$ 585.00 $ 733.10
The D12 VR is a large-diaphragm cardioid dynamic microphone. Designed specifically for kick-drum recording applications, the microphone has a thin diaphragm to enhance the low frequency performance. Its predecessors have been the industry standard in kick drum mics for decades. The D12 and subsequently the D12E and the D112 have been the choice of drummers and the live sound engineers who love them since 1950.
Without phantom power, the microphone delivers the pure character of the sound source. With phantom power enabled, one of three switchable active-filter presets can be used to quickly adapt the microphone response to suit the desired kick-drum sound. The filter setting can be controlled using a switch on the microphone body. In this mode the output level is also reduced by 10 dB automatically.
Check it out. The latest version of a classic. It has retained the attributes of the original but taken advantage of modern innovations. Vintage and modern have just met up, and they have done so in front of the kick drum head.
D12VR Large-Diaphragm Cardioid Dynamic Kick Drum Mic
$ 115.00 $ 150.35
SOUND IN MOTION
for drums, percussion, wind instruments and guitar amps on stage
The D40 professional instrumental microphone with its solid all-metal body will stand up to the hardships of night-after-night onstage use with a smile. Its patented Varimotion diaphragm uses a unique laminated material to damp high resonance peaks, leading to a quantum leap in audio performance. The transducer is protected by a sturdy wire-mesh cap and can take extremely high sound pressure levels with ease.
An integrated stand adapter in combination with the included H440 mounting bracket makes the D40 a highly versatile tool for use on drums, percussion, wind instruments and guitar amps.
Dimensions / Weight
$ 115.00 $ 123.75
Over-ear, closed back, oval studio headphones.
Upgrade to AKG and hear what you’ve been missing.
$ 175.00 $ 217.07
AKG K371 Professional Studio Headphones strike the perfect balance between studio-quality sound, plush comfort, and a sleek, sturdy design that stands up to your mobile lifestyle.
$ 115.00 $ 150.35
The P120 is a 2/3-inch diaphragm true condenser microphone that offers solidly built quality, outstanding performance and excellent value. The low-mass diaphragm delivers a clear sound with accurate sonic detail for vocals, speech and instrument recording in project studios and for home recording.
Studio vocal mic with instrument capability.
$ 105.00 $ 135.00
The rugged AKG P2 dynamic instrument microphone is recommended for instruments such as bass drums, trombones, or bass amplifiers. Part of the AKG Perception Live microphones series, the P2 bass microphone delivers powerful sound with a high-energy low end.
The AKG P2 microphone's electrical hum-cancelling coil effectively eliminates interfering noises. An integrated mic stand adapter is another of the P2 AKG microphones helpful features.
Perception Live Series
For onstage performances, AKG Perception Live microphones all boast indestructible metal casings, rugged spring steel microphone grilles, appealing and scratch-resistant finishes, high-maximum SPL, and powerful sound for any venue.
P2 Dynamic Instrument Microphone
$ 199.99 $ 359.99
The Perception Wireless Instrumental Set comprises an SR 45 receiver and PT 45 bodypack transmitter, the smallest and lightest transmitter in its class. It can be used with many AKG miniature microphones, and the battery compartment cover doubles as a convenient tool for setting input gain for the application at hand.
The system comes complete with a universal power supply with US/UK/EU adapter, MKG L cable with ¼" jack plug and mini XLR connector, and one AA size dry battery.
In combination with the C 519 ML (sold separately) also suitable for wind instruments.
SR 45 Stationary Receiver
The SR 45 Stationary Receiver delivers a diversity system, professional XLR and Jack outputs, and the SMPS solution. The audio level and squelch threshold are adjustable on the receiver. It is a stationary receiver for use with all transmitters of the Perception wireless system.
The SR 45 operates within a switching bandwidth of up to 30 MHz in the 500 to 560 MHz UHF carrier frequency range and offers up to 8 selectable carrier frequencies.
PT 45 bodypack transmitter
The PT 45 bodypack transmitter lets you use both dynamic microphones and condenser microphones operating on a supply voltage of approx. 4 V. Naturally you may also connect an electric guitar, electric bass or keytar.
The PT 45 operates within a switching bandwidth of up to 30 MHz in the 500 to 560 MHz UHF carrier frequency range and offers up to 8 selectable carrier frequencies.
Consumer Alert (for US users)
Most users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: The system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received from any other device.
Purchasers should also be aware that the FCC is currently evaluating use of wireless microphone systems, and these rules are subject to change. For more information, call the FCC at 1-888- CALL-FCC (TTY: 1-888-TELL-FCC) or visit the FCC's wireless microphone website at www.fcc.gov/cgb/wirelessmicrophones
A wireless system ideal for an exceptionally wide range of applications.
