$ 585.00 $ 733.10
The D12 VR is a large-diaphragm cardioid dynamic microphone. Designed specifically for kick-drum recording applications, the microphone has a thin diaphragm to enhance the low frequency performance. Its predecessors have been the industry standard in kick drum mics for decades. The D12 and subsequently the D12E and the D112 have been the choice of drummers and the live sound engineers who love them since 1950.
Without phantom power, the microphone delivers the pure character of the sound source. With phantom power enabled, one of three switchable active-filter presets can be used to quickly adapt the microphone response to suit the desired kick-drum sound. The filter setting can be controlled using a switch on the microphone body. In this mode the output level is also reduced by 10 dB automatically.
Check it out. The latest version of a classic. It has retained the attributes of the original but taken advantage of modern innovations. Vintage and modern have just met up, and they have done so in front of the kick drum head.
D12VR Large-Diaphragm Cardioid Dynamic Kick Drum Mic
$ 115.00 $ 150.35
SOUND IN MOTION
for drums, percussion, wind instruments and guitar amps on stage
The D40 professional instrumental microphone with its solid all-metal body will stand up to the hardships of night-after-night onstage use with a smile. Its patented Varimotion diaphragm uses a unique laminated material to damp high resonance peaks, leading to a quantum leap in audio performance. The transducer is protected by a sturdy wire-mesh cap and can take extremely high sound pressure levels with ease.
An integrated stand adapter in combination with the included H440 mounting bracket makes the D40 a highly versatile tool for use on drums, percussion, wind instruments and guitar amps.
Dimensions / Weight
$ 115.00 $ 150.35
The P120 is a 2/3-inch diaphragm true condenser microphone that offers solidly built quality, outstanding performance and excellent value. The low-mass diaphragm delivers a clear sound with accurate sonic detail for vocals, speech and instrument recording in project studios and for home recording.
Studio vocal mic with instrument capability.
$ 105.00 $ 135.00
The rugged AKG P2 dynamic instrument microphone is recommended for instruments such as bass drums, trombones, or bass amplifiers. Part of the AKG Perception Live microphones series, the P2 bass microphone delivers powerful sound with a high-energy low end.
The AKG P2 microphone's electrical hum-cancelling coil effectively eliminates interfering noises. An integrated mic stand adapter is another of the P2 AKG microphones helpful features.
Perception Live Series
For onstage performances, AKG Perception Live microphones all boast indestructible metal casings, rugged spring steel microphone grilles, appealing and scratch-resistant finishes, high-maximum SPL, and powerful sound for any venue.
P2 Dynamic Instrument Microphone
$ 175.00 $ 266.90
The P220 is a large-diaphragm true condenser microphone offering a warm and clear sound for lead vocals, acoustic guitar and brass instruments. A switchable bass-cut filter and attenuation pad make it perfectly suited for use on loud sound sources with sound pressure levels up to 155dB SPL. The rugged and roadworthy design also makes the P220 a perfect choice for on-stage applications.
The P220 represents the most popular and successful microphone within the actual Project Studio Line. It comes complete with a spider-type shock mount in an aluminum carrying case.
$ 249.00 $ 379.00
The Perception Wireless Instrumental Set comprises an SR 45 receiver and PT 45 bodypack transmitter, the smallest and lightest transmitter in its class. It can be used with many AKG miniature microphones, and the battery compartment cover doubles as a convenient tool for setting input gain for the application at hand.
The system comes complete with a universal power supply with US/UK/EU adapter, MKG L cable with ¼" jack plug and mini XLR connector, and one AA size dry battery.
In combination with the C 519 ML (sold separately) also suitable for wind instruments.
SR 45 Stationary Receiver
The SR 45 Stationary Receiver delivers a diversity system, professional XLR and Jack outputs, and the SMPS solution. The audio level and squelch threshold are adjustable on the receiver. It is a stationary receiver for use with all transmitters of the Perception wireless system.
The SR 45 operates within a switching bandwidth of up to 30 MHz in the 500 to 560 MHz UHF carrier frequency range and offers up to 8 selectable carrier frequencies.
PT 45 bodypack transmitter
The PT 45 bodypack transmitter lets you use both dynamic microphones and condenser microphones operating on a supply voltage of approx. 4 V. Naturally you may also connect an electric guitar, electric bass or keytar.
The PT 45 operates within a switching bandwidth of up to 30 MHz in the 500 to 560 MHz UHF carrier frequency range and offers up to 8 selectable carrier frequencies.
Consumer Alert (for US users)
Most users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: The system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received from any other device.
Purchasers should also be aware that the FCC is currently evaluating use of wireless microphone systems, and these rules are subject to change. For more information, call the FCC at 1-888- CALL-FCC (TTY: 1-888-TELL-FCC) or visit the FCC's wireless microphone website at www.fcc.gov/cgb/wirelessmicrophones
A wireless system ideal for an exceptionally wide range of applications.
