$ 349.99 $ 469.99
AKG's industry-leading C414 microphones are already a permanent fixture in the world's biggest recording studios and a highly respected workhorse for independent artists, broadcasting, and on-stage miking as well.
The new C214 is designed as a cost-effective alternative to the high-end, industry-leading C414 family. It captures sound combining one side of the legendary C414 dual-capsule system and AKG's patented Back-Plate Technology, which results in an outstanding performance very close to the famous C414 B-XLS.
Like the C414 models, the C214 is capable of handling the rigors of high-pressure sound such as amplified guitars, with a sensitivity perfect for voice and orchestral instruments as well. Additionally, the microphone offers a 20dB Attenuation pad, 13dB noise floor, and a low cut switch - all in an elegant but rugged package.
Additional features include an integrated suspension, a double mesh grill high RF immunity without affecting acoustics. The circuitry in the C214 provides maximum SPL capability with minimum noise and the gold-plated XLR-type output connector offers loss-free signals.
The C214 comes complete with carrying case, windscreen, and spider suspension mount included.
$ 525.00 $ 660.00
The D12 VR is a large-diaphragm cardioid dynamic microphone. Designed specifically for kick-drum recording applications, the microphone has a thin diaphragm to enhance the low frequency performance. Its predecessors have been the industry standard in kick drum mics for decades. The D12 and subsequently the D12E and the D112 have been the choice of drummers and the live sound engineers who love them since 1950.
Without phantom power, the microphone delivers the pure character of the sound source. With phantom power enabled, one of three switchable active-filter presets can be used to quickly adapt the microphone response to suit the desired kick-drum sound. The filter setting can be controlled using a switch on the microphone body. In this mode the output level is also reduced by 10 dB automatically.
Check it out. The latest version of a classic. It has retained the attributes of the original but taken advantage of modern innovations. Vintage and modern have just met up, and they have done so in front of the kick drum head.
D12VR Large-Diaphragm Cardioid Dynamic Kick Drum Mic
$ 99.00 $ 129.00
The P120 is a 2/3-inch diaphragm true condenser microphone that offers solidly built quality, outstanding performance and excellent value. The low-mass diaphragm delivers a clear sound with accurate sonic detail for vocals, speech and instrument recording in project studios and for home recording.
Studio vocal mic with instrument capability.
$ 109.00 $ 135.00
The P170 is a small-diaphragm condenser microphone for recording percussion, acoustic guitars and perhaps most typically, drum set from the overhead position. Its lightweight 1/2" true condenser transducer diaphragm delivers outstanding clarity and transient response. It is an affordable alternative to the revered 'pencil' microphones. They are often purchased in pairs for overhead applications.
P170 Project Studio Condenser Microphone
$ 105.00 $ 135.00
The rugged AKG P2 dynamic instrument microphone is recommended for instruments such as bass drums, trombones, or bass amplifiers. Part of the AKG Perception Live microphones series, the P2 bass microphone delivers powerful sound with a high-energy low end.
The AKG P2 microphone's electrical hum-cancelling coil effectively eliminates interfering noises. An integrated mic stand adapter is another of the P2 AKG microphones helpful features.
Perception Live Series
For onstage performances, AKG Perception Live microphones all boast indestructible metal casings, rugged spring steel microphone grilles, appealing and scratch-resistant finishes, high-maximum SPL, and powerful sound for any venue.
P2 Dynamic Instrument Microphone
$ 155.00 $ 240.00
The P220 is a large-diaphragm true condenser microphone offering a warm and clear sound for lead vocals, acoustic guitar and brass instruments. A switchable bass-cut filter and attenuation pad make it perfectly suited for use on loud sound sources with sound pressure levels up to 155dB SPL. The rugged and roadworthy design also makes the P220 a perfect choice for on-stage applications.
The P220 represents the most popular and successful microphone within the actual Project Studio Line. It comes complete with a spider-type shock mount in an aluminum carrying case.
$ 199.99 $ 359.99
The Perception Wireless Instrumental Set comprises an SR 45 receiver and PT 45 bodypack transmitter, the smallest and lightest transmitter in its class. It can be used with many AKG miniature microphones, and the battery compartment cover doubles as a convenient tool for setting input gain for the application at hand.
The system comes complete with a universal power supply with US/UK/EU adapter, MKG L cable with ¼" jack plug and mini XLR connector, and one AA size dry battery.
In combination with the C 519 ML (sold separately) also suitable for wind instruments.
SR 45 Stationary Receiver
The SR 45 Stationary Receiver delivers a diversity system, professional XLR and Jack outputs, and the SMPS solution. The audio level and squelch threshold are adjustable on the receiver. It is a stationary receiver for use with all transmitters of the Perception wireless system.
