Products
AKG D12VR Reference Kick Drum Microphone
$ 603.00 $ 755.09
The D12 VR is a large-diaphragm cardioid dynamic microphone. Designed specifically for kick-drum recording applications, the microphone has a thin diaphragm to enhance the low frequency performance. Its predecessors have been the industry standard in kick drum mics for decades. The D12 and subsequently the D12E and the D112 have been the choice of drummers and the live sound engineers who love them since 1950.
Without phantom power, the microphone delivers the pure character of the sound source. With phantom power enabled, one of three switchable active-filter presets can be used to quickly adapt the microphone response to suit the desired kick-drum sound. The filter setting can be controlled using a switch on the microphone body. In this mode the output level is also reduced by 10 dB automatically.
Check it out. The latest version of a classic. It has retained the attributes of the original but taken advantage of modern innovations. Vintage and modern have just met up, and they have done so in front of the kick drum head.
D12VR Large-Diaphragm Cardioid Dynamic Kick Drum Mic
- Type: dynamic pressure gradient transducer
- Polar pattern: cardioid
- Frequency range: 17 - 17000 Hz (±2 dB)
- Sensitivity: 1,2 mV/Pa ± -58 dBV (at 1000 Hz passive)
- Max. SPL: 164 dB SPL (for 0,5 % THD)
- Impedance: <200 ohms (at 1000 Hz)
- Recommended load impedance: >1000 ohms
- Environment temperature range: -10 C - +70 C
- relative humidity at +20 C: 90 %
- Connector: three-pin male standard XLR
- Finish front grille: glossy galvanized nickel matte,
- rear grille: matte black paint
- Dimensions: 125 mm x 101 mm x 66 mm (4.9" x 3.9" x 2.6")
- Net weight: 500 g (1.1 lbs)
AKG Perception 45 Instrumental Set Wireless System
$ 249.00 $ 379.00
The Perception Wireless Instrumental Set comprises an SR 45 receiver and PT 45 bodypack transmitter, the smallest and lightest transmitter in its class. It can be used with many AKG miniature microphones, and the battery compartment cover doubles as a convenient tool for setting input gain for the application at hand.
The system comes complete with a universal power supply with US/UK/EU adapter, MKG L cable with ¼" jack plug and mini XLR connector, and one AA size dry battery.
In combination with the C 519 ML (sold separately) also suitable for wind instruments.
SR 45 Stationary Receiver
The SR 45 Stationary Receiver delivers a diversity system, professional XLR and Jack outputs, and the SMPS solution. The audio level and squelch threshold are adjustable on the receiver. It is a stationary receiver for use with all transmitters of the Perception wireless system.
The SR 45 operates within a switching bandwidth of up to 30 MHz in the 500 to 560 MHz UHF carrier frequency range and offers up to 8 selectable carrier frequencies.
PT 45 bodypack transmitter
The PT 45 bodypack transmitter lets you use both dynamic microphones and condenser microphones operating on a supply voltage of approx. 4 V. Naturally you may also connect an electric guitar, electric bass or keytar.
The PT 45 operates within a switching bandwidth of up to 30 MHz in the 500 to 560 MHz UHF carrier frequency range and offers up to 8 selectable carrier frequencies.
Consumer Alert (for US users)
Most users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: The system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received from any other device.
Purchasers should also be aware that the FCC is currently evaluating use of wireless microphone systems, and these rules are subject to change. For more information, call the FCC at 1-888- CALL-FCC (TTY: 1-888-TELL-FCC) or visit the FCC's wireless microphone website at www.fcc.gov/cgb/wirelessmicrophones
A wireless system ideal for an exceptionally wide range of applications.
- 30 MHz selection bandwidth (depending on local frequency plans)
- 8 hours of operation with a single AA size battery
- Compatible with all AKG MicroMics
- Low battery indicator
- Smallest and lightest bodypack transmitter in its class
- Complete with MKG L cable for direct connection to electric guitar or bass
- IncludedPT 45 bodypack transmitterAA batteryMKG L cableSR 45 receiverSMPS switched mode power supplyGuarantee cardFrequency tableManual supplement sheet
Order a wireless system that faithfully reproduces the sound of your favorite instrument.
