Crimson, Steve Morse, Terry Bozzio, Victor Bisetti, Gregg Bissonette, Tony Levin, and projects with members of Tool, Ministry, Weezer, Dishwalla, and Yes. A huge fan of A Designs Audio, Ronan was kind enough to share some of his drum-recording signal chains:
"Well all of the drums for Terry Bozzio's Jazz trio were recorded with all A Designs Audio solid state preamps. For drum overheads I used Shure KSM32 condenser mics (#270141) into a Pacifica; for kick drums, AKG D112s into A Designs Pacificas (189903). (I prefer the Shure Beta 52 (#270267) for kick but they (D112s) were pre-mounted inside Terry's (Bozzio) kick drums. Actually I have used the Shure KSM32 into Pacifica combo on tons of great drummers, including Terry Bozzio, Victor Bisetti (Los Lobos), Gregg Bissonette (Santana, David Lee Roth), and Pat Mastelotto (King Crimson, Mister Mister, The Rembrandts)."
FEATURES
- Handles up to 168db SPL with no audible distortion
- Low diaphragm resonance
- Extremely robust construction
- 2-year parts and labor warranty
AKG D12VR Reference Kick Drum Microphone
$ 499.00 $ 649.00
The D12 VR is a large-diaphragm cardioid dynamic microphone. Designed specifically for kick-drum recording applications, the microphone has a thin diaphragm to enhance the low frequency performance. Its predecessors have been the industry standard in kick drum mics for decades. The D12 and subsequently the D12E and the D112 have been the choice of drummers and the live sound engineers who love them since 1950.
Without phantom power, the microphone delivers the pure character of the sound source. With phantom power enabled, one of three switchable active-filter presets can be used to quickly adapt the microphone response to suit the desired kick-drum sound. The filter setting can be controlled using a switch on the microphone body. In this mode the output level is also reduced by 10 dB automatically.
Check it out. The latest version of a classic. It has retained the attributes of the original but taken advantage of modern innovations. Vintage and modern have just met up, and they have done so in front of the kick drum head.
D12VR Large-Diaphragm Cardioid Dynamic Kick Drum Mic
- Type: dynamic pressure gradient transducer
- Polar pattern: cardioid
- Frequency range: 17 - 17000 Hz (±2 dB)
- Sensitivity: 1,2 mV/Pa ± -58 dBV (at 1000 Hz passive)
- Max. SPL: 164 dB SPL (for 0,5 % THD)
- Impedance: <200 ohms (at 1000 Hz)
- Recommended load impedance: >1000 ohms
- Environment temperature range: -10 C - +70 C
- relative humidity at +20 C: 90 %
- Connector: three-pin male standard XLR
- Finish front grille: glossy galvanized nickel matte,
- rear grille: matte black paint
- Dimensions: 125 mm x 101 mm x 66 mm (4.9" x 3.9" x 2.6")
- Net weight: 500 g (1.1 lbs)
AKG D5 Supercardioid Handheld Dynamic Microphone
$ 99.99 $ 129.99
The D5 dynamic vocal microphone for lead and backing vocals delivers a powerful sound even on the noisiest stage. Its supercardioid polar pattern ensures maximum gain before feedback. The D 5 stands for a crisp sound that cuts through every mix.
AKG made the first microphone diaphragm ever whose thickness varies across its diameter. The Laminated Varimotion diaphragm deep-drawing process allows the diaphragm itself to be fine-tuned with no extra tuning resonators, leading to a quantum leap in audio performance.
The dual shock mount eliminates any kind of mechanical noise for trouble-free live use. The audience will hear nothing but the pristine sound of your voice!
D5 Supercardioid Handheld Dynamic Microphone
- Polar pattern: supercardioid
- Frequency response: 70-20,000 Hz
- Sensitivity: 2.6 mV/pa (-52 dbV re 1 V/Pa)
- Maximum sound pressure level: 147/156 dB SPL, (for 1%/3% THD)
- Equivalent noise level: 18 dB-A
- Signal/noise ratio (A-weighted): 76 db
- Impedance: <=600 ohms
- Recommended load impedence: >=2000 ohms
- Connector: 3-pin XLR
- Finish: matte grayish blue
- Dimensions (length x diameter): 7.3" x 2.0", (179.1 mm x 51 mm)
- Net weight: 8.2 oz, (340 g)
- Patent(s): Varimotion ” multiple-thickness diaphragm for dynamic transducer (Patent no. AT 403.751, US 6,185,809, EP 814.637) (DE, DK, FI, FR, GB, IT, NL)
- Standard furnished accessories: microphone bag, SA 45 stand adaptor
AKG P170 Instrument Microphone
$ 99.99 $ 149.99
The P170 is a small-diaphragm condenser microphone for recording percussion, acoustic guitars and perhaps most typically, drum set from the overhead position. Its lightweight 1/2" true condenser transducer diaphragm delivers outstanding clarity and transient response. It is an affordable alternative to the revered 'pencil' microphones. They are often purchased in pairs for overhead applications.