The SR 45 operates within a switching bandwidth of up to 30 MHz in the 500 to 560 MHz UHF carrier frequency range and offers up to 8 selectable carrier frequencies.
PT 45 bodypack transmitter
The PT 45 bodypack transmitter lets you use both dynamic microphones and condenser microphones operating on a supply voltage of approx. 4 V. Naturally you may also connect an electric guitar, electric bass or keytar.
The PT 45 operates within a switching bandwidth of up to 30 MHz in the 500 to 560 MHz UHF carrier frequency range and offers up to 8 selectable carrier frequencies.
Consumer Alert (for US users)
Most users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: The system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received from any other device.
Purchasers should also be aware that the FCC is currently evaluating use of wireless microphone systems, and these rules are subject to change. For more information, call the FCC at 1-888- CALL-FCC (TTY: 1-888-TELL-FCC) or visit the FCC's wireless microphone website at www.fcc.gov/cgb/wirelessmicrophones
A wireless system ideal for an exceptionally wide range of applications.
Order a wireless system that faithfully reproduces the sound of your favorite instrument.
Perception Wireless Instrumental Set
$ 329.00 $ 397.00
The WMS420 wireless microphone system provides a highly flexible as well as easy to use solution. The ultra high frequency system is set up within seconds and is equally suitable on stage as well as in locations where a single- or multi channel solution is needed.
The entire WMS420 wireless system consists of the SR420 stationary receiver, HT420 handheld transmitter and the PT420 pocket transmitter. The HT420 handheld transmitter is available with the patented D5 dynamic microphone acoustic. This capsule guarantees maximum rejection against feedback, reduced handling noise and the famous AKG sound. Both transmitters are shipped with charging contacts that enable the use of rechargeable batteries. Moreover the transmitters offer exceptional eight hours of operation time from a single AA size battery, which dramatically reduces the operating costs in day-to-day use.
The detachable receiver antennas allow the use of professional accessories, such as antenna splitters and remote mounted directional antennas for multi channel systems. The WMS420 series includes three different bodypack sets. The head-worn set includes the high performance C555L condenser microphone. The presenter set includes the professional C417L lavalier microphone. The guitar set includes an instrument cable. With the AKG WMS420 system up to eight channels can be run simultaneously.
WMS420 Presenter Set is a professional multi-channel wireless microphone system. It includes the HT420 analog high-performance wireless handheld transmitter features a dynamic microphone capsule for demanding vocal performances, the PT420 wireless bodypack transmitter, the SR420 wireless stationary receiver and a Clip-on microphone C417 L.
The WMS420 Presenter Set package includes:
1 x Bodypack transmitter PT420
1 x Stationary receiver SR420
1 x Clip-on microphone C417 L
1 x Windscreen W407
2 x Receiver antennas
1 x AC adapter
1 x AA size battery
$ 379.99 $ 529.99
The AE5400 is intended for use in professional applications where remote power is available. It requires 11V to 52V DC phantom power, which may be provided by a mixer or console, or by a separate, in-line source such as the Audio-Technica AT8801 single-channel or CP8506 four-channel phantom power supplies.
Output from the microphone's XLRM-type connector is low impedance (Lo-Z) balanced. The signal appears across Pins 2 and 3; Pin 1 is ground (shield). Output phase is "Pin 2 hot" - positive acoustic pressure produces positive voltage at Pin 2. To avoid phase cancellation and poor sound, all mic cables must be wired consistently: Pin 1-to-Pin 1, etc.
When using the AE5400 in settings with a stage monitor speaker, the speaker should be located 180Â° off axis (at rear of the microphone). This placement, in conjunction with the microphone's uniform cardioid pickup pattern, will virtually eliminate the possibility of undesired audio feedback.
An integral 80 Hz hi-pass filter provides easy switching from a flat frequency response to a low-end roll-off. The roll-off position reduces the microphone's sensitivity to popping in close vocal use. It also reduces the pickup of low-frequency ambient noise (such as traffic, air-handling systems, etc.), room reverberation and mechanically-coupled vibrations. Avoid leaving the microphone in the open sun or in areas where temperatures exceed 110Â° F (43Â° C) for extended periods. Extremely high humidity should also be avoided.
AE5400 Cardioid Microphone
$ 99.00 $ 169.00
The Audio-Technica AT2020 Cardioid Condenser Microphone is the ideal mic for project and home studio applications. With a remarkably low price, cardioid pattern, and specs that put it in the big leagues, it features a custom-engineered, 16mm low-mass diaphragm and smooth 20Hz-20kHz frequency response. The AT2020's low self-noise is suited to digital recording, plus it has a high 144dB SPL handling.