Order a wireless system that faithfully reproduces the sound of your favorite instrument.
Perception Wireless Instrumental Set
$ 345.00 $ 441.72
The WMS420 wireless microphone system provides a highly flexible as well as easy to use solution. The ultra high frequency system is set up within seconds and is equally suitable on stage as well as in locations where a single- or multi channel solution is needed.
The entire WMS420 wireless system consists of the SR420 stationary receiver, HT420 handheld transmitter and the PT420 pocket transmitter. The HT420 handheld transmitter is available with the patented D5 dynamic microphone acoustic. This capsule guarantees maximum rejection against feedback, reduced handling noise and the famous AKG sound. Both transmitters are shipped with charging contacts that enable the use of rechargeable batteries. Moreover the transmitters offer exceptional eight hours of operation time from a single AA size battery, which dramatically reduces the operating costs in day-to-day use.
The detachable receiver antennas allow the use of professional accessories, such as antenna splitters and remote mounted directional antennas for multi channel systems. The WMS420 series includes three different bodypack sets. The head-worn set includes the high performance C555L condenser microphone. The presenter set includes the professional C417L lavalier microphone. The guitar set includes an instrument cable. With the AKG WMS420 system up to eight channels can be run simultaneously.
WMS420 Presenter Set is a professional multi-channel wireless microphone system. It includes the HT420 analog high-performance wireless handheld transmitter features a dynamic microphone capsule for demanding vocal performances, the PT420 wireless bodypack transmitter, the SR420 wireless stationary receiver and a Clip-on microphone C417 L.
The WMS420 Presenter Set package includes:
1 x Bodypack transmitter PT420
1 x Stationary receiver SR420
1 x Clip-on microphone C417 L
1 x Windscreen W407
2 x Receiver antennas
1 x AC adapter
1 x AA size battery
$ 99.00 $ 169.00
The Audio-Technica AT2020 Cardioid Condenser Microphone is the ideal mic for project and home studio applications. With a remarkably low price, cardioid pattern, and specs that put it in the big leagues, it features a custom-engineered, 16mm low-mass diaphragm and smooth 20Hz-20kHz frequency response. The AT2020's low self-noise is suited to digital recording, plus it has a high 144dB SPL handling.
Requires phantom power.
$ 149.00 $ 208.00
The Audio Technica AT2035 is a large diaphragm cardioid condenser microphone designed for critical home, project, professional studio applications, and live performance. This side-address cardioid studio condenser mic delivers exceptional detail and low noise. Equipped with a switchable 80Hz high-pass filter and 10dB pad, the AT2035 microphone handles high sound pressure levels with ease. Along with its rugged construction and high-performance specifications, the Audio-Technica AT2035 is a microphone that provides an exceptional level of consistency from model to model. Audio-Technica equips the AT2035 mic with a protective pouch and a custom shock mount.
Audio-Technica’s omnidirectional AT899 is engineered for intelligible, accurate voice reproduction. Its low-profile design (a mere 5 mm in diameter) assures minimum visibility. The mic may be worn as a lavalier and is easily hidden in clothing or hair. It offers the convenience of battery or phantom power; its switchable low-frequency roll-off reduces popping.
|ELEMENT||Fixed-charge back plate, permanently polarized condenser|
|FREQUENCY RESPONSE||20-20,000 Hz|
|LOW FREQUENCY ROLL-OFF||80 Hz, 12 dB/octave|
|OPEN CIRCUIT SENSITIVITY||Phantom: -43 dB (7.0 mV) re 1V at 1 Pa
Battery: -46 dB (5.0 mV) re 1V at 1 Pa
|IMPEDANCE||Phantom: 200 ohms
Battery: 250 ohms
|MAXIMUM INPUT SOUND LEVEL||Phantom: 138 dB SPL, 1 kHz at 1% T.H.D.
Battery: 116 dB SPL, 1 kHz at 1% T.H.D.
