Products
AKG D12VR Reference Kick Drum Microphone
$ 603.00 $ 755.09
The D12 VR is a large-diaphragm cardioid dynamic microphone. Designed specifically for kick-drum recording applications, the microphone has a thin diaphragm to enhance the low frequency performance. Its predecessors have been the industry standard in kick drum mics for decades. The D12 and subsequently the D12E and the D112 have been the choice of drummers and the live sound engineers who love them since 1950.
Without phantom power, the microphone delivers the pure character of the sound source. With phantom power enabled, one of three switchable active-filter presets can be used to quickly adapt the microphone response to suit the desired kick-drum sound. The filter setting can be controlled using a switch on the microphone body. In this mode the output level is also reduced by 10 dB automatically.
Check it out. The latest version of a classic. It has retained the attributes of the original but taken advantage of modern innovations. Vintage and modern have just met up, and they have done so in front of the kick drum head.
D12VR Large-Diaphragm Cardioid Dynamic Kick Drum Mic
- Type: dynamic pressure gradient transducer
- Polar pattern: cardioid
- Frequency range: 17 - 17000 Hz (±2 dB)
- Sensitivity: 1,2 mV/Pa ± -58 dBV (at 1000 Hz passive)
- Max. SPL: 164 dB SPL (for 0,5 % THD)
- Impedance: <200 ohms (at 1000 Hz)
- Recommended load impedance: >1000 ohms
- Environment temperature range: -10 C - +70 C
- relative humidity at +20 C: 90 %
- Connector: three-pin male standard XLR
- Finish front grille: glossy galvanized nickel matte,
- rear grille: matte black paint
- Dimensions: 125 mm x 101 mm x 66 mm (4.9" x 3.9" x 2.6")
- Net weight: 500 g (1.1 lbs)
AKG Perception 45 Instrumental Set Wireless System
$ 249.00 $ 379.00
The Perception Wireless Instrumental Set comprises an SR 45 receiver and PT 45 bodypack transmitter, the smallest and lightest transmitter in its class. It can be used with many AKG miniature microphones, and the battery compartment cover doubles as a convenient tool for setting input gain for the application at hand.
The system comes complete with a universal power supply with US/UK/EU adapter, MKG L cable with ¼" jack plug and mini XLR connector, and one AA size dry battery.
In combination with the C 519 ML (sold separately) also suitable for wind instruments.
SR 45 Stationary Receiver
The SR 45 Stationary Receiver delivers a diversity system, professional XLR and Jack outputs, and the SMPS solution. The audio level and squelch threshold are adjustable on the receiver. It is a stationary receiver for use with all transmitters of the Perception wireless system.
The SR 45 operates within a switching bandwidth of up to 30 MHz in the 500 to 560 MHz UHF carrier frequency range and offers up to 8 selectable carrier frequencies.
PT 45 bodypack transmitter
The PT 45 bodypack transmitter lets you use both dynamic microphones and condenser microphones operating on a supply voltage of approx. 4 V. Naturally you may also connect an electric guitar, electric bass or keytar.
The PT 45 operates within a switching bandwidth of up to 30 MHz in the 500 to 560 MHz UHF carrier frequency range and offers up to 8 selectable carrier frequencies.
Consumer Alert (for US users)
Most users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: The system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received from any other device.
Purchasers should also be aware that the FCC is currently evaluating use of wireless microphone systems, and these rules are subject to change. For more information, call the FCC at 1-888- CALL-FCC (TTY: 1-888-TELL-FCC) or visit the FCC's wireless microphone website at www.fcc.gov/cgb/wirelessmicrophones
A wireless system ideal for an exceptionally wide range of applications.
- 30 MHz selection bandwidth (depending on local frequency plans)
- 8 hours of operation with a single AA size battery
- Compatible with all AKG MicroMics
- Low battery indicator
- Smallest and lightest bodypack transmitter in its class
- Complete with MKG L cable for direct connection to electric guitar or bass
- IncludedPT 45 bodypack transmitterAA batteryMKG L cableSR 45 receiverSMPS switched mode power supplyGuarantee cardFrequency tableManual supplement sheet
Order a wireless system that faithfully reproduces the sound of your favorite instrument.
SPECIFICATIONS
Perception Wireless Instrumental Set
- SR 45 Stationary Receiver
- Carrier frequency range: 500 - 560 MHz
- Modulation: FM
- Audio bandwidth: 40 - 20,000 Hz
- T.H.D. at 1 kHz: typ. 0.8%
- Signal/noise ratio: typ. 105 dB(A)
- Squelch threshold: 100 to -70 dBm adjustable
- Audio outputs: Balanced XLR and unbalanced 1/4" (6.3 mm) jack: adjustable from mic to line level. Output level at rated deviation: 500 mV RMS
- Dimensions: 7.87" x 7.48" x 1.73", (200 x 190 x 44 mm)
- Net weight: 12.69 oz, (360 g)
- PT 45 bodypack transmitter
- Carrier frequency range: 500 - 560 MHz
- Modulation: FM
- Audio bandwidth: 40 - 20,000 Hz
- T.H.D. at 1 kHz: typ. 0.8%
- Signal/noise ratio: typ. 105 dB(A)
- RF output: 10 mW
- Power requirement: 1x 1.5 V AA size battery
- Battery life: 10 hours
- Dimensions: 2.36 " x 2.91" x 1.18", (60 x 74 x 30 mm)
- Net weight: 2.11 oz, (60 g)
Ampeg Micro-CL Stack - Black
$ 429.99 $ 558.98
Let’s face it. You are the type who would happily crank up a full Ampeg SVT stack in your living room. Heck, who needs neighbors anyway? And noise violations are really just a badge of honor, right? For the rest of us, there is the Ampeg Micro-CL Stack, delivering 100 watts of pure Ampeg tone. It’s perfect for those just getting into Ampeg or for the seasoned bassist looking to practice in far flung locations like the master bathroom.