P170 Project Studio Condenser Microphone
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General
Audio Frequency bandwidth: 20 to 20000 Hz
Sensitivity: 15 mV/Pa
Equivalent Noise Level: 19 dB-A
Signal to Noise: 75 dB-A
Preattenuation Pad: -20 dB
Electrical Impedance: <= 200 Ohms
Recommended Load Impedance: >=1000 Ohm
Polar Pattern: Cardioid
Powering Interface
Voltage: 44 to 52 V
Current: <= 3 mA
Audio Output
Type: Balanced XLR
Gender: Male
Contacts: 3-pin
Dimensions / Weight
Height: 160 mm
Diameter: 22 mm
Net Weight: 130 g
AKG P2 Dynamic Instrument Microphone
$ 99.99 $ 199.00
The rugged AKG P2 dynamic instrument microphone is recommended for instruments such as bass drums, trombones, or bass amplifiers. Part of the AKG Perception Live microphones series, the P2 bass microphone delivers powerful sound with a high-energy low end.
The AKG P2 microphone's electrical hum-cancelling coil effectively eliminates interfering noises. An integrated mic stand adapter is another of the P2 AKG microphones helpful features.
Perception Live Series
For onstage performances, AKG Perception Live microphones all boast indestructible metal casings, rugged spring steel microphone grilles, appealing and scratch-resistant finishes, high-maximum SPL, and powerful sound for any venue.
P2 Dynamic Instrument Microphone
- Polar pattern: cardioid
- Frequency range: 20 to 16,000Hz
- Sensitivity: 2.5 mV/Pa
- Recommended load impedance: 2,000 ohms
- Max. sound pressure level: 157dB SPL
AKG WMS420 Ultra High Frequency Presenter Set Wireless Microphone System
$ 299.99 $ 389.99
The WMS420 wireless microphone system provides a highly flexible as well as easy to use solution. The ultra high frequency system is set up within seconds and is equally suitable on stage as well as in locations where a single- or multi channel solution is needed.
The entire WMS420 wireless system consists of the SR420 stationary receiver, HT420 handheld transmitter and the PT420 pocket transmitter. The HT420 handheld transmitter is available with the patented D5 dynamic microphone acoustic. This capsule guarantees maximum rejection against feedback, reduced handling noise and the famous AKG sound. Both transmitters are shipped with charging contacts that enable the use of rechargeable batteries. Moreover the transmitters offer exceptional eight hours of operation time from a single AA size battery, which dramatically reduces the operating costs in day-to-day use.
The detachable receiver antennas allow the use of professional accessories, such as antenna splitters and remote mounted directional antennas for multi channel systems. The WMS420 series includes three different bodypack sets. The head-worn set includes the high performance C555L condenser microphone. The presenter set includes the professional C417L lavalier microphone. The guitar set includes an instrument cable. With the AKG WMS420 system up to eight channels can be run simultaneously.
WMS420 Presenter Set is a professional multi-channel wireless microphone system. It includes the HT420 analog high-performance wireless handheld transmitter features a dynamic microphone capsule for demanding vocal performances, the PT420 wireless bodypack transmitter, the SR420 wireless stationary receiver and a Clip-on microphone C417 L.
The WMS420 Presenter Set package includes:
1 x Bodypack transmitter PT420
1 x Stationary receiver SR420
1 x Clip-on microphone C417 L
1 x Windscreen W407
2 x Receiver antennas
1 x AC adapter
1 x AA size battery
Audio-Technica ATM230 Dynamic Instrument Microphone
$ 139.00 $ 249.00
The ATM230 hypercardioid instrument microphone brings a compact drum model to Audio-Technica’s popular Artist Series line. The mic’s proprietary capsule is designed to excel in high SPL applications, delivering full, well-rounded audio with an exceptional low-end. The hypercardioid polar pattern keeps the focus on the sound source, directionality that is aided by the mic’s low-profile design, which allows it to be placed in a wide variety of setups. All this makes the ATM230 ideally suited for miking toms, snare and other percussion instruments.