|DYNAMIC RANGE (typical)||Phantom: 108 dB, 1 kHz at Max SPL
Battery: 86 dB, 1 kHz at Max SPL
|SIGNAL-TO-NOISE RATIO||64 dB, 1 kHz at 1 Pa|
|PHANTOM POWER REQUIREMENTS||11-52V DC, 2 mA typical|
|BATTERY TYPE||1.5V AA/UM3|
|BATTERY CURRENT / LIFE||0.4 mA / 1200 hours typical (alkaline)|
|SWITCH||Flat, roll-off (recessed)|
|WEIGHT (MICROPHONE)||0.02 oz (0.5 g)|
|WEIGHT (POWER MODULE)||3.6 oz (102 g)|
|DIMENSIONS (MICROPHONE)||0.63" (16.0 mm) long,
0.20" (5.0 mm) diameter
|DIMENSIONS (POWER MODULE)||5.71" (145.0 mm) long,
0.83" (21.0 mm) diameter
|OUTPUT CONNECTOR (POWER MODULE)||Integral 3-pin XLRM-type|
|CABLE||9.8' (3.0 m) long (permanently attached to microphone), 0.08" (2.0 mm) diameter, 2-conductor, shielded cable with TA3F output connector that mates with TB3M jack on power module|
|ACCESSORIES FURNISHED||AT8537 power module; AT8439 cable clip; clothing clip base; viper clip base; magnet clip base and plate with lanyard; three single mic holders; two double mic holders; two element covers; two windscreens; battery; protective carrying case|
|AUDIO-TECHNICA CASE STYLE||M29|
$ 139.00 $ 249.00
The ATM230 hypercardioid instrument microphone brings a compact drum model to Audio-Technica’s popular Artist Series line. The mic’s proprietary capsule is designed to excel in high SPL applications, delivering full, well-rounded audio with an exceptional low-end. The hypercardioid polar pattern keeps the focus on the sound source, directionality that is aided by the mic’s low-profile design, which allows it to be placed in a wide variety of setups. All this makes the ATM230 ideally suited for miking toms, snare and other percussion instruments.
The ATM230 features rugged metal construction that stands up to the rigors of live and studio applications, and comes with an AT8665 drum mount and a protective pouch.
|FREQUENCY RESPONSE||30-12,000 Hz|
|OPEN CIRCUIT SENSITIVITY||–54 dB (1.9 mV) re 1V at 1 Pa|
|WEIGHT||292 g (10.3 oz)|
|DIMENSIONS||82.5 mm (3.2") long,
38.0 mm (1.5") maximum diameter
|OUTPUT CONNECTOR||Integral 3-pin XLRM-type|
|ACCESSORIES FURNISHED||AT8665 drum mount for 5/8"-27 threaded
adaptor; 5/8"-27 to 3/8"-16 threaded
adaptor; soft protective pouch
|AUDIO-TECHNICA CASE STYLE||R2|
$ 99.99 $ 179.99
Equipped with newly designed internal shock mounting for reduced handling and stage noise, the ATM510 from Audio-Technica is designed for smooth, natural vocal reproduction and low noise. This cardioid dynamic workhorse features super-durable construction for long-lasting performance, a rare-earth magnet for high output, and a multi-stage grille design for excellent protection against plosives. Its cardioid polar pattern reduces pickup of sounds from the sides and rear, maximizing isolation from other sound sources and minimizing feedback. The ATM510 is enclosed in a rugged housing, and its multi-stage windscreen effectively controls popping, distortion from sibilant sounds and wind noise. The included AT8470 Quiet-FlexTM stand clamp permits mounting on any microphone stand with 5/8"-27 threads.
ATM510 Cardioid Dynamic Vocal Mic Featuring Advanced Internal Shock Mounting
$ 99.99 $ 169.99
The ATM650 is a versatile addition to the Artist Series featuring a new multi-stage flat grille design for precise positioning close to the sound source. Equipped with a neodymium magnet for high-output performance, the ATM650 has a frequency response tailored for clear sound reproduction of guitar cabinets, snare and percussion. A-T's innovative dual-wall floating construction banishes handling noise.
ATM650 Hypercardioid Dynamic Instrument Microphone
$ 119.99 $ 139.99In-Ear Dynamic Headphones for M2 and M3 Wireless In-Ear Monitor Systems. Includes Extension Cable/Adapter with 3.5mm Connector, Interchangeable Earpieces (Small, Medium & Large), Ear Conforming Foam Tips, Protective Carrying Case, Soft Pouch
$ 349.99 $ 479.99
The Audio-Technica M2R Wireless Receiver is intended for use with the Audio-Technica Wireless In-Ear Monitoring System. The transmitter features XLR & 1/4" phone combi-connector inputs and XLR loop-through outputs to feed an audio console. There are 100 selectable frequencies, and up to 10 systems can operate simultaneously on each band. An easy to read graphic LED display on the transmitter provides all necessary information, and defeatable limiter eliminates sudden peaks in audio signal.
$ 69.00 $ 119.00
Taylored for vocals, it lets you be heard onstage.
The Audio-Technica PRO 61 is an exceptional vocal stage microphone. A dynamic mic that delivers outstanding gain before feedback, the PRO 61 has plenty of the presence needed for lead vocals. Its hypercardioid polar pattern improves isolation of the voice from surrounding sounds. The PRO 61 mic's superior internal shock mounting eliminates handling noise. A neodymium magnet yields the articulate reproduction needed for vocal use. Rugged Audio-Technica design and construction assure that the PRO 61 will serve you reliably with a long use life.