- Includes tough 2 x 10" cab
- Stereo input / headphone out for silent practice
- Effects loop and direct out
HEAD
- Power output: 100 watts @ 8 ohms
- Preamp: Solid-state
- Power amp: Solid-state
- Tone controls: Bass, mid, treble
- Unbalanced line out
- FX loop
- Dual inputs (0dB & -15dB)
- 1/8" headphone out / line in
- Dimensions ( H x W x D inches): 7 x 12.2 x 10
- Handling weight: 13.8 lbs
CABINET
- 100 watts power handling @ 8 ohms
- 2 x 10" LF drivers
- Frequency response: 57 Hz – 5 kHz
- Sensitivity: 100 dB SPL @ 1w/1m
- Dimensions ( H x W x D inches): 24 x 13 x 11
- Handling weight: 33.2 lbs
ART X-11 Midi Master Controller USED
$ 80.00
90's Midi Controller. Sold as is without cables.
Audio-Technica 2000 Series ATW-2110a Wireless System
$ 329.99 $ 429.99
The Audio-Technica ATW-2110a Wireless UHF Body-Pack Microphone System bridges the gap between affordable wireless technology and professional level quality. The system operates on UHF frequencies over the 487.125 to 506.500 MHz band, and includes the ATW-T210 UniPak body-pack transmitter and ATW-R2100 diversity UHF receiver.
The ATW-R2100 receiver features True Diversity operation which selects between two receiver sections, reducing dropouts and radio frequency interference. The receiver features 10 user selectable UHF frequencies, allowing 10 systems to be used simultaneously. Single touch frequency scanning automatically selects clear frequencies in the area. The rear panel features a balanced XLR output and unbalanced 1/4" phone connection. A back-lit LCD provides channel, AF, RF and diversity status information.
The ATW-T210 UniPak transmitter is a lightweight body pack microphone transmitter that operates on the same frequencies as the receiver. The transmitter features a 4-pin Hirose connection input that is compatible with Audio-Technica "CW" lavaliers and head worn microphones, and select instrument cables. The transmitter operates up to 9 hours on two 1.5V AA batteries.
- Serious advances in affordable professional wireless
- Clear sound quality and rock-solid, dependable performance
- Automatic frequency scanning
- 10 compatible user-switchable channels in one of two UHF frequency ranges
- Antenna power available for powered antennas & other in-line RF devices
- True Diversity operation selects the better signal from the two receiver sections, reducing dropouts
- Tone Lock tone squelch system fights interference
- Rugged metal half-rack receiver with soft-touch controls and LCD display
- Balanced XLR and unbalanced 1/4" output jacks enable use with a wide variety of audio gear
- Switchable transmitter power output with high and low settings offered
- Includes rack-mount kit and detachable UHF antennas
- Ground-lift switch helps eliminate audible hum caused by ground loops between the sound system and receiver
- ATW-T220a Handheld Microphone/Transmitter features PRO 41 Capsule for maximum feedback rejection and consistent sound
Audio-Technica AT2020 Cardioid Condenser Microphone
$ 99.00 $ 169.00
The Audio-Technica AT2020 Cardioid Condenser Microphone is the ideal mic for project and home studio applications. With a remarkably low price, cardioid pattern, and specs that put it in the big leagues, it features a custom-engineered, 16mm low-mass diaphragm and smooth 20Hz-20kHz frequency response. The AT2020's low self-noise is suited to digital recording, plus it has a high 144dB SPL handling.
Requires phantom power.
- Condenser
- Cardioid pattern
- Side address
- 16mm low-mass diaphragm
- 20Hz-20kHz frequency response
- 144dB SPL handling
- Rugged body
- Element: Fixed-charge back plate, permanently polarized condenser
- Polar pattern: Cardioid
- Frequency response: 20-20,000Hz
- Open circuit sensitivity: -37 dB (14.1 mV) re 1V at 1 Pa
- Impedance: 100 ohms
- Maximum input sound level: 144dB SPL, 1kHz at 1% THD
- Noise: 20dB SPL
- Dynamic range (typical): 124dB, 1kHz at Max SPL
- Signal-to-noise ratio: 74dB, 1kHz at 1 Pa
- Phantom power requirements: 48V DC, 2 mA typical
- Weight: 12.1 oz.