SPECIFICATIONS
Perception Wireless Instrumental Set
- SR 45 Stationary Receiver
- Carrier frequency range: 500 - 560 MHz
- Modulation: FM
- Audio bandwidth: 40 - 20,000 Hz
- T.H.D. at 1 kHz: typ. 0.8%
- Signal/noise ratio: typ. 105 dB(A)
- Squelch threshold: 100 to -70 dBm adjustable
- Audio outputs: Balanced XLR and unbalanced 1/4" (6.3 mm) jack: adjustable from mic to line level. Output level at rated deviation: 500 mV RMS
- Dimensions: 7.87" x 7.48" x 1.73", (200 x 190 x 44 mm)
- Net weight: 12.69 oz, (360 g)
- PT 45 bodypack transmitter
- Carrier frequency range: 500 - 560 MHz
- Modulation: FM
- Audio bandwidth: 40 - 20,000 Hz
- T.H.D. at 1 kHz: typ. 0.8%
- Signal/noise ratio: typ. 105 dB(A)
- RF output: 10 mW
- Power requirement: 1x 1.5 V AA size battery
- Battery life: 10 hours
- Dimensions: 2.36 " x 2.91" x 1.18", (60 x 74 x 30 mm)
- Net weight: 2.11 oz, (60 g)
Audio Technica ATR2100x Microphone
$ 49.00
ATR2100x-USB
The ATR2100x-USB is a versatile content creation microphone, designed for podcasting, streaming, and voiceovers. This handheld dynamic microphone with a USB-C digital output connects to both Windows and Mac computers for easy digital recording, and also has an XLR analog output for connecting to a sound system’s conventional microphone input.
Specs
| Microphones | |
|---|---|
| Element | Dynamic |
| Polar Pattern | Cardioid |
| Frequency Response | 50 – 15,000 Hz |
| Power Requirements | USB Power (5V DC) |
| Bit Depth | Up to 24 bit |
| Sample Rate | 44.1 kHz/48 kHz/96 kHz/192 kHz |
| Controls | On/off switch; headphone volume control |
| Weight | 268 g (9.5 oz) |
| Dimensions | 183.0 mm (7.20") long, 51.0 mm (2.01") maximum body diameter |
| Output Connector | USB-C/XLR |
| Headphone Output Power | 10 mW @ 16 ohms |
| Headphone Jack | 3.5 mm TRS (stereo) |
| Accessories Included | Stand clamp for 5/8"-27 threaded stands, tripod desk stand, 2 m (6.6') USB-C to USB-C cable (USB On-The-Go Compliant), 2 m (6.6') USB-C to USB-A cable, 3 m (9.8') XLRF to XLRM cable |
Audio-Technica AT2010 Handheld Condenser Vocal Microphone
$ 119.00 $ 166.00
The Audio-Technica AT2010 microphone is designed to bring the studio-quality articulation and intelligibility of Audio-Technica's renowned 20 Series to the stage. Featuring the same 16 mm low-mass diaphragm found in the critically acclaimed AT2020 side-address studio condenser, the AT2010 mic excels wherever articulate vocals are needed: in houses of worship, for solo performances, jazz vocalists, singer/songwriters, and more.
This breakthrough handheld vocal condenser delivers remarkable specs and superior build at an amazing price. State-of-the-art design and manufacturing techniques ensure compliance with Audio-Technica's stringent consistency and reliability standards, and set the AT2010 apart from other vocal mics in its class. The microphone offers a wide dynamic range and handles high SPLs with ease. Its rugged construction is designed to stand up to years of use.
Requires phantom power.
AT2010 Handheld Condenser Microphone
- Polar pattern: Cardioid
- Frequency response: 40-20,000 Hz
- Open circuit sensitivity:
- â48 dB (3.9 mv) re 1V at 1 Pa
- Impedance: 100 ohms
- Maximum input sound level: 136 db SPL, 1 khz at 1% T.H.D.