Order a wireless system that faithfully reproduces the sound of your favorite instrument.
Perception Wireless Instrumental Set
$ 345.00 $ 441.72
The WMS420 wireless microphone system provides a highly flexible as well as easy to use solution. The ultra high frequency system is set up within seconds and is equally suitable on stage as well as in locations where a single- or multi channel solution is needed.
The entire WMS420 wireless system consists of the SR420 stationary receiver, HT420 handheld transmitter and the PT420 pocket transmitter. The HT420 handheld transmitter is available with the patented D5 dynamic microphone acoustic. This capsule guarantees maximum rejection against feedback, reduced handling noise and the famous AKG sound. Both transmitters are shipped with charging contacts that enable the use of rechargeable batteries. Moreover the transmitters offer exceptional eight hours of operation time from a single AA size battery, which dramatically reduces the operating costs in day-to-day use.
The detachable receiver antennas allow the use of professional accessories, such as antenna splitters and remote mounted directional antennas for multi channel systems. The WMS420 series includes three different bodypack sets. The head-worn set includes the high performance C555L condenser microphone. The presenter set includes the professional C417L lavalier microphone. The guitar set includes an instrument cable. With the AKG WMS420 system up to eight channels can be run simultaneously.
WMS420 Presenter Set is a professional multi-channel wireless microphone system. It includes the HT420 analog high-performance wireless handheld transmitter features a dynamic microphone capsule for demanding vocal performances, the PT420 wireless bodypack transmitter, the SR420 wireless stationary receiver and a Clip-on microphone C417 L.
The WMS420 Presenter Set package includes:
1 x Bodypack transmitter PT420
1 x Stationary receiver SR420
1 x Clip-on microphone C417 L
1 x Windscreen W407
2 x Receiver antennas
1 x AC adapter
1 x AA size battery
$ 399.99 $ 489.99
Let’s face it. You are the type who would happily crank up a full Ampeg SVT stack in your living room. Heck, who needs neighbors anyway? And noise violations are really just a badge of honor, right? For the rest of us, there is the Ampeg Micro-CL Stack, delivering 100 watts of pure Ampeg tone. It’s perfect for those just getting into Ampeg or for the seasoned bassist looking to practice in far flung locations like the master bathroom.
$ 329.99 $ 429.99
The Audio-Technica ATW-2110a Wireless UHF Body-Pack Microphone System bridges the gap between affordable wireless technology and professional level quality. The system operates on UHF frequencies over the 487.125 to 506.500 MHz band, and includes the ATW-T210 UniPak body-pack transmitter and ATW-R2100 diversity UHF receiver.
The ATW-R2100 receiver features True Diversity operation which selects between two receiver sections, reducing dropouts and radio frequency interference. The receiver features 10 user selectable UHF frequencies, allowing 10 systems to be used simultaneously. Single touch frequency scanning automatically selects clear frequencies in the area. The rear panel features a balanced XLR output and unbalanced 1/4" phone connection. A back-lit LCD provides channel, AF, RF and diversity status information.The ATW-T210 UniPak transmitter is a lightweight body pack microphone transmitter that operates on the same frequencies as the receiver. The transmitter features a 4-pin Hirose connection input that is compatible with Audio-Technica "CW" lavaliers and head worn microphones, and select instrument cables. The transmitter operates up to 9 hours on two 1.5V AA batteries.
$ 99.00 $ 169.00
The Audio-Technica AT2020 Cardioid Condenser Microphone is the ideal mic for project and home studio applications. With a remarkably low price, cardioid pattern, and specs that put it in the big leagues, it features a custom-engineered, 16mm low-mass diaphragm and smooth 20Hz-20kHz frequency response. The AT2020's low self-noise is suited to digital recording, plus it has a high 144dB SPL handling.
Requires phantom power.
Audio-Technica’s omnidirectional AT899 is engineered for intelligible, accurate voice reproduction. Its low-profile design (a mere 5 mm in diameter) assures minimum visibility. The mic may be worn as a lavalier and is easily hidden in clothing or hair. It offers the convenience of battery or phantom power; its switchable low-frequency roll-off reduces popping.
|ELEMENT||Fixed-charge back plate, permanently polarized condenser|
|FREQUENCY RESPONSE||20-20,000 Hz|
|LOW FREQUENCY ROLL-OFF||80 Hz, 12 dB/octave|
|OPEN CIRCUIT SENSITIVITY||Phantom: -43 dB (7.0 mV) re 1V at 1 Pa
Battery: -46 dB (5.0 mV) re 1V at 1 Pa
|IMPEDANCE||Phantom: 200 ohms
Battery: 250 ohms
|MAXIMUM INPUT SOUND LEVEL||Phantom: 138 dB SPL, 1 kHz at 1% T.H.D.