- Dimensions: 6-1/3" long, 2" diameter
- Output connector: 3-pin XLRM-type
- Included accessories: Stand mount for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; soft protective pouch
- Audio-Technica case style: R7
Audio-Technica AT899cW Subminiature Omnidirectional Condenser Microphone
$ 199.00
Audio-Technica’s omnidirectional AT899 is engineered for intelligible, accurate voice reproduction. Its low-profile design (a mere 5 mm in diameter) assures minimum visibility. The mic may be worn as a lavalier and is easily hidden in clothing or hair. It offers the convenience of battery or phantom power; its switchable low-frequency roll-off reduces popping.
- Maximum intelligibility and clean, accurate reproduction for vocalists, lecturers, stage and television talent, and houses of worship
- Low-profile design (a mere 5 mm in diameter) is ideal for applications requiring minimum visibility
- Operates on battery or phantom power
- All wireless models available in either low-reflectance black or beige
- Extensive array of provided accessories includes a clothing clip, viper clip, magnet clip and lanyard (black models only), windscreens, element covers, interchangeable single and double mic holders
- Accessories available separately include complete accessory kits, clothing clips, three-pack element covers and three-pack windscreens
- 9.8' (3.0 m) cable permanently attached to mic, TA3F connector at power module
| ELEMENT | Fixed-charge back plate, permanently polarized condenser |
| POLAR PATTERN | Omnidirectional |
| FREQUENCY RESPONSE | 20-20,000 Hz |
| LOW FREQUENCY ROLL-OFF | 80 Hz, 12 dB/octave |
| OPEN CIRCUIT SENSITIVITY | Phantom: -43 dB (7.0 mV) re 1V at 1 Pa Battery: -46 dB (5.0 mV) re 1V at 1 Pa |
| IMPEDANCE | Phantom: 200 ohms Battery: 250 ohms |
| MAXIMUM INPUT SOUND LEVEL | Phantom: 138 dB SPL, 1 kHz at 1% T.H.D. Battery: 116 dB SPL, 1 kHz at 1% T.H.D. |
| DYNAMIC RANGE (typical) | Phantom: 108 dB, 1 kHz at Max SPL Battery: 86 dB, 1 kHz at Max SPL |
| SIGNAL-TO-NOISE RATIO | 64 dB, 1 kHz at 1 Pa |
| PHANTOM POWER REQUIREMENTS | 11-52V DC, 2 mA typical |
| BATTERY TYPE | 1.5V AA/UM3 |
| BATTERY CURRENT / LIFE | 0.4 mA / 1200 hours typical (alkaline) |
| SWITCH | Flat, roll-off (recessed) |
| WEIGHT (MICROPHONE) | 0.02 oz (0.5 g) |
| WEIGHT (POWER MODULE) | 3.6 oz (102 g) |
| DIMENSIONS (MICROPHONE) | 0.63" (16.0 mm) long, 0.20" (5.0 mm) diameter |
| DIMENSIONS (POWER MODULE) | 5.71" (145.0 mm) long, 0.83" (21.0 mm) diameter |
| OUTPUT CONNECTOR (POWER MODULE) | Integral 3-pin XLRM-type |
| CABLE | 9.8' (3.0 m) long (permanently attached to microphone), 0.08" (2.0 mm) diameter, 2-conductor, shielded cable with TA3F output connector that mates with TB3M jack on power module |
| ACCESSORIES FURNISHED | AT8537 power module; AT8439 cable clip; clothing clip base; viper clip base; magnet clip base and plate with lanyard; three single mic holders; two double mic holders; two element covers; two windscreens; battery; protective carrying case |
| AUDIO-TECHNICA CASE STYLE | M29 |
Audio-Technica ATH-M20x Professional Monitor Headphones
$ 49.00 $ 69.00
The ATH-Mx Series headphones are a reliable source for monitoring in home and professional studio environments. Because of the increased demand due to the popularity of the ATH-M50, Audio-Technica refreshed the entire line of these closed-back studio headphones for a redesigned feel. The ATH-M20x professional monitor headphones are a great introduction to the critically acclaimed M-Series line. Modern design and high-quality materials combine to deliver a comfortable listening experience, with enhanced audio and effective isolation. An excellent choice for tracking and mixing.
- 40 mm drivers with rare earth magnets and copper-clad aluminum wire voice coils
- Tuned for enhanced low-frequency performance
- Circumaural design contours around the ears for excellent sound isolation
- Convenient single-side cable exit
- Designed for studio tracking and mixing
Audio-Technica ATH-M20xBT Wireless Over-Ear Headphones
$ 79.00
The ATH-M20xBT over-ear wireless headphones include all the features you want and the audio quality you demand. Inspired by our #1 selling ATH-M20x wired professional studio headphones and featuring powerful 40 mm drivers for enhanced low-frequency performance, the ATH-M20xBT Bluetooth headphones deliver an incredible listening experience with full-range, high-fidelity audio and enhanced bass.