Requires phantom power.
$ 149.00 $ 208.00
The Audio Technica AT2035 is a large diaphragm cardioid condenser microphone designed for critical home, project, professional studio applications, and live performance. This side-address cardioid studio condenser mic delivers exceptional detail and low noise. Equipped with a switchable 80Hz high-pass filter and 10dB pad, the AT2035 microphone handles high sound pressure levels with ease. Along with its rugged construction and high-performance specifications, the Audio-Technica AT2035 is a microphone that provides an exceptional level of consistency from model to model. Audio-Technica equips the AT2035 mic with a protective pouch and a custom shock mount.
Audio-Technica’s omnidirectional AT899 is engineered for intelligible, accurate voice reproduction. Its low-profile design (a mere 5 mm in diameter) assures minimum visibility. The mic may be worn as a lavalier and is easily hidden in clothing or hair. It offers the convenience of battery or phantom power; its switchable low-frequency roll-off reduces popping.
|ELEMENT||Fixed-charge back plate, permanently polarized condenser|
|FREQUENCY RESPONSE||20-20,000 Hz|
|LOW FREQUENCY ROLL-OFF||80 Hz, 12 dB/octave|
|OPEN CIRCUIT SENSITIVITY||Phantom: -43 dB (7.0 mV) re 1V at 1 Pa
Battery: -46 dB (5.0 mV) re 1V at 1 Pa
|IMPEDANCE||Phantom: 200 ohms
Battery: 250 ohms
|MAXIMUM INPUT SOUND LEVEL||Phantom: 138 dB SPL, 1 kHz at 1% T.H.D.
Battery: 116 dB SPL, 1 kHz at 1% T.H.D.
|DYNAMIC RANGE (typical)||Phantom: 108 dB, 1 kHz at Max SPL
Battery: 86 dB, 1 kHz at Max SPL
|SIGNAL-TO-NOISE RATIO||64 dB, 1 kHz at 1 Pa|
|PHANTOM POWER REQUIREMENTS||11-52V DC, 2 mA typical|
|BATTERY TYPE||1.5V AA/UM3|
|BATTERY CURRENT / LIFE||0.4 mA / 1200 hours typical (alkaline)|
|SWITCH||Flat, roll-off (recessed)|
|WEIGHT (MICROPHONE)||0.02 oz (0.5 g)|
|WEIGHT (POWER MODULE)||3.6 oz (102 g)|
|DIMENSIONS (MICROPHONE)||0.63" (16.0 mm) long,
0.20" (5.0 mm) diameter
|DIMENSIONS (POWER MODULE)||5.71" (145.0 mm) long,
0.83" (21.0 mm) diameter
|OUTPUT CONNECTOR (POWER MODULE)||Integral 3-pin XLRM-type|
|CABLE||9.8' (3.0 m) long (permanently attached to microphone), 0.08" (2.0 mm) diameter, 2-conductor, shielded cable with TA3F output connector that mates with TB3M jack on power module|
|ACCESSORIES FURNISHED||AT8537 power module; AT8439 cable clip; clothing clip base; viper clip base; magnet clip base and plate with lanyard; three single mic holders; two double mic holders; two element covers; two windscreens; battery; protective carrying case|
|AUDIO-TECHNICA CASE STYLE||M29|
$ 139.00 $ 249.00
The ATM230 hypercardioid instrument microphone brings a compact drum model to Audio-Technica’s popular Artist Series line. The mic’s proprietary capsule is designed to excel in high SPL applications, delivering full, well-rounded audio with an exceptional low-end. The hypercardioid polar pattern keeps the focus on the sound source, directionality that is aided by the mic’s low-profile design, which allows it to be placed in a wide variety of setups. All this makes the ATM230 ideally suited for miking toms, snare and other percussion instruments.
The ATM230 features rugged metal construction that stands up to the rigors of live and studio applications, and comes with an AT8665 drum mount and a protective pouch.
|FREQUENCY RESPONSE||30-12,000 Hz|
|OPEN CIRCUIT SENSITIVITY||–54 dB (1.9 mV) re 1V at 1 Pa|
|WEIGHT||292 g (10.3 oz)|
|DIMENSIONS||82.5 mm (3.2") long,
38.0 mm (1.5") maximum diameter
|OUTPUT CONNECTOR||Integral 3-pin XLRM-type|
|ACCESSORIES FURNISHED||AT8665 drum mount for 5/8"-27 threaded
adaptor; 5/8"-27 to 3/8"-16 threaded
adaptor; soft protective pouch
|AUDIO-TECHNICA CASE STYLE||R2|
$ 349.99 $ 619.00
The ATM230 features rugged metal construction that stands up to the rigors of live and studio applications, and comes with an AT8665 drum mount and a protective pouch.