- Dynamic range (typical): 113 db, 1 khz at Max SPL
- Signal-to-noise ratio:71 db, 1 khz at 1 Pa
- Phantom power requirements: 48V DC, 2 ma typical
- Weight: 233 g (8.2 oz)
- Dimensions: 179.1 mm (7.05") long,
- 50.8 mm (2.00") maximum body diameter
- Output connector: Integral 3-pin XLRM-type
- Accessories furnished: AT8470 Quiet-Flex stand clamp for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; soft protective pouch
Audio-Technica AT2020 Cardioid Condenser Microphone
$ 99.00 $ 169.00
The Audio-Technica AT2020 Cardioid Condenser Microphone is the ideal mic for project and home studio applications. With a remarkably low price, cardioid pattern, and specs that put it in the big leagues, it features a custom-engineered, 16mm low-mass diaphragm and smooth 20Hz-20kHz frequency response. The AT2020's low self-noise is suited to digital recording, plus it has a high 144dB SPL handling.
Requires phantom power.
- Condenser
- Cardioid pattern
- Side address
- 16mm low-mass diaphragm
- 20Hz-20kHz frequency response
- 144dB SPL handling
- Rugged body
- Element: Fixed-charge back plate, permanently polarized condenser
- Polar pattern: Cardioid
- Frequency response: 20-20,000Hz
- Open circuit sensitivity: -37 dB (14.1 mV) re 1V at 1 Pa
- Impedance: 100 ohms
- Maximum input sound level: 144dB SPL, 1kHz at 1% THD
- Noise: 20dB SPL
- Dynamic range (typical): 124dB, 1kHz at Max SPL
- Signal-to-noise ratio: 74dB, 1kHz at 1 Pa
- Phantom power requirements: 48V DC, 2 mA typical
- Weight: 12.1 oz.
- Dimensions: 6-1/3" long, 2" diameter
- Output connector: 3-pin XLRM-type
- Included accessories: Stand mount for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; soft protective pouch
- Audio-Technica case style: R7
Audio-Technica AT2040USB Hypercardioid Dynamic USB Microphone
$ 149.00
The AT2040USB is an ideal microphone for creators, featuring a dynamic design for excellent voice capture with added USB functionality. Combining the broadcast-quality performance of the AT2040 dynamic podcast microphone with plug-and-play USB functionality makes this the ideal microphone for podcasters, streamers, and other content creators to achieve professional results.
Audio-Technica AT2050 Multi-Pattern Condensor Microphone
Sold Out
The versatile AT2050 provides consistent, superior performance in switchable cardioid, omnidirectional and figure-of-eight polar pattern settings. Its dual large diaphragms are gold-vaporized and aged to achieve optimum characteristics over years of use. Equipped with a switchable 80 Hz high-pass filter and 10 dB pad, the microphone is ideal for studio and live sound use on vocals, piano, strings, drum overheads, guitar amps, and more.
Features
- Three switchable polar patterns: omni, cardioid, figure-of-eight
- Switchable 80 Hz high-pass filter and 10 dB pad
- Large diaphragm for smooth, natural sound and low noise
- State-of-the-art surface-mount electronics ensure compliance with A-T’s stringent consistency and reliability standards
- Includes shock mount & protective pouch
Specifications
| Microphones | |
|---|---|
| Element | Externally-polarized (DC bias) condenser |
| Polar Pattern | Cardioid, Omnidirectional, Figure-of-Eight |
| Frequency Response | 20-20,000 Hz |
| Low Frequency Roll Off | 80 Hz, 12 dB/octave |
| Open Circuit Sensitivity | –42 dB (7.9 mV) re 1V at 1 Pa |
Audio-Technica AT899cW Subminiature Omnidirectional Condenser Microphone
$ 199.00
Audio-Technica’s omnidirectional AT899 is engineered for intelligible, accurate voice reproduction. Its low-profile design (a mere 5 mm in diameter) assures minimum visibility. The mic may be worn as a lavalier and is easily hidden in clothing or hair. It offers the convenience of battery or phantom power; its switchable low-frequency roll-off reduces popping.