Audio-Technica ATM650 Hypercardioid Dynamic Instrument Microphone
$ 99.99 $ 169.99
The ATM650 is a versatile addition to the Artist Series featuring a new multi-stage flat grille design for precise positioning close to the sound source. Equipped with a neodymium magnet for high-output performance, the ATM650 has a frequency response tailored for clear sound reproduction of guitar cabinets, snare and percussion. A-T's innovative dual-wall floating construction banishes handling noise.
ATM650 Hypercardioid Dynamic Instrument Microphone
- ELEMENT: Dynamic
- POLAR PATTERN: Hypercardioid
- FREQUENCY RESPONSE: 80-17,000 Hz
- OPEN CIRCUIT SENSITIVITY: —56 dB (1.5 mV) re 1V at 1 Pa
- IMPEDANCE: 300 ohms
- WEIGHT: 279 g (9.8 oz)
- DIMENSIONS: 164.2 mm (6.46") long, 38.8 mm (1.53") diameter
- OUTPUT CONNECTOR: Integral 3-pin XLRM-type
- ACCESSORIES FURNISHED: AT8470 Quiet-Flex stand clamp for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; soft protective pouch
- AUDIO-TECHNICA CASE STYLE: T5
Audio-Technica ATW-901A/G System 9 VHF Wireless Unipak System
$ 174.95
Frequency-agile VHF wireless system with guitar microphone transmitter.
Audio-Technica's System 9 is a four-channel wireless microphone system designed to provide rock-solid performance along with easy setup and clear, natural sound quality. Featuring sleek, stackable, contemporary styling, System 9 is available in handheld, headworn, guitar, lavalier and body-pack configurations. The system offers four compatible user-switchable VHF channels.
This System 9 configuration includes the ATW-R900a receiver and a guitar microphone/transmitter. The ATW-R900a is a non-diversity, single-channel receiver with advanced dipole antenna design for extended operating range, which improves operation by providing a ground element in addition to the usual signal element. The ATW-R900a also offers volume control along with AF Peak, RF and Power indicator lights.
- Analog or digital: Digital
- Frequency response: 8 Hz - 13 kHz
- Width: 7.48 in.
- Height: 1.82 in.
- Depth: 5.06 in.
- Weight: 12 oz
- Type: Guitar Mic
Beyerdynamic Opus 51 Professional Instrument Microphone
$ 439.99
The Piano is an expressive instrument with a wide dynamic range and multiple sound sources coming from the strings and frame into which it is constructed. All of these subtle sounds and nuances have to be captured to make the Piano sound natural and to transfer the emotion with which it is played. The Opus 51 is purpose built for this type of instrument. Using the ™boundary effect™ it captures direct and reflected sounds from all parts of the instrument in perfect balance and at an equal level taking some of the guesswork out of microphone placement. As the Opus 51 effortlessly captures low frequency audio as well as the high frequency detail it also can be used perfectly for Kick Drums.
Beyerdynamic Opus 88 Condenser Clip-On Microphone
$ 219.99
The Beyerdynamic Opus 88 condenser microphone is a perfect choice for close miking toms and snare drums, and is designed to excel at professional sound reinforcement or recording. The snare drum is hit most often, the hardest, and produces a very complex sound pattern. The Opus 88 mic has been optimized for the snare, both electrically and physically, to capture a precise sound. With its patented microphone clamp with integrated preamplifier and 3-pin XLR plug the Opus 88 can easily and quickly be mounted to the rim. The short flexible gooseneck and the horizontal swivel joint ensures optimal positioning.
Requires phantom power.
Opus 88 Condenser Clip-On Microphone
- Transducer type: Condenser (back electret)
- Operating principle: Pressure gradient
- Polar pattern: Cardioid
- Open circuit voltage at 1 kHz (0dB = 1V/Pa) : 5 mV/Pa = -46 dBV
- Nominal impedance: 200 Ohms
- Load impedance: > 1 k Ohms
- Frequency response: 30 - 20,000 Hz
- Max. SPL at 1 kHz: 136 dB (at 48 V phantom power) / 126 dB (at 12 V phantom power)
- S/N ratio rel. to 1 Pa: 64 dB
- A-weighted equivalent SPL: 22 dB
- Current consumption: < 6 mA
- Connection: 3-pin XLR, male
- Supply voltage: 11 - 52 V phantom (recommended phantom power: 48 V)
- Clamp (W x H) : 85 x 118 mm
- Gooseneck length: 20 mm
- Total length: 120 mm
- Weight incl. Clamp: approx. 145 g
Blackstar Dept. 10 Amped 1 Guitar Amp In A Compact Pedal
$ 519.99 $ 680.00
AMPED 1 is a professional 100 Watt guitar amp in a compact pedal. It turns any pedalboard, modeller, or multi-effector into a performance ready amp and ensures you can take your sound with you anywhere. Power reduction down to 1W and USB-C connectivity means it’s equally at home in the studio or the stage.
- 100W guitar amp in a compact pedal.
- Turns any pedalboard, modeller, or multi-effector into a performance ready amp.