The ATM230 features rugged metal construction that stands up to the rigors of live and studio applications, and comes with an AT8665 drum mount and a protective pouch.
- Hypercardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
- Handles very high SPL at close range
- Big, warm low-frequency response with excellent attack
- Low-profile design permits versatile placement around drum kit
- Rugged, all-metal design and construction for years of trouble-free use
- Includes AT8665 drum mount and a soft protective pouch
| ELEMENT | Dynamic |
| POLAR PATTERN | Hypercardioid |
| FREQUENCY RESPONSE | 30-12,000 Hz |
| OPEN CIRCUIT SENSITIVITY | –54 dB (1.9 mV) re 1V at 1 Pa |
| IMPEDANCE | 600 ohms |
| WEIGHT | 292 g (10.3 oz) |
| DIMENSIONS | 82.5 mm (3.2") long, 38.0 mm (1.5") maximum diameter |
| OUTPUT CONNECTOR | Integral 3-pin XLRM-type |
| ACCESSORIES FURNISHED | AT8665 drum mount for 5/8"-27 threaded adaptor; 5/8"-27 to 3/8"-16 threaded adaptor; soft protective pouch |
| AUDIO-TECHNICA CASE STYLE | R2 |
Audio-Technica ATM230PK Drum Microphone 3-Pack
$ 349.99 $ 619.00
The ATM230 features rugged metal construction that stands up to the rigors of live and studio applications, and comes with an AT8665 drum mount and a protective pouch.
Audio Technica ATM230 Dynamic Instrument Microphone Features
- Hypercardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
- Handles very high SPL at close range
- Big, warm low-frequency response with excellent attack
- Low-profile design permits versatile placement around drum kit
- Rare earth magnet for improved output and transient response
- Rugged, all-metal design and construction for years of trouble-free use
The hypercardioid polar pattern keeps the focus on the sound source, directionality that is aided by the mic’s low-profile design, which allows it to be placed in a wide variety of setups. All this makes the ATM230 ideally suited for miking toms, snare and other percussion instruments.
Audio-Technica ATM250 Hypercardioid Instrument Microphone
$ 179.99 $ 329.99
- High SPL Capability
- The ATM-250 is capable of capturing drums, brass, percussion and guitar cabinets at close proximity without distortion and noise.
- Optimized for Low Frequencies
- The frequency response is contoured for accurate, rich low frequency response.
- Hypercardioid Polar Pattern
- The hypercardioid polar pattern is effective in rejecting off-axis noise and feedback.
Audio-Technica ATW-1101/G Digital Wireless Instrument System w/Guitar Cable
$ 299.99 $ 524.00
The Audio Technica ATW-1101 package includes a beltpack transmitter and a receiver, and is applicable to headset or lavalier wireless users, as well as guitarists. It comes with the ATW-R1100 receiver and ATW-T1001 UniPak transmitter with AT-GcW guitar/instrument input cable.
Audio-Technica's System 10 is a digital high-fidelity wireless system designed to provide performing musicians and presenters with advanced 24-bit operation, easy setup and clear, natural sound quality. Operating in the 2.4 GHz range, far from TV and DTV interference, System 10 offers extremely easy operation and instantaneous channel selection. Up to eight channels may be used together without any frequency coordination problems or group selection issues. System 10 receivers and transmitters offer an easy-to-read digital ID display.
System 10 wireless ensures clear communications by providing three levels of diversity assurance: frequency, time, and space. Frequency Diversity sends the signal on two dynamically allocated frequencies for interference-free communication. Time Diversity sends the signal in multiple time slots to maximize immunity to multipath interference. Finally, Space Diversity uses two antennas on each transmitter and receiver to maximize signal integrity.
Consumer Alert:
Most users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: the system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received from any other device. Purchasers should also be aware that the FCC is currently evaluating use of wireless microphone systems, and these rules are subject to change. For more information, call the FCC at 1-888-CALL-FCC (TTY: 1-888-TELL-FCC) or visit the FCCs wireless microphone website at: www.fcc.gov/cgb/wirelessmicrophones.