Battery: 116 dB SPL, 1 kHz at 1% T.H.D.
|DYNAMIC RANGE (typical)||Phantom: 108 dB, 1 kHz at Max SPL
Battery: 86 dB, 1 kHz at Max SPL
|SIGNAL-TO-NOISE RATIO||64 dB, 1 kHz at 1 Pa|
|PHANTOM POWER REQUIREMENTS||11-52V DC, 2 mA typical|
|BATTERY TYPE||1.5V AA/UM3|
|BATTERY CURRENT / LIFE||0.4 mA / 1200 hours typical (alkaline)|
|SWITCH||Flat, roll-off (recessed)|
|WEIGHT (MICROPHONE)||0.02 oz (0.5 g)|
|WEIGHT (POWER MODULE)||3.6 oz (102 g)|
|DIMENSIONS (MICROPHONE)||0.63" (16.0 mm) long,
0.20" (5.0 mm) diameter
|DIMENSIONS (POWER MODULE)||5.71" (145.0 mm) long,
0.83" (21.0 mm) diameter
|OUTPUT CONNECTOR (POWER MODULE)||Integral 3-pin XLRM-type|
|CABLE||9.8' (3.0 m) long (permanently attached to microphone), 0.08" (2.0 mm) diameter, 2-conductor, shielded cable with TA3F output connector that mates with TB3M jack on power module|
|ACCESSORIES FURNISHED||AT8537 power module; AT8439 cable clip; clothing clip base; viper clip base; magnet clip base and plate with lanyard; three single mic holders; two double mic holders; two element covers; two windscreens; battery; protective carrying case|
|AUDIO-TECHNICA CASE STYLE||M29|
$ 99.99 $ 169.99
The ATM650 is a versatile addition to the Artist Series featuring a new multi-stage flat grille design for precise positioning close to the sound source. Equipped with a neodymium magnet for high-output performance, the ATM650 has a frequency response tailored for clear sound reproduction of guitar cabinets, snare and percussion. A-T's innovative dual-wall floating construction banishes handling noise.
ATM650 Hypercardioid Dynamic Instrument Microphone
Frequency-agile VHF wireless system with guitar microphone transmitter.
Audio-Technica's System 9 is a four-channel wireless microphone system designed to provide rock-solid performance along with easy setup and clear, natural sound quality. Featuring sleek, stackable, contemporary styling, System 9 is available in handheld, headworn, guitar, lavalier and body-pack configurations. The system offers four compatible user-switchable VHF channels.
This System 9 configuration includes the ATW-R900a receiver and a guitar microphone/transmitter. The ATW-R900a is a non-diversity, single-channel receiver with advanced dipole antenna design for extended operating range, which improves operation by providing a ground element in addition to the usual signal element. The ATW-R900a also offers volume control along with AF Peak, RF and Power indicator lights.
$ 119.99 $ 139.99In-Ear Dynamic Headphones for M2 and M3 Wireless In-Ear Monitor Systems. Includes Extension Cable/Adapter with 3.5mm Connector, Interchangeable Earpieces (Small, Medium & Large), Ear Conforming Foam Tips, Protective Carrying Case, Soft Pouch
$ 349.99 $ 479.99
The Audio-Technica M2R Wireless Receiver is intended for use with the Audio-Technica Wireless In-Ear Monitoring System. The transmitter features XLR & 1/4" phone combi-connector inputs and XLR loop-through outputs to feed an audio console. There are 100 selectable frequencies, and up to 10 systems can operate simultaneously on each band. An easy to read graphic LED display on the transmitter provides all necessary information, and defeatable limiter eliminates sudden peaks in audio signal.
The Piano is an expressive instrument with a wide dynamic range and multiple sound sources coming from the strings and frame into which it is constructed. All of these subtle sounds and nuances have to be captured to make the Piano sound natural and to transfer the emotion with which it is played. The Opus 51 is purpose built for this type of instrument. Using the ™boundary effect™ it captures direct and reflected sounds from all parts of the instrument in perfect balance and at an equal level taking some of the guesswork out of microphone placement. As the Opus 51 effortlessly captures low frequency audio as well as the high frequency detail it also can be used perfectly for Kick Drums.