PRO 61 Hypercardioid Dynamic Microphone
The Piano is an expressive instrument with a wide dynamic range and multiple sound sources coming from the strings and frame into which it is constructed. All of these subtle sounds and nuances have to be captured to make the Piano sound natural and to transfer the emotion with which it is played. The Opus 51 is purpose built for this type of instrument. Using the ™boundary effect™ it captures direct and reflected sounds from all parts of the instrument in perfect balance and at an equal level taking some of the guesswork out of microphone placement. As the Opus 51 effortlessly captures low frequency audio as well as the high frequency detail it also can be used perfectly for Kick Drums.
The Beyerdynamic Opus 88 condenser microphone is a perfect choice for close miking toms and snare drums, and is designed to excel at professional sound reinforcement or recording. The snare drum is hit most often, the hardest, and produces a very complex sound pattern. The Opus 88 mic has been optimized for the snare, both electrically and physically, to capture a precise sound. With its patented microphone clamp with integrated preamplifier and 3-pin XLR plug the Opus 88 can easily and quickly be mounted to the rim. The short flexible gooseneck and the horizontal swivel joint ensures optimal positioning.
Requires phantom power.
Opus 88 Condenser Clip-On Microphone
Sold Out $ 199.00
The CAD C195 is a superior low-noise, electret condenser cardioid microphone designed for professional vocalists and musicians. It provides the performance and features to satisfy today's most demanding professionals.
The C195 mic has a wide, flat-frequency response that provides unsurpassed natural transparent sound. The cardioid pickup pattern minimizes annoying feedback and reduces the pickup of unwanted off-axis sounds. A transformerless electronic design provides optimum low-frequency response and low distortion. An effective internal multistage pop filter minimizes wind and breath noise.
The CAD C195 has a Flex-Form hardened steel grille screen that dramatically resists deformation while greatly reducing any risk of adverse performance caused by a bent or dented ball screen. This unique ability to retain its original shape assures that the CAD C195 will maintain its attractive appearance.
The C195 features the CAD exclusive (I.N.R.-3) Impact Noise Rejection system. A proprietary rubber shock mount isolates the transducer from the barrel, thus dramatically reducing cable, stand, and handling noise. The need for any external shock mounting device is virtually eliminated.
The low-frequency response of the CAD C195 may be enhanced by increasing or decreasing the distance from the sound source. This phenomenon is technically known as "proximity effect". Nominal or "flat" response is generated at a distance of 24 inches or more. However, as the distance to the sound source decreases, the bass sensitivity increases, providing a solid, robust character.
Requires phantom power.
C195 Cardioid Electret Condenser Microphone
$ 99.99 $ 129.99
The CADLive D90 supercardioid dynamic handheld mic is outfitted with a Trueflex diaphragm and PowerGap high- gauss neodymium magnets creating a hot and articulate live performance vocal microphone.
$ 199.99 $ 299.00
One of Al Di Meola's two favorite acoustic guitar mics for live performance, the Equitek e60 Cardioid Condenser Microphone has externally-biased point-source transduction with a high-power transformerless drive in a bulletproof road-ready housing. Take it on tour for high-impact instrumentation. Features include three-frequency hi-pass filter, 10dB attenuator and integral stand clamp. The microphone's applications include acoustic instrument, guitar cabinets, bass cabinets, strings, piano, cymbals/overheads, kick drum, snare drum, hi-hat.
24V or 48V phantom power required.
$ 79.99 $ 89.99
Packaged in a rugged small, all metal body, the ICM417 electret condenser microphone provides natural, transparent sound quality. The transformerless design of this cardioid condenser provides optimum low frequency response and low distortion. Designed for use with cymbals, overheads, and stringed instruments, the wide, flat frequency of the ICM417, coupled with the CAD exclusive I.N.R. shockmount, make this an extremely high quality percussion microphone, as well.
The ABS system is quickest and easiest way to amplify your banjo or resonator guitar. It combines a dynamic microphone (with the versatile cardioid pattern) and a compact gooseneck coupled to a shock mounted adjustable bracket that has no exposed wiring. The ABS reliably captures the sound of your banjo or reso-guitar at the precise spot you prefer for the tone you're after, without the annoyance of extraneous vibrations. ABS can be moved from one instrument to another in seconds and includes a stomp-box preamp (our 9-volt-powered ABS-2). A footswitch can increase gain (volume) to punch out lead breaks. An AC adapter is available (ABS-ADT). Connection to the sound system or amp is via standard 1/4" guitar cable; two cables are required for connection with preamp and amplifier. ABS comes in a hard plastic carrying case with fitted foam inserts for the mic and pedal.