- Digital 24-bit/48kHz wireless operation for ultimate sound quality and dependable performance
- 2.4 GHz range - completely free from TV interference
- Three levels of diversity assurance: frequency, time, & space
- Automatic frequency selection for seamless, interference-free operation
- Extremely easy operation with instantaneous channel selection, sync, and set-up
- State-of-the-art digital receiver for reliable performance
- Balanced XLR and unbalanced 1/4" output jacks with level control
- Operating Frequencies: 2.4 GHz ISM band
- Dynamic Range: >109 dB (A-weighted), typical
- Total Harmonic Distortion: <0.05% typical
- Operating Range: 30 m (100') typical
- Open range environment with no interfering signals
- Operating Temperature Range: 0 C to +40 C (32 F to 104 F)
- Battery performance may be reduced at very low temperatures
- Frequency Response: 20 Hz to 20 kHz
- Depending on microphone type
- Receiving System: Diversity (frequency/time/space)
- Maximum Output Level: XLR, balanced: 0 dBV
- 1/4" (6.3 mm), unbalanced: +6 dBV
- Power Supply 100-240V AC (50/60 Hz) to 12V DC .5A (center positive) switched mode external power supply
- Dimensions: 190.0 mm (7.48") W x 46.2 mm (1.82") H x 128.5 mm (5.06") D
- Net Weight: 290 grams (10.2 oz)
- Accessory Included: Power supply
- RF Power Output 10 mW
- Spurious Emissions Following federal and national regulations
- Input Connections Four-pin Locking Connector
- Pin 1: GND, Pin 2: INST INPUT,
- Pin 3: MIC INPUT, Pin 4: DC BIAS +9V
- Batteries Two 1.5V AA
- not included
- Battery Life >7 hours (alkaline)
- Depending on battery type and use pattern
- Dimensions 70.2 mm (2.76") W x 107.0 mm (4.21") H x 24.9 mm (0.98") D
- Net Weight 100 grams (3.5 oz) without batteries
Audio-Technica ATW-2120BI Wireless Handheld Microphone System
$ 379.00 $ 428.96
The system features the ATW-R2100bI receiver with UHF diversity reception, 10 user selectable frequencies, automatic frequency scan and Tone Lock squelch system for interference free reception. Balanced XLR and 1/4" phone connections adapt to professional and consumer gear, and a bright LCD display delivers a comprehensive read over settings in dimly lit conditions.
The included ATW-T220a handheld transmitter features the Pro 41 cardioid capsule for minimal pick up at the off-axis sections, and maximum gain before feedback. The microphone includes a stand clamp and is powered with two 1.5V AA batteries and will run for up to 9 hours.
- Serious advances in affordable professional wireless
- Clear sound quality and rock-solid, dependable performance
- Automatic frequency scanning
- 10 compatible user-switchable channels in one of two UHF frequency ranges
- Antenna power available for powered antennas & other in-line RF devices
- True Diversity operation selects the better signal from the two receiver sections, reducing dropouts
- Tone Lock tone squelch system fights interference
- Rugged metal half-rack receiver with soft-touch controls and LCD display
- Balanced XLR and unbalanced 1/4" output jacks enable use with a wide variety of audio gear
- Switchable transmitter power output with high and low settings offered
- Includes rack-mount kit and detachable UHF antennas
- Ground-lift switch helps eliminate audible hum caused by ground loops between the sound system and receiver
- ATW-T220a Handheld Microphone/Transmitter features the PRO 41 Capsule for maximum feedback rejection and consistent sound
Audio-Technica Pro 61 Vocal Microphone
$ 69.00 $ 119.00
Taylored for vocals, it lets you be heard onstage.
The Audio-Technica PRO 61 is an exceptional vocal stage microphone. A dynamic mic that delivers outstanding gain before feedback, the PRO 61 has plenty of the presence needed for lead vocals. Its hypercardioid polar pattern improves isolation of the voice from surrounding sounds. The PRO 61 mic's superior internal shock mounting eliminates handling noise. A neodymium magnet yields the articulate reproduction needed for vocal use. Rugged Audio-Technica design and construction assure that the PRO 61 will serve you reliably with a long use life.
