Products
ADJ Startec Series Boombox FX1 Effects Light
$ 299.99 $ 399.99
Put some ‘BOOM’ into your lightshow! Create pure lighting excitement for any event with the 4-FX-IN-1 Boom Box FX1. Cover the room in light from the unique party dome or classic Derby effect, wash the dance floor in colors and mesmerize the crowd with the Galaxian style red and green laser!
The Boom Box FX1, part of the Startec Series, create’s an event to remember! With 4 different lighting effects in one from 9 built-in lightshows and 63 preset color combinations you have hours of fun built into one lighting fixture.
ADJ Boom Box FX1 Effect Light Features
- 9 Exciting built-in shows
- Produces 63 Preset Color Combinations
- Stand Alone or Master/Slave Set Up
- Linkable via 3-pin XLR cable
- 4-button DMX display on rear panel
- Strobe and Chase LED Effect
- DMX-512 Protocol
- NO Duty Cycles! - Run all night!
- IEC AC IN/OUT on rear to daisy chain power (8 Fixtures Max. @ 120V and 16 Fixtures Max. @230V)
- Safety Loop on rear panel
- UC IR Remote Control (Sold Separately) & Airstream IR Compatible
- Long life LEDs (Rated at approximately 50,000 hours)
- Light Source: Dome: 6 x 3W LEDs (1 Red, 1 Green, 1 Blue, 1 White, 1 Amber, & 1 UV); Wash: 8 x 1W LEDs (2 Red, 2 Green, 2 Blue, & 2 Amber); Derby Effect: 2 x 10W Quad LEDs (RGBW) + Red & Green Laser
ADJ Boom Box FX1 Effect Light Specifications
- High Output 4-FX-IN-1: One Dome effect, one Derby effect, one Strobe/Chase and one green & red Laser effect
- 2 DMX Channel Modes: 3 Channels and 22 DMX Channels
- 3 Operation modes: Sound Active, Show Mode or DMX Controllable
- Power Draw: 66W Max (Full On)
- Multi Voltage: 100V-240V, 50/60Hz
- Dimensions (LxWxH): 9.5 x 25 x 12.5 inches (239x634x319mm)
- Weight: 14.2 lbs. / 6.5kg.
AKG C520 Headworn Vocal Microphone
$ 219.99 $ 279.99
Headset condenser microphone with maximum dynamic range for perfect vocal sound. Its cardioid polar pattern effectively rejects unwanted ambient noise. An ideal choice for frontmen, singing keyboardists, drummers, guitarists, and dancers. The microphone arm mounts either on the left or right side of the headband as desired. The C 520 provides the perfect solution for any performer needing a handsfree microphone.
A transducer shock mount reduces handling noise to a minimum. The moisture shield prevents perspiration from penetrating into the transducer element, ensuring a high degree of humidity protection for the microphone.
Requires phantom power.
Consumer Alert:
Most users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: the system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received from any other device. Purchasers should also be aware that the FCC is currently evaluating use of wireless microphone systems, and these rules are subject to change. For more information, call the FCC at 1-888-CALL-FCC (TTY: 1-888-TELL-FCC) or visit the FCCs wireless microphone website at: www.fcc.gov/cgb/wirelessmicrophones.
- Head-worn microphone with continuously adjustable behind-the-neck headband
- External shock mount for high mechanical-noise rejection
- Miniature gooseneck for precise positioning near the user's mouth
- Microphone arm provides choice of left or right-hand use
- Phantom powered
If you're an energetic performer, a headworn condenser is the way to go.
C 520 Headworn Condenser Microphone
- Polar pattern: cardioid
- Frequency response: 60-20 kHz
- Sensitivity: 5 mV/Pa (46 db)
- Maximum sound pressure level: 130/132 dB SPL, (for 1%/3% THD)
- Equivalent noise level: 31 dB-A
- Signal/noise ratio (A-weighted): 63 dB
- Impedance: <=200 ohms
- Recommended load impedence: >=2000 ohms
- Power requirement: 9 to 52 V phantom power to DIN 45596
- Current consumption: approx. 2 mA
- Connector: 3-pin XLR
- Cable length: 10 ft. (3 m)
- Finish: matte black
- Dimensions (length x diameter): 7.7" x 5.3" (microphone only), 179.1 mm x 51 mm (microphone only)
- Net weight: 0.9 oz, (26 g)
- Standard accessories: W44 windscreen
AKG D12VR Reference Kick Drum Microphone
$ 499.00 $ 649.00
The D12 VR is a large-diaphragm cardioid dynamic microphone. Designed specifically for kick-drum recording applications, the microphone has a thin diaphragm to enhance the low frequency performance. Its predecessors have been the industry standard in kick drum mics for decades. The D12 and subsequently the D12E and the D112 have been the choice of drummers and the live sound engineers who love them since 1950.