- Maximum intelligibility and clean, accurate reproduction for vocalists, lecturers, stage and television talent, and houses of worship
- Low-profile design (a mere 5 mm in diameter) is ideal for applications requiring minimum visibility
- Operates on battery or phantom power
- All wireless models available in either low-reflectance black or beige
- Extensive array of provided accessories includes a clothing clip, viper clip, magnet clip and lanyard (black models only), windscreens, element covers, interchangeable single and double mic holders
- Accessories available separately include complete accessory kits, clothing clips, three-pack element covers and three-pack windscreens
- 9.8' (3.0 m) cable permanently attached to mic, TA3F connector at power module
| ELEMENT | Fixed-charge back plate, permanently polarized condenser |
| POLAR PATTERN | Omnidirectional |
| FREQUENCY RESPONSE | 20-20,000 Hz |
| LOW FREQUENCY ROLL-OFF | 80 Hz, 12 dB/octave |
| OPEN CIRCUIT SENSITIVITY | Phantom: -43 dB (7.0 mV) re 1V at 1 Pa Battery: -46 dB (5.0 mV) re 1V at 1 Pa |
| IMPEDANCE | Phantom: 200 ohms Battery: 250 ohms |
| MAXIMUM INPUT SOUND LEVEL | Phantom: 138 dB SPL, 1 kHz at 1% T.H.D. Battery: 116 dB SPL, 1 kHz at 1% T.H.D. |
| DYNAMIC RANGE (typical) | Phantom: 108 dB, 1 kHz at Max SPL Battery: 86 dB, 1 kHz at Max SPL |
| SIGNAL-TO-NOISE RATIO | 64 dB, 1 kHz at 1 Pa |
| PHANTOM POWER REQUIREMENTS | 11-52V DC, 2 mA typical |
| BATTERY TYPE | 1.5V AA/UM3 |
| BATTERY CURRENT / LIFE | 0.4 mA / 1200 hours typical (alkaline) |
| SWITCH | Flat, roll-off (recessed) |
| WEIGHT (MICROPHONE) | 0.02 oz (0.5 g) |
| WEIGHT (POWER MODULE) | 3.6 oz (102 g) |
| DIMENSIONS (MICROPHONE) | 0.63" (16.0 mm) long, 0.20" (5.0 mm) diameter |
| DIMENSIONS (POWER MODULE) | 5.71" (145.0 mm) long, 0.83" (21.0 mm) diameter |
| OUTPUT CONNECTOR (POWER MODULE) | Integral 3-pin XLRM-type |
| CABLE | 9.8' (3.0 m) long (permanently attached to microphone), 0.08" (2.0 mm) diameter, 2-conductor, shielded cable with TA3F output connector that mates with TB3M jack on power module |
| ACCESSORIES FURNISHED | AT8537 power module; AT8439 cable clip; clothing clip base; viper clip base; magnet clip base and plate with lanyard; three single mic holders; two double mic holders; two element covers; two windscreens; battery; protective carrying case |
| AUDIO-TECHNICA CASE STYLE | M29 |
Audio-Technica ATM230 Dynamic Instrument Microphone
$ 139.00 $ 249.00
The ATM230 hypercardioid instrument microphone brings a compact drum model to Audio-Technica’s popular Artist Series line. The mic’s proprietary capsule is designed to excel in high SPL applications, delivering full, well-rounded audio with an exceptional low-end. The hypercardioid polar pattern keeps the focus on the sound source, directionality that is aided by the mic’s low-profile design, which allows it to be placed in a wide variety of setups. All this makes the ATM230 ideally suited for miking toms, snare and other percussion instruments.
The ATM230 features rugged metal construction that stands up to the rigors of live and studio applications, and comes with an AT8665 drum mount and a protective pouch.
- Hypercardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
- Handles very high SPL at close range
- Big, warm low-frequency response with excellent attack
- Low-profile design permits versatile placement around drum kit
- Rugged, all-metal design and construction for years of trouble-free use
- Includes AT8665 drum mount and a soft protective pouch
| ELEMENT | Dynamic |
| POLAR PATTERN | Hypercardioid |
| FREQUENCY RESPONSE | 30-12,000 Hz |
| OPEN CIRCUIT SENSITIVITY | –54 dB (1.9 mV) re 1V at 1 Pa |
| IMPEDANCE | 600 ohms |
| WEIGHT | 292 g (10.3 oz) |
| DIMENSIONS | 82.5 mm (3.2") long, 38.0 mm (1.5") maximum diameter |
| OUTPUT CONNECTOR | Integral 3-pin XLRM-type |
| ACCESSORIES FURNISHED | AT8665 drum mount for 5/8"-27 threaded adaptor; 5/8"-27 to 3/8"-16 threaded adaptor; soft protective pouch |
| AUDIO-TECHNICA CASE STYLE | R2 |
Audio-Technica ATM350U Cardioid Condenser Instrument Microphone with Universal Clip-on Mounting System (5" Gooseneck)
$ 299.00 $ 440.16
Designed for use with brass, saxophone and other instruments, the ATM350U UniMount® mounting system gives you the tools to perform with confidence. The system features the ATM350a cardioid condenser microphone, a high-SPL mic that provides a clear, well-balanced response from any instrument.
Audio-Technica ATM510 Handheld Vocal Microphone
$ 99.99 $ 179.99
Equipped with newly designed internal shock mounting for reduced handling and stage noise, the ATM510 from Audio-Technica is designed for smooth, natural vocal reproduction and low noise. This cardioid dynamic workhorse features super-durable construction for long-lasting performance, a rare-earth magnet for high output, and a multi-stage grille design for excellent protection against plosives. Its cardioid polar pattern reduces pickup of sounds from the sides and rear, maximizing isolation from other sound sources and minimizing feedback. The ATM510 is enclosed in a rugged housing, and its multi-stage windscreen effectively controls popping, distortion from sibilant sounds and wind noise. The included AT8470 Quiet-FlexTM stand clamp permits mounting on any microphone stand with 5/8"-27 threads.
ATM510 Cardioid Dynamic Vocal Mic Featuring Advanced Internal Shock Mounting
- Element: Dynamic
- Polar Pattern: Cardioid
- Frequency Response: 90Hz-16kHz
- Open Circuit Sensitivity: -55 dB (1.7 mV) re 1V at 1 Pa
- Impedance: 300 ohms
- Weight: .57 lb. (9.1 oz.)
- Dimensions: 6-11/16" (170mm) long; 2-1/8" (53.7mm) diameter
- Output Connector: Integral 3-pin XLRM-type
- Accessories: AT8470 Quiet-Flex stand clamp for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; soft protective pouch
- Audio-Technica Case Style: T6
Audio-Technica ATM650 Hypercardioid Dynamic Instrument Microphone
$ 99.99 $ 169.99
The ATM650 is a versatile addition to the Artist Series featuring a new multi-stage flat grille design for precise positioning close to the sound source. Equipped with a neodymium magnet for high-output performance, the ATM650 has a frequency response tailored for clear sound reproduction of guitar cabinets, snare and percussion. A-T's innovative dual-wall floating construction banishes handling noise.
ATM650 Hypercardioid Dynamic Instrument Microphone
- ELEMENT: Dynamic
- POLAR PATTERN: Hypercardioid
- FREQUENCY RESPONSE: 80-17,000 Hz
- OPEN CIRCUIT SENSITIVITY: —56 dB (1.5 mV) re 1V at 1 Pa
- IMPEDANCE: 300 ohms
- WEIGHT: 279 g (9.8 oz)
- DIMENSIONS: 164.2 mm (6.46") long, 38.8 mm (1.53") diameter
- OUTPUT CONNECTOR: Integral 3-pin XLRM-type
- ACCESSORIES FURNISHED: AT8470 Quiet-Flex stand clamp for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; soft protective pouch
- AUDIO-TECHNICA CASE STYLE: T5
Audio-Technica ATW-1102 Handheld Dynamic Vocal Wireless Microphone System
Sold Out $ 524.99
The Audio Technica ATW-1102 package includes ahandheld dynamic microphone.transmitter and a receiver. It comes with an ATW-R1100 receiver and ATW-T1002 handheld dynamic unidirectional microphone/transmitter. Includes AT8456a Quiet-Flex stand clamp.
Audio-Technica's System 10 is a digital high-fidelity wireless system designed to provide performing musicians and presenters with advanced 24-bit operation, easy setup and clear, natural sound quality. Operating in the 2.4 GHz range, far from TV and DTV interference, System 10 offers extremely easy operation and instantaneous channel selection. Up to eight channels may be used together without any frequency coordination problems or group selection issues. System 10 receivers and transmitters offer an easy-to-read digital ID display.