- Excellent gain before feedback
- Outstanding stage presence for lead and back-up vocals
- Extended frequency response for optimal clarity and smooth, natural sonic characteristics
- Hypercardioid polar pattern improves isolation of desired sound source
- Superior internal shock mounting reduces handling noise
- Hi-ENERGY neodymium magnet for articulate vocal reproduction
- 2-stage ball-type headcase for superior "pop" protection
- Gold-plated XLRM-type connector
- Rugged design and construction for reliable performance
PRO 61 Hypercardioid Dynamic Microphone
- Element: dynamic
- Impedance: 300 ohms
- Polar Pattern: hypercardioid
- Weight: 11-3/4 oz (335 g)
- Frequency Response: 70 - 16,000 Hz
- Output Connector: XLRM-type
- Open Circuit Sensitivity: -55 dB (1.7 mV) re 1V at 1 Pa
Beyerdynamic Opus 51 Professional Instrument Microphone
$ 439.99
The Piano is an expressive instrument with a wide dynamic range and multiple sound sources coming from the strings and frame into which it is constructed. All of these subtle sounds and nuances have to be captured to make the Piano sound natural and to transfer the emotion with which it is played. The Opus 51 is purpose built for this type of instrument. Using the ™boundary effect™ it captures direct and reflected sounds from all parts of the instrument in perfect balance and at an equal level taking some of the guesswork out of microphone placement. As the Opus 51 effortlessly captures low frequency audio as well as the high frequency detail it also can be used perfectly for Kick Drums.
Beyerdynamic Opus 88 Condenser Clip-On Microphone
$ 219.99
The Beyerdynamic Opus 88 condenser microphone is a perfect choice for close miking toms and snare drums, and is designed to excel at professional sound reinforcement or recording. The snare drum is hit most often, the hardest, and produces a very complex sound pattern. The Opus 88 mic has been optimized for the snare, both electrically and physically, to capture a precise sound. With its patented microphone clamp with integrated preamplifier and 3-pin XLR plug the Opus 88 can easily and quickly be mounted to the rim. The short flexible gooseneck and the horizontal swivel joint ensures optimal positioning.
Requires phantom power.
Opus 88 Condenser Clip-On Microphone
- Transducer type: Condenser (back electret)
- Operating principle: Pressure gradient
- Polar pattern: Cardioid
- Open circuit voltage at 1 kHz (0dB = 1V/Pa) : 5 mV/Pa = -46 dBV
- Nominal impedance: 200 Ohms
- Load impedance: > 1 k Ohms
- Frequency response: 30 - 20,000 Hz
- Max. SPL at 1 kHz: 136 dB (at 48 V phantom power) / 126 dB (at 12 V phantom power)
- S/N ratio rel. to 1 Pa: 64 dB
- A-weighted equivalent SPL: 22 dB
- Current consumption: < 6 mA
- Connection: 3-pin XLR, male
- Supply voltage: 11 - 52 V phantom (recommended phantom power: 48 V)
- Clamp (W x H) : 85 x 118 mm
- Gooseneck length: 20 mm
- Total length: 120 mm
- Weight incl. Clamp: approx. 145 g
CAD Audio D80 Large Diaphragm Moving Coil Dynamic Microphone
$ 99.99
- Live performance guitar cabinet microphone designed to deliver high-quality sound
- Large moving coil dynamic that delivers a reminiscent, yet updated sound profile you would look for in a dynamic microphone
- Features a tight supercardioid polar pattern
CAD D10 Cardioid Dynamic Microphone
$ 34.99
The D10 is a cardioid, moving-coil dynamic microphone specifically designed and carefully equalized for kick drum capture and reinforcement. Special attention has been given to enhancing “thump”, “crack” and “click” while reducing “boxiness”.
Although designed for kick drum, excellent results are also obtained when used on floor toms, electric guitar and electric bass cabinets.
The die-cast metal body and hardened protective steel screen provide rugged durability. Integrated swivel mount is included.
- Operating Priciple:......................Dynamic
- Polar Pattern:..............................Cardioid
- Output Connection:............................XLR
- Frequency Response:............50Hz-16kHz
- Pantom Power Requirements:...........None
- Impedance:.................................60 Ohms
- Dimensions:...............................4.2" x 2.4"
- Weight:........................................12.75 oz
- Sensitivity:...........-67dBV (.45mV) @ 1 Pa
- Switch:...............................................None
- RoHS.........................................Compliant
Cad D90 Supercardioid Dynamic Handheld Microphone
$ 99.99 $ 129.99
The CADLive D90 supercardioid dynamic handheld mic is outfitted with a Trueflex diaphragm and PowerGap high- gauss neodymium magnets creating a hot and articulate live performance vocal microphone.