Without phantom power, the microphone delivers the pure character of the sound source. With phantom power enabled, one of three switchable active-filter presets can be used to quickly adapt the microphone response to suit the desired kick-drum sound. The filter setting can be controlled using a switch on the microphone body. In this mode the output level is also reduced by 10 dB automatically.
Check it out. The latest version of a classic. It has retained the attributes of the original but taken advantage of modern innovations. Vintage and modern have just met up, and they have done so in front of the kick drum head.
D12VR Large-Diaphragm Cardioid Dynamic Kick Drum Mic
- Type: dynamic pressure gradient transducer
- Polar pattern: cardioid
- Frequency range: 17 - 17000 Hz (±2 dB)
- Sensitivity: 1,2 mV/Pa ± -58 dBV (at 1000 Hz passive)
- Max. SPL: 164 dB SPL (for 0,5 % THD)
- Impedance: <200 ohms (at 1000 Hz)
- Recommended load impedance: >1000 ohms
- Environment temperature range: -10 C - +70 C
- relative humidity at +20 C: 90 %
- Connector: three-pin male standard XLR
- Finish front grille: glossy galvanized nickel matte,
- rear grille: matte black paint
- Dimensions: 125 mm x 101 mm x 66 mm (4.9" x 3.9" x 2.6")
- Net weight: 500 g (1.1 lbs)
AKG D5 Supercardioid Handheld Dynamic Microphone
$ 99.99 $ 129.99
The D5 dynamic vocal microphone for lead and backing vocals delivers a powerful sound even on the noisiest stage. Its supercardioid polar pattern ensures maximum gain before feedback. The D 5 stands for a crisp sound that cuts through every mix.
AKG made the first microphone diaphragm ever whose thickness varies across its diameter. The Laminated Varimotion diaphragm deep-drawing process allows the diaphragm itself to be fine-tuned with no extra tuning resonators, leading to a quantum leap in audio performance.
The dual shock mount eliminates any kind of mechanical noise for trouble-free live use. The audience will hear nothing but the pristine sound of your voice!
D5 Supercardioid Handheld Dynamic Microphone
- Polar pattern: supercardioid
- Frequency response: 70-20,000 Hz
- Sensitivity: 2.6 mV/pa (-52 dbV re 1 V/Pa)
- Maximum sound pressure level: 147/156 dB SPL, (for 1%/3% THD)
- Equivalent noise level: 18 dB-A
- Signal/noise ratio (A-weighted): 76 db
- Impedance: <=600 ohms
- Recommended load impedence: >=2000 ohms
- Connector: 3-pin XLR
- Finish: matte grayish blue
- Dimensions (length x diameter): 7.3" x 2.0", (179.1 mm x 51 mm)
- Net weight: 8.2 oz, (340 g)
- Patent(s): Varimotion ” multiple-thickness diaphragm for dynamic transducer (Patent no. AT 403.751, US 6,185,809, EP 814.637) (DE, DK, FI, FR, GB, IT, NL)
- Standard furnished accessories: microphone bag, SA 45 stand adaptor
AKG K72 Closed Back Studio Headphones
$ 49.99 $ 59.99
Pro quality sound meets style and affordability with the AKG K72 over-ear, closed back headphones. Professional-grade 40mm drivers reveal even the subtlest nuances, so you can be confident your mix will translate accurately on any system. Whether you’re tracking the hook or mixing background harmonies, the self-adjusting headband and lightweight design will provide hours of comfort. Designed by the company whose mics and headphones have helped create some of the world’s most iconic recordings, the durable K72 headphones deliver great sound wherever your music takes you.