Audio Technica ATM230 Dynamic Instrument Microphone Features
$ 179.99 $ 329.99
$ 99.99 $ 179.99
Equipped with newly designed internal shock mounting for reduced handling and stage noise, the ATM510 from Audio-Technica is designed for smooth, natural vocal reproduction and low noise. This cardioid dynamic workhorse features super-durable construction for long-lasting performance, a rare-earth magnet for high output, and a multi-stage grille design for excellent protection against plosives. Its cardioid polar pattern reduces pickup of sounds from the sides and rear, maximizing isolation from other sound sources and minimizing feedback. The ATM510 is enclosed in a rugged housing, and its multi-stage windscreen effectively controls popping, distortion from sibilant sounds and wind noise. The included AT8470 Quiet-FlexTM stand clamp permits mounting on any microphone stand with 5/8"-27 threads.
ATM510 Cardioid Dynamic Vocal Mic Featuring Advanced Internal Shock Mounting
$ 99.99 $ 169.99
The ATM650 is a versatile addition to the Artist Series featuring a new multi-stage flat grille design for precise positioning close to the sound source. Equipped with a neodymium magnet for high-output performance, the ATM650 has a frequency response tailored for clear sound reproduction of guitar cabinets, snare and percussion. A-T's innovative dual-wall floating construction banishes handling noise.
ATM650 Hypercardioid Dynamic Instrument Microphone
$ 379.00 $ 428.96
The system features the ATW-R2100bI receiver with UHF diversity reception, 10 user selectable frequencies, automatic frequency scan and Tone Lock squelch system for interference free reception. Balanced XLR and 1/4" phone connections adapt to professional and consumer gear, and a bright LCD display delivers a comprehensive read over settings in dimly lit conditions.
The included ATW-T220a handheld transmitter features the Pro 41 cardioid capsule for minimal pick up at the off-axis sections, and maximum gain before feedback. The microphone includes a stand clamp and is powered with two 1.5V AA batteries and will run for up to 9 hours.
$ 119.99 $ 139.99In-Ear Dynamic Headphones for M2 and M3 Wireless In-Ear Monitor Systems. Includes Extension Cable/Adapter with 3.5mm Connector, Interchangeable Earpieces (Small, Medium & Large), Ear Conforming Foam Tips, Protective Carrying Case, Soft Pouch
$ 349.99 $ 479.99
The Audio-Technica M2R Wireless Receiver is intended for use with the Audio-Technica Wireless In-Ear Monitoring System. The transmitter features XLR & 1/4" phone combi-connector inputs and XLR loop-through outputs to feed an audio console. There are 100 selectable frequencies, and up to 10 systems can operate simultaneously on each band. An easy to read graphic LED display on the transmitter provides all necessary information, and defeatable limiter eliminates sudden peaks in audio signal.
$ 69.00 $ 119.00
Taylored for vocals, it lets you be heard onstage.
The Audio-Technica PRO 61 is an exceptional vocal stage microphone. A dynamic mic that delivers outstanding gain before feedback, the PRO 61 has plenty of the presence needed for lead vocals. Its hypercardioid polar pattern improves isolation of the voice from surrounding sounds. The PRO 61 mic's superior internal shock mounting eliminates handling noise. A neodymium magnet yields the articulate reproduction needed for vocal use. Rugged Audio-Technica design and construction assure that the PRO 61 will serve you reliably with a long use life.
PRO 61 Hypercardioid Dynamic Microphone
The Piano is an expressive instrument with a wide dynamic range and multiple sound sources coming from the strings and frame into which it is constructed. All of these subtle sounds and nuances have to be captured to make the Piano sound natural and to transfer the emotion with which it is played. The Opus 51 is purpose built for this type of instrument. Using the ™boundary effect™ it captures direct and reflected sounds from all parts of the instrument in perfect balance and at an equal level taking some of the guesswork out of microphone placement. As the Opus 51 effortlessly captures low frequency audio as well as the high frequency detail it also can be used perfectly for Kick Drums.
The Beyerdynamic Opus 88 condenser microphone is a perfect choice for close miking toms and snare drums, and is designed to excel at professional sound reinforcement or recording. The snare drum is hit most often, the hardest, and produces a very complex sound pattern. The Opus 88 mic has been optimized for the snare, both electrically and physically, to capture a precise sound. With its patented microphone clamp with integrated preamplifier and 3-pin XLR plug the Opus 88 can easily and quickly be mounted to the rim. The short flexible gooseneck and the horizontal swivel joint ensures optimal positioning.
Requires phantom power.
Opus 88 Condenser Clip-On Microphone