- Pattern: Superardioid
- Principle: Dynamic moving coil motor
- Frequency Response : 50 “ 16kHz
- Sensitivity : -51.0 dBv (2.8mV) @ 1PA
- Impedance : 500 Ohm
- Max SPL >150dB
- UPC : 631922107289
- Weight : 1.5Lbs
- Dims : 10 X 6.5 X 3
CAD ICM417 Cardioid Condenser Microphone
$ 79.99 $ 89.99
Packaged in a rugged small, all metal body, the ICM417 electret condenser microphone provides natural, transparent sound quality. The transformerless design of this cardioid condenser provides optimum low frequency response and low distortion. Designed for use with cymbals, overheads, and stringed instruments, the wide, flat frequency of the ICM417, coupled with the CAD exclusive I.N.R. shockmount, make this an extremely high quality percussion microphone, as well.
DBX RTA-M Reference Microphone for DriveRack PA
$ 99.99
Omni-directional, flat frequency, measurement mic.Requires phantom power.
Gold Tone ABS Amplified Banjo & Resonator Microphone & Preamp System
$ 261.00
The ABS system is quickest and easiest way to amplify your banjo or resonator guitar. It combines a dynamic microphone (with the versatile cardioid pattern) and a compact gooseneck coupled to a shock mounted adjustable bracket that has no exposed wiring. The ABS reliably captures the sound of your banjo or reso-guitar at the precise spot you prefer for the tone you're after, without the annoyance of extraneous vibrations. ABS can be moved from one instrument to another in seconds and includes a stomp-box preamp (our 9-volt-powered ABS-2). A footswitch can increase gain (volume) to punch out lead breaks. An AC adapter is available (ABS-ADT). Connection to the sound system or amp is via standard 1/4" guitar cable; two cables are required for connection with preamp and amplifier. ABS comes in a hard plastic carrying case with fitted foam inserts for the mic and pedal.
Peavey DM2 Dynamic Microphone
$ 129.99 $ 199.99
| Type: dynamic mic |
| Polar pattern: super cardioid |
| Frequency Response: 80~ 18000Hz |
| Sensitivity: -54±2dBV/Pa |
| Rated impedance: 200 ohm |
| Max. SPL: 144dB |
| Connector: 3Pin male XLR type |
| Dimensions: 60mm x 65mm (H) x 127mm |
| Net Weight: 200g |
| Weight Unpacked: 1.32 lb(0.6 kg) |
| Weight Packed: 1.32 lb(0.6 kg) |
| Width Packed: 4.75"(12.065 cm) |
| Height Packed: 12"(30.48 cm) |
| Depth Packed: 3"(7.62 cm) |
Samson Airline Synth AX300/AR300 UHF Wireless Microphone System
$ 449.99 $ 689.99
AirLine Synth Wireless Systems
Samson began as a wireless technology company over 25 years ago. We packed our high-quality wireless gear with value and professional sound capability. Now, we introduce the most versatile, technologically advanced wireless system in our history: AirLine Synth.
With its sleek, frequency-agile micro transmitters, one button channel selection and infrared scanning, the technology behind our new AirLine Synth provides easy setup and clear reception at every gig in every location.
Ideal for media production, house of worship and of course, professional music production of all varieties, AirLine Synth is a true diversity system that is frequency selectable, with the capability of operating on over 300 frequencies* with up to 11 simultaneous systems**.
AX300 - AirLine Synth Handheld Transmitter
Small and lightweight, the AX300 plugs directly into any dynamic microphone you want to use and we include the Samson Q7, a great mic for vocals and presentations. The transmitter is so lightweight and small, it feels like it's a natural part of the mic.
The AX300 contains a precision mic preamp that never colors your sound, a digital channel readout, a low battery indicator and a mute switch.
AR300 - AirLine Synth Receiver
The Handheld System includes the AR300 AirLine Synth Receiver. Roadworthy durability and crystal clear reception in any location make this receiver an intelligent choice for discerning professionals. Featuring automatic RF scanning and infrared programming, balanced and unbalanced outputs as well as front or rear mountable antennae, the AR300 is loaded with convenience and cutting-edge technology. We also designed it with a backlit LED front panel display that shows AF/RF levels, frequency, audio output level and group for easy setup on the fly. Up to four AR300M modules can also be rackmounted in a single rackspace using the AR4300 receiver.
* Channels: 320 channels 25kHz Step (N and U Bands), 71 channels 25kHz Step (E Band)
** Simultaneous Systems: Up to 11 (N and U Bands), Up to 5 (E Band)
*** Operating Frequency: 639.025–647 MHz, 798.025–806 MHz (not for use in the USA), 863–865 MHz (not for use in the USA)
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