$ 603.00 $ 755.09
The D12 VR is a large-diaphragm cardioid dynamic microphone. Designed specifically for kick-drum recording applications, the microphone has a thin diaphragm to enhance the low frequency performance. Its predecessors have been the industry standard in kick drum mics for decades. The D12 and subsequently the D12E and the D112 have been the choice of drummers and the live sound engineers who love them since 1950.
Without phantom power, the microphone delivers the pure character of the sound source. With phantom power enabled, one of three switchable active-filter presets can be used to quickly adapt the microphone response to suit the desired kick-drum sound. The filter setting can be controlled using a switch on the microphone body. In this mode the output level is also reduced by 10 dB automatically.
Check it out. The latest version of a classic. It has retained the attributes of the original but taken advantage of modern innovations. Vintage and modern have just met up, and they have done so in front of the kick drum head.
D12VR Large-Diaphragm Cardioid Dynamic Kick Drum Mic
$ 139.00 $ 194.40
SOUND IN MOTION
for drums, percussion, wind instruments and guitar amps on stage
The D40 professional instrumental microphone with its solid all-metal body will stand up to the hardships of night-after-night onstage use with a smile. Its patented Varimotion diaphragm uses a unique laminated material to damp high resonance peaks, leading to a quantum leap in audio performance. The transducer is protected by a sturdy wire-mesh cap and can take extremely high sound pressure levels with ease.
An integrated stand adapter in combination with the included H440 mounting bracket makes the D40 a highly versatile tool for use on drums, percussion, wind instruments and guitar amps.
TECHNICAL SPECIFICATION
General
Audio Output
Design
Dimensions / Weight

$ 115.00 $ 150.00
The P170 is a small-diaphragm condenser microphone for recording percussion, acoustic guitars and perhaps most typically, drum set from the overhead position. Its lightweight 1/2" true condenser transducer diaphragm delivers outstanding clarity and transient response. It is an affordable alternative to the revered 'pencil' microphones. They are often purchased in pairs for overhead applications.
P170 Project Studio Condenser Microphone
Sold Out $ 169.00
The Audio-Technica AT2020 Cardioid Condenser Microphone is the ideal mic for project and home studio applications. With a remarkably low price, cardioid pattern, and specs that put it in the big leagues, it features a custom-engineered, 16mm low-mass diaphragm and smooth 20Hz-20kHz frequency response. The AT2020's low self-noise is suited to digital recording, plus it has a high 144dB SPL handling.
Requires phantom power.
$ 199.00
Audio-Technica’s omnidirectional AT899 is engineered for intelligible, accurate voice reproduction. Its low-profile design (a mere 5 mm in diameter) assures minimum visibility. The mic may be worn as a lavalier and is easily hidden in clothing or hair. It offers the convenience of battery or phantom power; its switchable low-frequency roll-off reduces popping.
| ELEMENT | Fixed-charge back plate, permanently polarized condenser |
| POLAR PATTERN | Omnidirectional |
| FREQUENCY RESPONSE | 20-20,000 Hz |
| LOW FREQUENCY ROLL-OFF | 80 Hz, 12 dB/octave |
| OPEN CIRCUIT SENSITIVITY | Phantom: -43 dB (7.0 mV) re 1V at 1 Pa Battery: -46 dB (5.0 mV) re 1V at 1 Pa |
| IMPEDANCE | Phantom: 200 ohms Battery: 250 ohms |
| MAXIMUM INPUT SOUND LEVEL | Phantom: 138 dB SPL, 1 kHz at 1% T.H.D. Battery: 116 dB SPL, 1 kHz at 1% T.H.D. |
| DYNAMIC RANGE (typical) | Phantom: 108 dB, 1 kHz at Max SPL Battery: 86 dB, 1 kHz at Max SPL |
| SIGNAL-TO-NOISE RATIO | 64 dB, 1 kHz at 1 Pa |
| PHANTOM POWER REQUIREMENTS | 11-52V DC, 2 mA typical |
| BATTERY TYPE | 1.5V AA/UM3 |
| BATTERY CURRENT / LIFE | 0.4 mA / 1200 hours typical (alkaline) |
| SWITCH | Flat, roll-off (recessed) |
| WEIGHT (MICROPHONE) | 0.02 oz (0.5 g) |
| WEIGHT (POWER MODULE) | 3.6 oz (102 g) |
| DIMENSIONS (MICROPHONE) | 0.63" (16.0 mm) long, 0.20" (5.0 mm) diameter |
| DIMENSIONS (POWER MODULE) | 5.71" (145.0 mm) long, 0.83" (21.0 mm) diameter |
| OUTPUT CONNECTOR (POWER MODULE) | Integral 3-pin XLRM-type |
| CABLE | 9.8' (3.0 m) long (permanently attached to microphone), 0.08" (2.0 mm) diameter, 2-conductor, shielded cable with TA3F output connector that mates with TB3M jack on power module |
| ACCESSORIES FURNISHED | AT8537 power module; AT8439 cable clip; clothing clip base; viper clip base; magnet clip base and plate with lanyard; three single mic holders; two double mic holders; two element covers; two windscreens; battery; protective carrying case |
| AUDIO-TECHNICA CASE STYLE | M29 |
$ 139.00 $ 249.00
The ATM230 hypercardioid instrument microphone brings a compact drum model to Audio-Technica’s popular Artist Series line. The mic’s proprietary capsule is designed to excel in high SPL applications, delivering full, well-rounded audio with an exceptional low-end. The hypercardioid polar pattern keeps the focus on the sound source, directionality that is aided by the mic’s low-profile design, which allows it to be placed in a wide variety of setups. All this makes the ATM230 ideally suited for miking toms, snare and other percussion instruments.