- The power amplifier’s unique, high-headroom design delivers maximum power and optimum tone with any cabinet set-up at 8 or 16 Ohms.
- Response control delivers five distinctly different authentic power valve responses – KT88, 6L6, EL34, 6V6, EL84. Each setting delivers the response, dynamics, sag and break-up characteristics of the selected valve power amp. The Linear response offers transparent power amplification, used in combination with the Flat voice when pairing your AMPED 1 with an external amp modeller.
- Pro connectivity and integration into your setup using low latency USB audio as an interface for recording, and XLR D.I. for live use.
- Effects loop (series or parallel), 2x 9V DC outputs and MIDI control for easy integration into your pedalboard or rig.
- Includes CabRig, our next-generation DSP speaker simulator that reproduces the sound and feel of a mic’d up guitar cab in incredible detail. Deep-dive using the accompanying free Architect software and capture the incredible tones via USB / XLR out.
- Power Reduction switch allows you to select 100 Watts, 20 Watts or 1 Watt to easily get the perfect balance of power and response for any situation from studio to stage.
- Studio quality reverb with ‘freeze’ effect.
- Footswitchable Preset.
Boss WL-20 Wireless System
$ 179.99 $ 281.38
WIRELESS FREEDOM MADE EASY
Have you always dreamed about going wireless with your instrument, but were put off by the complicated setup, tone loss, and bulky adds-ons? If so, the WL-20 series is for you! Driven by new lightning-fast BOSS tech, these ultra-compact music tools deliver premium sound and plug-and-play operation that completely eliminates all the hassles normally associated with wireless systems.
Once you experience the easy wireless independence provided by the WL-20 series, you’ll never go back to using a standard cable again! With no worries about cable management, you’re able to move about freely while playing at home, jamming with friends, and performing on stage. During sound check at a gig, you can listen to your tone out front and dial in the best sound for your audience. And with the ability to roam and interact with other musicians, your live shows will be more dynamic and entertaining than ever.
SPECIFICATIONS
- Wireless Format BOSS: proprietary digital audio format
- Wireless carrier frequency: 2.4 GHz
- Compatible Channels: 14 (May vary due to local conditions)
- Transmission Range: 50 feet line-of-sight(May vary due to local conditions)
- Latency 2.3 ms
- Dynamic Range: 110 dB or greater
- Frequency Response: 20 Hz--20 kHz
- Nominal Output Level: -10 dBu
- Output Impedance: 1 k ohm
- Recommended Load Impedance: 10 k ohms or greater
- Indicators: POWER, RECEIVE
- Connectors: Output plug: 1/4-inch TRS phone type,TRANSMITTER jack: 1/4-inch TRS phone type, DC IN 5 V port: USB Micro-B type
- Power Supply: Rechargeable lithium-ion battery, Supplied from the DC IN 5 V port
- Current Draw: During wireless operation: 60 mA, While charging: 500mA
- Battery charging time: Charging only the receiver: Approximately 3 hours, Charging simultaneously with the transmitter: Approximately 4 hours
- Expected battery life under continuous use: Approximately 10 hours
- * These figures will vary depending on the actual conditions of use.
- Accessories: Owner's Manual, Leaflet USING THE UNIT SAFELY
- Transmitter, Micro USB cable for charging (*1)
- *1: Use a standard USB AC adaptor (5 V/over 0.5 A) for charging.
Boss WL-20L Wireless Guitar System
$ 239.99 $ 267.98
Have you always dreamed about going wireless with your instrument, but were put off by the complicated setup, tone loss, and bulky adds-ons? If so, the WL-20 series is for you. Driven by new lightning-fast BOSS tech, these ultra-compact music tools deliver premium sound and plug-and-play operation that completely eliminates all the hassles normally associated with wireless systems.
The WL-20L model is functionally identical to the WL-20, with the exception that it eliminates cable tone simulation. This makes it the best choice for instruments where cable capacitance has little or no effect on the tone, such as an acoustic/electric guitar with an onboard preamp, a guitar or bass with active pickups, or a line-level device like a keytar or Roland’s Aerophone digital wind instrument. The WL-20L also works great with passive pickups if you don’t need the subtle treble roll-off provided by cable tone simulation.
Once you experience the easy wireless independence provided by the WL-20 series, you’ll never go back to using a standard cable again. With no worries about cable management, you’re able to move about freely while playing at home, jamming with friends, and performing on stage. During sound check at a gig, you can listen to your tone out front and dial in the best sound for your audience. And with the ability to roam and interact with other musicians, your live shows will be more dynamic and entertaining than ever.
Consumer Alert:
Most users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: the system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received from any other device. Purchasers should also be aware that the FCC is currently evaluating use of wireless microphone systems, and these rules are subject to change.