System 10 wireless ensures clear communications by providing three levels of diversity assurance: frequency, time, and space.
Frequency Diversity sends the signal on two dynamically allocated frequencies for interference-free communication. Time Diversity sends the signal in multiple time slots to maximize immunity to multipath interference. Finally, Space Diversity uses two antennas on each transmitter and receiver to maximize signal integrity.
System 10 2.4GHz Digital Wireless Handheld System
-
Overall system specifications
Operating Frequencies: 2.4 GHz ISM band
Dynamic Range: >109 dB (A-weighted), typical
Total Harmonic Distortion: <0.05% typical
Operating Range: 30 m (100') typical
Open range environment with no interfering signals
Operating Temperature Range: 0 C to +40 C (32 F to 104 F)
Battery performance may be reduced at very low temperatures
Frequency Response: 20 Hz to 20 kHz
Depending on microphone type
Receiver specifications
Receiving System: Diversity (frequency/time/space)
Maximum Output Level: XLR, balanced: 0 dBV
1/4" (6.3 mm), unbalanced: +6 dBV
Power Supply 100-240V AC (50/60 Hz) to 12V DC .5A (center positive) switched mode external power supply
Dimensions: 190.0 mm (7.48") W x 46.2 mm (1.82") H x 128.5 mm (5.06") D
Net Weight: 290 grams (10.2 oz)
Accessory Included: Power supply
Handheld transmitter specifications
RF Power Output 10 mW
Spurious Emissions Following federal and national regulations
Batteries Two 1.5V AA
not included
Battery Life >7 hours (alkaline)
Depending on battery type and use pattern
Dimensions 254.8 mm (10.03") long,
50.0 mm (1.97") diameter
Net Weight 280 grams (9.9 oz)
without batteries
Accessory Included AT8456a Quiet-Flex stand clamp
Audio-Technica Pro 61 Vocal Microphone
$ 69.00 $ 119.00
Taylored for vocals, it lets you be heard onstage.
The Audio-Technica PRO 61 is an exceptional vocal stage microphone. A dynamic mic that delivers outstanding gain before feedback, the PRO 61 has plenty of the presence needed for lead vocals. Its hypercardioid polar pattern improves isolation of the voice from surrounding sounds. The PRO 61 mic's superior internal shock mounting eliminates handling noise. A neodymium magnet yields the articulate reproduction needed for vocal use. Rugged Audio-Technica design and construction assure that the PRO 61 will serve you reliably with a long use life.
- Excellent gain before feedback
- Outstanding stage presence for lead and back-up vocals
- Extended frequency response for optimal clarity and smooth, natural sonic characteristics
- Hypercardioid polar pattern improves isolation of desired sound source
- Superior internal shock mounting reduces handling noise
- Hi-ENERGY neodymium magnet for articulate vocal reproduction
- 2-stage ball-type headcase for superior "pop" protection
- Gold-plated XLRM-type connector
- Rugged design and construction for reliable performance
PRO 61 Hypercardioid Dynamic Microphone
- Element: dynamic
- Impedance: 300 ohms
- Polar Pattern: hypercardioid
- Weight: 11-3/4 oz (335 g)
- Frequency Response: 70 - 16,000 Hz
- Output Connector: XLRM-type
- Open Circuit Sensitivity: -55 dB (1.7 mV) re 1V at 1 Pa
Beyerdynamic Opus 51 Professional Instrument Microphone
$ 439.99
The Piano is an expressive instrument with a wide dynamic range and multiple sound sources coming from the strings and frame into which it is constructed. All of these subtle sounds and nuances have to be captured to make the Piano sound natural and to transfer the emotion with which it is played. The Opus 51 is purpose built for this type of instrument. Using the ™boundary effect™ it captures direct and reflected sounds from all parts of the instrument in perfect balance and at an equal level taking some of the guesswork out of microphone placement. As the Opus 51 effortlessly captures low frequency audio as well as the high frequency detail it also can be used perfectly for Kick Drums.