The ATM230 features rugged metal construction that stands up to the rigors of live and studio applications, and comes with an AT8665 drum mount and a protective pouch.
| ELEMENT | Dynamic |
| POLAR PATTERN | Hypercardioid |
| FREQUENCY RESPONSE | 30-12,000 Hz |
| OPEN CIRCUIT SENSITIVITY | –54 dB (1.9 mV) re 1V at 1 Pa |
| IMPEDANCE | 600 ohms |
| WEIGHT | 292 g (10.3 oz) |
| DIMENSIONS | 82.5 mm (3.2") long, 38.0 mm (1.5") maximum diameter |
| OUTPUT CONNECTOR | Integral 3-pin XLRM-type |
| ACCESSORIES FURNISHED | AT8665 drum mount for 5/8"-27 threaded adaptor; 5/8"-27 to 3/8"-16 threaded adaptor; soft protective pouch |
| AUDIO-TECHNICA CASE STYLE | R2 |
$ 99.99 $ 169.99
The ATM650 is a versatile addition to the Artist Series featuring a new multi-stage flat grille design for precise positioning close to the sound source. Equipped with a neodymium magnet for high-output performance, the ATM650 has a frequency response tailored for clear sound reproduction of guitar cabinets, snare and percussion. A-T's innovative dual-wall floating construction banishes handling noise.
ATM650 Hypercardioid Dynamic Instrument Microphone
$ 409.00 $ 572.00
The Audio Technica ATW-1102 package includes ahandheld dynamic microphone.transmitter and a receiver. It comes with an ATW-R1100 receiver and ATW-T1002 handheld dynamic unidirectional microphone/transmitter. Includes AT8456a Quiet-Flex stand clamp.
Audio-Technica's System 10 is a digital high-fidelity wireless system designed to provide performing musicians and presenters with advanced 24-bit operation, easy setup and clear, natural sound quality. Operating in the 2.4 GHz range, far from TV and DTV interference, System 10 offers extremely easy operation and instantaneous channel selection. Up to eight channels may be used together without any frequency coordination problems or group selection issues. System 10 receivers and transmitters offer an easy-to-read digital ID display.
System 10 wireless ensures clear communications by providing three levels of diversity assurance: frequency, time, and space.
Frequency Diversity sends the signal on two dynamically allocated frequencies for interference-free communication. Time Diversity sends the signal in multiple time slots to maximize immunity to multipath interference. Finally, Space Diversity uses two antennas on each transmitter and receiver to maximize signal integrity.
System 10 2.4GHz Digital Wireless Handheld System
$ 99.99
$ 199.99 $ 299.00
One of Al Di Meola's two favorite acoustic guitar mics for live performance, the Equitek e60 Cardioid Condenser Microphone has externally-biased point-source transduction with a high-power transformerless drive in a bulletproof road-ready housing. Take it on tour for high-impact instrumentation. Features include three-frequency hi-pass filter, 10dB attenuator and integral stand clamp. The microphone's applications include acoustic instrument, guitar cabinets, bass cabinets, strings, piano, cymbals/overheads, kick drum, snare drum, hi-hat.
24V or 48V phantom power required.
$ 261.00
The ABS system is quickest and easiest way to amplify your banjo or resonator guitar. It combines a dynamic microphone (with the versatile cardioid pattern) and a compact gooseneck coupled to a shock mounted adjustable bracket that has no exposed wiring. The ABS reliably captures the sound of your banjo or reso-guitar at the precise spot you prefer for the tone you're after, without the annoyance of extraneous vibrations. ABS can be moved from one instrument to another in seconds and includes a stomp-box preamp (our 9-volt-powered ABS-2). A footswitch can increase gain (volume) to punch out lead breaks. An AC adapter is available (ABS-ADT). Connection to the sound system or amp is via standard 1/4" guitar cable; two cables are required for connection with preamp and amplifier. ABS comes in a hard plastic carrying case with fitted foam inserts for the mic and pedal.
$ 439.00
Specifications
$ 79.99 $ 199.99
An incredibly well-made kick drum mic. Rigid, and featuring a huge diaphragm element, the Q Kick sounds better than mics costing hundreds more.$ 75.00
**This mic is used and being sold on consignment. It is in excellent condition with little to no signs of wear. Comes with the original packaging. The price has been adjusted accordingly.
The rugged workhorse with a practical shape.
The super-cardioid e 609 silver instrument microphone has been specially developed for miking guitar cabs face on and extremely close to the signal source.