Features
- Plug-and-play wireless systems for guitar, bass, and other electronic instruments
- No complicated setup required—simply dock the transmitter and receiver together for about 10 seconds to set the optimum wireless connection
- Newly developed BOSS technology delivers premium audio performance with rock-solid stability, ultra-low latency (2.3 ms), and 50-foot/15-meter range
- Built-in rechargeable batteries provide up to 12 hours of continuous playing time
- Simple charging with a standard USB adaptor (5 V/500 mA or greater)
- Cable tone simulation reproduces the natural capacitive effect of a 10-foot/3-meter guitar cable (WL-20 model only)
- Spare WL-T Transmitter available separately
Cad D90 Supercardioid Dynamic Handheld Microphone
$ 99.99 $ 129.99
The CADLive D90 supercardioid dynamic handheld mic is outfitted with a Trueflex diaphragm and PowerGap high- gauss neodymium magnets creating a hot and articulate live performance vocal microphone.
- Pattern: Superardioid
- Principle: Dynamic moving coil motor
- Frequency Response : 50 “ 16kHz
- Sensitivity : -51.0 dBv (2.8mV) @ 1PA
- Impedance : 500 Ohm
- Max SPL >150dB
- UPC : 631922107289
- Weight : 1.5Lbs
- Dims : 10 X 6.5 X 3
CAD e60 Externally Biased Cardioid Condenser Microphone
$ 199.99 $ 299.00
One of Al Di Meola's two favorite acoustic guitar mics for live performance, the Equitek e60 Cardioid Condenser Microphone has externally-biased point-source transduction with a high-power transformerless drive in a bulletproof road-ready housing. Take it on tour for high-impact instrumentation. Features include three-frequency hi-pass filter, 10dB attenuator and integral stand clamp. The microphone's applications include acoustic instrument, guitar cabinets, bass cabinets, strings, piano, cymbals/overheads, kick drum, snare drum, hi-hat.
24V or 48V phantom power required.
FEATURES
- Operating Principle: Externally-biased condenser
- Polar Pattern: Cardioid
- Frequency Response:30Hz to 20KHz
- Sensitivity: -41dBV (8.9mV) @ 1 Pa
- Impedance: 300 ohms
- Max SPL: 140dB, 1% THD, attenuator engaged
- Self Noise: 22dBA
- Hi-pass Filter: 40Hz, 85Hz and 122Hz, 6dB/oct
- Attenuator: 10dB
- Power Requirements: P24, P48, 2mA
CAD Stagepass IEM Stereo Wireless In Ear Monitor System
$ 349.99 $ 459.99
The CAD Audio StagePass™ IEM is a high-performance wireless In Ear Monitor System that will deliver superior audio performance while supplying advanced frequency agility, capable enough to cope with today's dynamic RF environment – make it both easy to use and exciting to operate.
The StagePass™ IEM Stereo Wireless In Ear Monitor System features 16-channel frequency agile performance for outstanding connectivity. CADLock™ Automatic Tone Code Squelch eliminates unauthorized interference in RF unfriendly environments. Stereo operation lends flexibility of use – You may send discrete signals to the left or right channel. The MEB2 TruPitch™ Dual Armature Earbuds provide accurate audio reproduction while the EasyFit™ silicon earmolds provide a custom fit.
CAD Audio StagePass IEM Stereo Wireless In Ear Monitor System Includes:
- Wireless receiver
- Wireless transmitter
- MEB2 TruPitch™ Dual Armature Earbuds
- Half wave antenna
- Rack ears
- Antenna relocation kit
- Carry case
CAD Audio StagePass IEM Stereo Wireless In Ear Monitor System Features:
- 16 Channel UHF Agility for frequency plan flexibility
- Stereo Operation for discrete Right/Left transmission flexibility via combination XLR-1/4" connectors
- CADLock ™ Automatic Tone Encoded Squelch to eliminate unauthorized interference.
- MEB2 TruPitch™ Dual Armature Earbuds provide accurate audio reproduction while the EasyFit™ Silicon molds provide a custom fit
- Metal Chassis Transmitter for a durable and formidable shielded enclosure.
CAD Audio StagePass IEM Stereo Wireless In Ear Monitor System Specifications:
- Frequency Range: Q Band 470-498MHz
- Audio Frequency Response: 40Hz – 16KHz
- Dynamic Range: >101dB
- Dynamic Cardioid Capsule
- Frequency Response: 40Hz – 16KHz
- Transmit power: 30mW
- AA Batteries with >15 hrs battery life
- Audio Input: Combination XLR - 1/4"
Fender Tone Master FR-12 1x12" 1000W Powered Speaker - Black
$ 699.99 $ 770.00
The Tone Master FR-12 is a full range, flat response powered speaker designed for use with today's digital guitar amp modelers and profilers. Tone Master FR-12 delivers clear and accurate sound reproduction and perfectly replicates every detail of the amp and effect models. They're the ultimate companion to Tone Master Pro and the ideal solution for players who use modelers at home or on stage.
The Tone Master FR-12 features an integrated 1,000-watt power amp that delivers the volume and headroom needed for even the most demanding live performance. The 3-band active EQ and high frequency cut control allow players to fine tune their stage tone without altering the line output signal. Plus, the design of the FR series was inspired by classic Fender amplifiers for an authentic backline look and feel.