The Beyerdynamic Opus 88 condenser microphone is a perfect choice for close miking toms and snare drums, and is designed to excel at professional sound reinforcement or recording. The snare drum is hit most often, the hardest, and produces a very complex sound pattern. The Opus 88 mic has been optimized for the snare, both electrically and physically, to capture a precise sound. With its patented microphone clamp with integrated preamplifier and 3-pin XLR plug the Opus 88 can easily and quickly be mounted to the rim. The short flexible gooseneck and the horizontal swivel joint ensures optimal positioning.
Requires phantom power.
Opus 88 Condenser Clip-On Microphone
$ 229.99 $ 292.78
Have you always dreamed about going wireless with your instrument, but were put off by the complicated setup, tone loss, and bulky adds-ons? If so, the WL-20 series is for you! Driven by new lightning-fast BOSS tech, these ultra-compact music tools deliver premium sound and plug-and-play operation that completely eliminates all the hassles normally associated with wireless systems.
Once you experience the easy wireless independence provided by the WL-20 series, you’ll never go back to using a standard cable again! With no worries about cable management, you’re able to move about freely while playing at home, jamming with friends, and performing on stage. During sound check at a gig, you can listen to your tone out front and dial in the best sound for your audience. And with the ability to roam and interact with other musicians, your live shows will be more dynamic and entertaining than ever.
$ 229.99 $ 292.78
Have you always dreamed about going wireless with your instrument, but were put off by the complicated setup, tone loss, and bulky adds-ons? If so, the WL-20 series is for you. Driven by new lightning-fast BOSS tech, these ultra-compact music tools deliver premium sound and plug-and-play operation that completely eliminates all the hassles normally associated with wireless systems.
The WL-20L model is functionally identical to the WL-20, with the exception that it eliminates cable tone simulation. This makes it the best choice for instruments where cable capacitance has little or no effect on the tone, such as an acoustic/electric guitar with an onboard preamp, a guitar or bass with active pickups, or a line-level device like a keytar or Roland’s Aerophone digital wind instrument. The WL-20L also works great with passive pickups if you don’t need the subtle treble roll-off provided by cable tone simulation.
Once you experience the easy wireless independence provided by the WL-20 series, you’ll never go back to using a standard cable again. With no worries about cable management, you’re able to move about freely while playing at home, jamming with friends, and performing on stage. During sound check at a gig, you can listen to your tone out front and dial in the best sound for your audience. And with the ability to roam and interact with other musicians, your live shows will be more dynamic and entertaining than ever.
$ 99.00 $ 199.00
The CAD C195 is a superior low-noise, electret condenser cardioid microphone designed for professional vocalists and musicians. It provides the performance and features to satisfy today's most demanding professionals.
The C195 mic has a wide, flat-frequency response that provides unsurpassed natural transparent sound. The cardioid pickup pattern minimizes annoying feedback and reduces the pickup of unwanted off-axis sounds. A transformerless electronic design provides optimum low-frequency response and low distortion. An effective internal multistage pop filter minimizes wind and breath noise.
The CAD C195 has a Flex-Form hardened steel grille screen that dramatically resists deformation while greatly reducing any risk of adverse performance caused by a bent or dented ball screen. This unique ability to retain its original shape assures that the CAD C195 will maintain its attractive appearance.
The C195 features the CAD exclusive (I.N.R.-3) Impact Noise Rejection system. A proprietary rubber shock mount isolates the transducer from the barrel, thus dramatically reducing cable, stand, and handling noise. The need for any external shock mounting device is virtually eliminated.
The low-frequency response of the CAD C195 may be enhanced by increasing or decreasing the distance from the sound source. This phenomenon is technically known as "proximity effect". Nominal or "flat" response is generated at a distance of 24 inches or more. However, as the distance to the sound source decreases, the bass sensitivity increases, providing a solid, robust character.
Requires phantom power.
C195 Cardioid Electret Condenser Microphone
$ 99.99 $ 129.99
The CADLive D90 supercardioid dynamic handheld mic is outfitted with a Trueflex diaphragm and PowerGap high- gauss neodymium magnets creating a hot and articulate live performance vocal microphone.
$ 199.99 $ 299.00
One of Al Di Meola's two favorite acoustic guitar mics for live performance, the Equitek e60 Cardioid Condenser Microphone has externally-biased point-source transduction with a high-power transformerless drive in a bulletproof road-ready housing. Take it on tour for high-impact instrumentation. Features include three-frequency hi-pass filter, 10dB attenuator and integral stand clamp. The microphone's applications include acoustic instrument, guitar cabinets, bass cabinets, strings, piano, cymbals/overheads, kick drum, snare drum, hi-hat.
24V or 48V phantom power required.