Rugged metal body
Advanced shock-mount design
Super-cardioid pick-up pattern
Hum compensating coil
Made in Germany
$ 179.00 $ 199.00
If you want to capture a classic look, you need the gear to match the genre. Nothing completes the style quite like the 55SH Series II, a microphone that has been gripped by legends for decades. Others may imitate, but none can duplicate the form and function standards Shure has held from our first Unidyne mic to our latest.
Built on the hardware of our seminal Unidyne 55 microphone, the look of the 55SH Series II transports you to a classic era. Whether you recreate the broadcasting golden age or sing with the hip-swinging swagger of the birth of rock n’ roll, this is the mic that makes the scene.
The cardioid directional pattern captures the exact sound you want, regardless of acoustic environment. So it’s perfect for live performance in a variety of venues.
The shock-mounted cartridge minimises stand noise. So swing while you sing. It can handle the motion.
Microphones get dropped, tossed and knocked around. We know. We’ve been making them for nearly a century. It’s why we built the 55SH Series II with a rugged, die-cast casing, so it’s always ready for the next show.

$ 219.00 $ 306.00
Drum microphone provides low-frequency bass punch and SPL handling. It includes dynamic locking stand adapter for easy set-up, steel mesh grille for durability, shock mount for sound isolation, and neodymium magnet for high signal-to-noise ratio.
The Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch", and delivers studio quality sound even at extremely high sound pressure levels.
The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.
In the box

$ 169.00 $ 239.00
BETA 56A
Instrument Microphone
Compact drum microphone engineered for close miking of snare and toms.
The Shure BETA®56A microphone has a frequency response specifically tailored for drums and instruments. Its extremely uniform supercardioid pickup pattern provides high gain-before-feedback and excellent rejection of unwanted noise.
A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.
Features
Tailored frequency response provides drums, amplified instruments, and horns with studio quality sound
Built–in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility
Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off–axis sound
Compact design reduces stage clutter
Hardened steel mesh grille resists wear and abuse
Neodymium magnet for high signal–to–noise ratio output
Minimally affected by varying load impedance
Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
Legendary Shure quality and reliability
$ 149.00 $ 199.00
Dynamic instrument microphone provides high gain before feedback in demanding environments. It features a steel mesh grille for durability, shock mount to minimize transmission of unwanted noise, and a neodymium magnet for high signal-to-noise ratio.
$ 189.00 $ 284.00
Big sound. Full sound. Sophisticated sound. Is your mic living up to the power of your vocal? For decades, the BETA® 58A has been through the wringer, pushing voice to the forefront on the biggest stages in the world. For sound that commands the attention of the entire crowd, this is your microphone.
$ 110.00
**This mic is used and being sold on consignment. It is in excellent condition with little to no signs of wear. Comes with the original packaging. The price has been adjusted accordingly.
Big sound. Full sound. Sophisticated sound. Is your mic living up to the power of your vocal? For decades, the BETA® 58A has been through the wringer, pushing voice to the forefront on the biggest stages in the world. For sound that commands the attention of the entire crowd, this is your microphone.
$ 259.00 $ 329.00
The Shure Beta 87A Supercardioid Condenser Mic is a new take on an old classic. The Beta 87 was consistently a top choice of performers and audio technicians due to its accuracy, detail, and rich vocal production. Now this longstanding favorite has been redesigned as the Shure Beta 87A. It has a thicker handle that gives a more comfortable feel when hand-held. It also includes a new break-resistant swivel adapter and low-frequency roll-off to compensate for proximity effect and to prevent boominess. The supercardioid pattern provides high gain-before-feedback, and its 3-stage pop filter minimizes breath pop and noise. Frequency response: 50Hz-18kHz.
Requires phantom power.
$ 289.00 $ 422.00
Vocal microphone delivers a tailored response for a warm, natural sound. It features a cardioid polar pattern for maximum isolation, minimal off-axis tone coloration, a 3-stage pop filter to minimize breath noise, and a break-resistant stand adapter.
Excellent for touring professionals, the BETA®87C premium vocal microphone delivers studio-grade performance and a smooth, extended high-end frequency response in a cardioid condenser design.
The microphone adds warmth to the frequency response and creates an ideal environment for personal monitoring. And its highly consistent cardioid pattern offers excellent rear rejection.
Vocalists who use personal monitor systems such as Shure PSM® will appreciate how effectively the BETA 87C rejects ambient sound from the rear of the microphone.
$ 219.00 $ 299.00
BETA 98H/C
Instrument Microphone
A versatile solution for brass or percussion instruments. No external mounting hardware required.
The BETA®98H/C and the wireless version WB98H/C are premium cardioid condenser instrument microphones that clamp onto the bell of wind instruments or onto the rim of percussion instruments. The integrated gooseneck and ratcheting swivel joint allows the mic to be easily positioned and secured, and an isolation shock-mount reduces the transmission of instrument 'key noise' and other mechanical noise. A gooseneck angle brace is included to provide better retention of the microphone placement during more active performances.
Features
$ 169.00 $ 238.00