FEATURES
- 1,000 Watt Class-D Power Amp
- 12" Special Design Speaker
- 1" Wide Dispersion High Frequency Driver
- 3-Band Active EQ with High Frequency Cut Control
- Integrated Tilt Back Legs
- Lightweight Plywood Enclosure
- Authentic Fender Amplifier Industrial Design
Specifications
General
Electronics
Hardware
Speakers
Fishman SA220 Solo Performance System USED
$ 385.00
**This product is used and in good condition. Some minor signs of wear can be found on this performance system. Comes with a power cable and a Fishman branded carrying bag. The price has been adjusted accordingly.
Designed for the singer/songwriter, the SA220 Solo Performance System is a powerful, yet lightweight, system-providing exceptional sound quality and coverage in a wide variety of venues. 220 watts of clean, lightweight power drive a line array of six custom high-excursion speakers and a soft-dome tweeter. This unique combination delivers incredibly full sound, ultra-wide dispersion, and deeper sonic penetration than the common speaker cabinet. Better yet, the enhanced bass response of the custom-designed speakers means there's no need for a subwoofer.
With the SA220 system, the performer and audience hear exactly the same sound, meaning there's no need for separate wedge monitors or a combo amp backline. The SA220 is voiced for the singer/songwriter, acoustic instruments and vocals are projected with superb depth and clarity.
The ultimate in portability
The SA220 weighs only 25 lb., ships complete with a padded bag equipped with wheels, and includes a rugged speaker stand. Set up takes less than a minute, with only one trip to the car. Plus full-digital universal power means that its amplification system is ready to travel anywhere in the world (compatible with international power systems).
Features that performing musicians demand
Fishman didn't make the SA220 this portable by scaling back on features or tone. It's also equipped with two mic/instrument channels featuring high-quality preamps, each with 3-band EQ, phantom power, built-in reverb, effects loop, and feedback-fighting notch filter, and phase controls. In fact, Fishman included all of the prized elements of the Loudbox family amps and added a unique monitor feature designed to revolutionize an acoustic duo's ability to hear each other on stage.
FEATURES
- Solo Performance System with exceptional sound quality and coverage for a wide variety of venues
- Fully digital (Class D) power amp And power supply
- Universal voltage allows operation outside the U.S.
- Ultrahigh excursion custom drivers and a servo power amp implementation eliminate the need for subwoofer support
- Compact line-array design for ultrawide horizontal dispersion and deeper sound penetration than traditional acoustic combo amplifiers
- 2 mic/instrument input channels with 3-band EQ, phantom power, and high-quality preamps accept a wide range of input sources”from acoustic instruments to microphones to line level sources
- Mic/instrument channels offer independent reverb level, effect loops, plus feedback-fighting phase and notch filters
- Drivers: 6x4" cone midrange (200W), 1" neodymium soft-dome tweeter (20W) with tweeter level control
- Auxiliary stereo input with level control
- 4 Digital reverb effects with master level
- Balanced XLR D.I. outputs for both channels, plus main mix
- Unique monitor I/O for better on-stage ensemble monitoring
- Channel Mute with remote footswitch input
- Tuner output
- Includes stand and padded carry bag with wheels
- Two Mic/Instrument channels:
- Input gain with 10dB pad and clip indicator
- 48V phantom power for each channel
- Shelving bass and treble
- Resonant-style midrange
- Effects level
- Notch filter (feedback control)
- Phase switch (feedback control)
- Dedicated effects loop
Gator GPT-BL-PWR Pedal Board - Black
$ 199.99 $ 319.99
16.5″ X 12″ Wood Pedal Board w/ Black Nylon Carry Bag; Includes G-Bus-8 Power Supply w/ (8) 9V & (3) 18V Outputs
Features
- 16.5" x 12" Pedal Board
- Plywood Pedal Board Covered in Tolex
- Pedal Board Comes with Carry Handle Which Slides into a Rugged Nylon Padded Carry Case
- Pedal board has access holes for cables to run below board to utilize 4 supplied mounting screws for Gator G-BUS and similar size multi-output power supplies
- Exterior pocket for cables
- Face of pedal board covered with Velcro for attaching pedals - attachment Velcro included
- Powered version comes with Gator's G-BUS-8 multi-output power supply which can power up to 11 standard stomp boxes
- Includes nine (9) 24" straight end cables to power pedals, (8) - 9v & (1) - 18v
Gator GPT-PRO-PWR Pedal Board - Black
$ 259.99 $ 419.99
30″ X 16″ Wood Pedal Board w/ Black Nylon Carry Bag; Includes G-Bus-8 Power Supply W/ (8) 9V & (3) 18V Outputs
Features
- 16" x 30" Pedal Board
- Plywood Pedal Board Covered in Tolex
- Pedal Board Comes with Carry Handle Which Slides into a Rugged Nylon Padded Carry Case
- Pedal board has access holes for cables to run below board to utilize 4 supplied mounting screws for Gator G-BUS and similar size multi-output power supplies