Beyerdynamic Opus 88 Condenser Clip-On Microphone
$ 219.99
The Beyerdynamic Opus 88 condenser microphone is a perfect choice for close miking toms and snare drums, and is designed to excel at professional sound reinforcement or recording. The snare drum is hit most often, the hardest, and produces a very complex sound pattern. The Opus 88 mic has been optimized for the snare, both electrically and physically, to capture a precise sound. With its patented microphone clamp with integrated preamplifier and 3-pin XLR plug the Opus 88 can easily and quickly be mounted to the rim. The short flexible gooseneck and the horizontal swivel joint ensures optimal positioning.
Requires phantom power.
Opus 88 Condenser Clip-On Microphone
- Transducer type: Condenser (back electret)
- Operating principle: Pressure gradient
- Polar pattern: Cardioid
- Open circuit voltage at 1 kHz (0dB = 1V/Pa) : 5 mV/Pa = -46 dBV
- Nominal impedance: 200 Ohms
- Load impedance: > 1 k Ohms
- Frequency response: 30 - 20,000 Hz
- Max. SPL at 1 kHz: 136 dB (at 48 V phantom power) / 126 dB (at 12 V phantom power)
- S/N ratio rel. to 1 Pa: 64 dB
- A-weighted equivalent SPL: 22 dB
- Current consumption: < 6 mA
- Connection: 3-pin XLR, male
- Supply voltage: 11 - 52 V phantom (recommended phantom power: 48 V)
- Clamp (W x H) : 85 x 118 mm
- Gooseneck length: 20 mm
- Total length: 120 mm
- Weight incl. Clamp: approx. 145 g
CAD Audio D80 Large Diaphragm Moving Coil Dynamic Microphone
$ 99.99
- Live performance guitar cabinet microphone designed to deliver high-quality sound
- Large moving coil dynamic that delivers a reminiscent, yet updated sound profile you would look for in a dynamic microphone
- Features a tight supercardioid polar pattern
Cad D90 Supercardioid Dynamic Handheld Microphone
$ 99.99 $ 129.99
The CADLive D90 supercardioid dynamic handheld mic is outfitted with a Trueflex diaphragm and PowerGap high- gauss neodymium magnets creating a hot and articulate live performance vocal microphone.
- Pattern: Superardioid
- Principle: Dynamic moving coil motor
- Frequency Response : 50 “ 16kHz
- Sensitivity : -51.0 dBv (2.8mV) @ 1PA
- Impedance : 500 Ohm
- Max SPL >150dB
- UPC : 631922107289
- Weight : 1.5Lbs
- Dims : 10 X 6.5 X 3
CAD e60 Externally Biased Cardioid Condenser Microphone
$ 199.99 $ 299.00
One of Al Di Meola's two favorite acoustic guitar mics for live performance, the Equitek e60 Cardioid Condenser Microphone has externally-biased point-source transduction with a high-power transformerless drive in a bulletproof road-ready housing. Take it on tour for high-impact instrumentation. Features include three-frequency hi-pass filter, 10dB attenuator and integral stand clamp. The microphone's applications include acoustic instrument, guitar cabinets, bass cabinets, strings, piano, cymbals/overheads, kick drum, snare drum, hi-hat.
24V or 48V phantom power required.
FEATURES
- Operating Principle: Externally-biased condenser
- Polar Pattern: Cardioid
- Frequency Response:30Hz to 20KHz
- Sensitivity: -41dBV (8.9mV) @ 1 Pa
- Impedance: 300 ohms
- Max SPL: 140dB, 1% THD, attenuator engaged
- Self Noise: 22dBA
- Hi-pass Filter: 40Hz, 85Hz and 122Hz, 6dB/oct
- Attenuator: 10dB
- Power Requirements: P24, P48, 2mA
CAD ICM417 Cardioid Condenser Microphone
$ 79.99 $ 89.99
Packaged in a rugged small, all metal body, the ICM417 electret condenser microphone provides natural, transparent sound quality. The transformerless design of this cardioid condenser provides optimum low frequency response and low distortion. Designed for use with cymbals, overheads, and stringed instruments, the wide, flat frequency of the ICM417, coupled with the CAD exclusive I.N.R. shockmount, make this an extremely high quality percussion microphone, as well.