- Exterior pocket for cables
- Face of pedal board covered with Velcro for attaching pedals - attachment Velcro included
- Powered version comes with Gator's G-BUS-8 multi-output power supply which can power up to 11 standard stomp boxes
- Includes nine (9) 24" straight end cables to power pedals, (8) - 9v & (1) - 18v
JBL PRX812W Two-Way Full Range Main System/Floor Monitor with Wi-Fi
$ 949.00 $ 1,275.58
- Built-in Wi-Fi for wireless control of your system from anywhere in the venue
- Free PRX Connect mobile app for iOS and Android provides wireless control over volume levels, 8-band parametric EQ and up to 50ms of speaker delay to fine-tune your sound
- Class-leading 1500-watt amplifier delivers ample power to fill your venue
- JBL Differential Drive® transducers for higher SPL in a lightweight design
- Next-generation JBL neodymium compression drivers
- Redesigned Crown input technology, including XLR, 1/4” and RCA inputs plus XLR loop-through
- Intelligent variable-speed fan activates only when needed to reduce noise
- Updated tuning delivers flat frequency response and smooth off-axis behavior
- Durable wooden cabinets, tour-proven DuraFlex™ finish and dent-resistant 16-gauge grilles
- Universal power supply for worldwide compatibility
- dbx Type IV™ limiting ensures clear, accurate sound at high volumes
- Brutal testing regimen—including the famous JBL 100-hour power test—ensures reliable performance
- PRX812W is a compact and versatile speaker in the PRX800 Series with remote Wi-Fi control of onboard DSP EQ parameters. It has been designed to deliver maximum performance for its weight and size as both a stage monitor and a front of house main PA. Two user selectable EQ settings are provided to optimize the system for either application. With a dual socket pole mount the PRX812W is a perfect match with a PRX818XLFW subwoofer, offering a high performance self-powered sub/sat system.
- The PRX812W is comprised of a 12” Differential Drive® woofer, a 2408H-1, 37.5 mm (1.5 in) annular polymer diaphragm, neodymium compression driver mounted to a 90° by 50° horn, all driven by 1500 watt Class-D digital power amplifier. Sophisticated DSP is at the core of a fully featured input section, providing user selectable system EQ, protection, input sensitivity selection, cross-over functionality, dynamic limiting and discrete component optimization.
- All PRX800 cabinets are built from a combination of 25 mm (on the top and bottom for added rigidity) and 18 mm, strong, light-weight poplar plywood made structurally sound with tongue and groove joints. All PRX800 Series cabinets are protected by JBL’s tour proven DuraFlex™ finish. Grilles are made from dent-resistant 16 gauge steel and handles are made from light-weight glass-filled nylon for added strength and durability. All M10 suspension points are constructed from 14 gauge steel and have been tested with a yield-strength of 1000 lbs. each.
- The amplifier input panel offers XLR or ¼ inch jack compatibility and a sensitivity switch provides extra flexibility, making it possible to connect literally any sound source without using a mixer. Signal present and limiter lights indicate the system status and assist in setting the optimum level via the level control knob.
| System Type | Self Powered 12”, two-way, bass-reflex | |
| Maximum SPL Output | 135 dB peak | |
| Frequency Range (-10 dB) | Main: 52.6-20k Monitor: 50.3 - 20k |
|
| Frequency Response (±3 dB) | Main: 58.1 - 20k Monitor: 59- 20k |
|
| Input Connectors | 2 x Balanced XLR / 1/4 inch input, 2 x unbalanced RCA input | |
| Input Impedance | 20K Ohms (balanced), 10K Ohms (unbalanced) | |
| Signal Indicators | Limit: Yellow LED indicates peak output has been reached and dsp limiter is acting Signal: Green LED indicates signal present Power: Blue indicates system has power and ready to pass audio |
|
| EQ | User selectable presets for Main or Monitor position, Advanced EQ settings available using Wi-Fi and PRX Connect application | |
| Dynamic Control (Input) | dbx Type IV™ limiter circuit | |
| Crossover Frequency | 1.850 kHz | |
| Design | Highly efficient Class-D amplifier | |
| Power Rating | 1500W (750W x 2) | |
| AC Power Input | 100V - 240V ~ 50/60 Hz | |
| LF Driver | 1 x JBL 272G 305 mm (12 in) woofer | |
| HF Driver | 1 x JBL 2408H-2 37.5 mm (1.5 in) annular polymer diaphragm, neodymium compression driver | |
| Coverage Pattern | 90° x 50° nominal | |
| Directivity Index (DI) | 10.2 dB | |
| Directivity Factor (Q) | 10.4 | |
| Enclosure | Asymmetrical, 18 mm, plywood | |
| Suspension / Mounting | Dual 36 mm pole socket, 12 x M10 Suspension Points | |
| Transport | 1 x injection molded handle with backing cup | |
| Finish | Obsidian DuraFlex™ finish | |
| Grille | Powder coated, Obsidian, 16 gauge perforated steel with acoustical transparent black cloth backing. | |
| Dimensions (H x W x D): | 599 mm x 385 mm x 341 mm (23.6 in x 15.1 in x 13.4 in) |
|
| Net Weight | 19.4 kg (42.5 lb) | |
| Gross Weight | 21.2 kg (48.0 lb) |
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