Gold Tone ABS Amplified Banjo & Resonator Microphone & Preamp System
$ 261.00
The ABS system is quickest and easiest way to amplify your banjo or resonator guitar. It combines a dynamic microphone (with the versatile cardioid pattern) and a compact gooseneck coupled to a shock mounted adjustable bracket that has no exposed wiring. The ABS reliably captures the sound of your banjo or reso-guitar at the precise spot you prefer for the tone you're after, without the annoyance of extraneous vibrations. ABS can be moved from one instrument to another in seconds and includes a stomp-box preamp (our 9-volt-powered ABS-2). A footswitch can increase gain (volume) to punch out lead breaks. An AC adapter is available (ABS-ADT). Connection to the sound system or amp is via standard 1/4" guitar cable; two cables are required for connection with preamp and amplifier. ABS comes in a hard plastic carrying case with fitted foam inserts for the mic and pedal.
Rode NT2000 Variable Pattern Condenser Microphone USED
$ 439.00
Requires phantom power.
- Continuously variable controls on the mic body Dial in virtually any polar pattern
- Totally variable high-pass filtering
- Variable pad values
- Includes plastic molded travel case and SM2 shockmount
- 20Hz-20kHz frequency response
- Includes plastic molded travel case and SM2 shockmount
Specifications
- 20Hz-20kHz frequency response
- 200 ohm output impedence
- Sensitivity: -36dB re 1 Volt/Pascal (16mV @ 94dB SPL) +/-2dB
- Equivalent noise: 7dBA SPL (per IEC651, IEC268-15)
- Maximum output: + 15dBu (@1% THD into 1 kohm)
- Signal/npise 84dB (1kHz rel 1 Pa (per IEC651, IEC268-15)
- Power requirements: Phantom P48 or P24 volts
Samson Airline Synth AX300/AR300 UHF Wireless Microphone System
$ 449.99 $ 689.99
AirLine Synth Wireless Systems
Samson began as a wireless technology company over 25 years ago. We packed our high-quality wireless gear with value and professional sound capability. Now, we introduce the most versatile, technologically advanced wireless system in our history: AirLine Synth.
With its sleek, frequency-agile micro transmitters, one button channel selection and infrared scanning, the technology behind our new AirLine Synth provides easy setup and clear reception at every gig in every location.
Ideal for media production, house of worship and of course, professional music production of all varieties, AirLine Synth is a true diversity system that is frequency selectable, with the capability of operating on over 300 frequencies* with up to 11 simultaneous systems**.
AX300 - AirLine Synth Handheld Transmitter
Small and lightweight, the AX300 plugs directly into any dynamic microphone you want to use and we include the Samson Q7, a great mic for vocals and presentations. The transmitter is so lightweight and small, it feels like it's a natural part of the mic.
The AX300 contains a precision mic preamp that never colors your sound, a digital channel readout, a low battery indicator and a mute switch.
AR300 - AirLine Synth Receiver
The Handheld System includes the AR300 AirLine Synth Receiver. Roadworthy durability and crystal clear reception in any location make this receiver an intelligent choice for discerning professionals. Featuring automatic RF scanning and infrared programming, balanced and unbalanced outputs as well as front or rear mountable antennae, the AR300 is loaded with convenience and cutting-edge technology. We also designed it with a backlit LED front panel display that shows AF/RF levels, frequency, audio output level and group for easy setup on the fly. Up to four AR300M modules can also be rackmounted in a single rackspace using the AR4300 receiver.
* Channels: 320 channels 25kHz Step (N and U Bands), 71 channels 25kHz Step (E Band)
** Simultaneous Systems: Up to 11 (N and U Bands), Up to 5 (E Band)
*** Operating Frequency: 639.025–647 MHz, 798.025–806 MHz (not for use in the USA), 863–865 MHz (not for use in the USA)
Samson HM40 Horn/Woodwind Condenser Microphone
$ 199.99 $ 599.99
- Cardioid pickup pattern for outstanding sound
- Horn bell clamp included for easy attachment to horn
- P3 connector for use with many Samson beltpack systems
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