Precisely balanced response
provides reference-monitor accuracy
Professional drivers 40mm drivers
for extended 16Hz - 20kHz frequency response
Over-ear design and lightweight construction
for exceptional comfort
Closed-back design
maximizes isolation
Self-adjusting headband
ensures perfect fit
Professional build quality
3m (9.8’) cable
3.5mm (1/8") plug
with 6.3mm (1/4") screw-on adapter
AKG K92 Closed Back Studio Headphones
$ 59.99 $ 69.99
A STUDIO MAINSTAY
For live sound monitoring, rehearsal rooms and recording studios
Precisely balanced response
provides reference-monitor accuracy
Professional 40mm drivers
for extended 16Hz - 20kHz frequency response
Over-ear design and lightweight construction
for exceptional comfort
Closed-back design
maximizes isolation
Self-adjusting headband
ensures perfect fit
Professional build quality
3m (9.8’) cable
3.5mm (1/8") gold-plated plug
with gold-plated 6.3mm (1/4") screw-on adapter
AKG P170 Instrument Microphone
$ 99.99 $ 149.99
The P170 is a small-diaphragm condenser microphone for recording percussion, acoustic guitars and perhaps most typically, drum set from the overhead position. Its lightweight 1/2" true condenser transducer diaphragm delivers outstanding clarity and transient response. It is an affordable alternative to the revered 'pencil' microphones. They are often purchased in pairs for overhead applications.
P170 Project Studio Condenser Microphone
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General
Audio Frequency bandwidth: 20 to 20000 Hz
Sensitivity: 15 mV/Pa
Equivalent Noise Level: 19 dB-A
Signal to Noise: 75 dB-A
Preattenuation Pad: -20 dB
Electrical Impedance: <= 200 Ohms
Recommended Load Impedance: >=1000 Ohm
Polar Pattern: Cardioid
Powering Interface
Voltage: 44 to 52 V
Current: <= 3 mA
Audio Output
Type: Balanced XLR
Gender: Male
Contacts: 3-pin
Dimensions / Weight
Height: 160 mm
Diameter: 22 mm
Net Weight: 130 g
AKG P2 Dynamic Instrument Microphone
$ 99.99 $ 199.00
The rugged AKG P2 dynamic instrument microphone is recommended for instruments such as bass drums, trombones, or bass amplifiers. Part of the AKG Perception Live microphones series, the P2 bass microphone delivers powerful sound with a high-energy low end.
The AKG P2 microphone's electrical hum-cancelling coil effectively eliminates interfering noises. An integrated mic stand adapter is another of the P2 AKG microphones helpful features.
Perception Live Series
For onstage performances, AKG Perception Live microphones all boast indestructible metal casings, rugged spring steel microphone grilles, appealing and scratch-resistant finishes, high-maximum SPL, and powerful sound for any venue.
P2 Dynamic Instrument Microphone
- Polar pattern: cardioid
- Frequency range: 20 to 16,000Hz
- Sensitivity: 2.5 mV/Pa
- Recommended load impedance: 2,000 ohms
- Max. sound pressure level: 157dB SPL
AKG P220 Perception Studio Condenser Microphone
$ 149.99 $ 259.99
The P220 is a large-diaphragm true condenser microphone offering a warm and clear sound for lead vocals, acoustic guitar and brass instruments. A switchable bass-cut filter and attenuation pad make it perfectly suited for use on loud sound sources with sound pressure levels up to 155dB SPL. The rugged and roadworthy design also makes the P220 a perfect choice for on-stage applications.
The P220 represents the most popular and successful microphone within the actual Project Studio Line. It comes complete with a spider-type shock mount in an aluminum carrying case.
- Audio
- Frequency response: 20Hz to 20kHz
- Max SPL: 155 dB
- Sensitivity: 20 mV/Pa
- Pattern and type
- Capsule: Condenser
- Pattern: Cardioid
- Type: Mounted
- Applications
- Primary: Studio
- Secondary: Stage
- Other: Not applicable
- Physical
- L x W x (D): 6.3 x 7/8"
- Weight: 1lb. 2oz. (530g)
- Other
- Case: Metal
AKG P220 Perception Studio Condenser Microphone USED
$ 99.00
The P220 is a large-diaphragm true condenser microphone offering a warm and clear sound for lead vocals, acoustic guitar and brass instruments. A switchable bass-cut filter and attenuation pad make it perfectly suited for use on loud sound sources with sound pressure levels up to 155dB SPL. The rugged and roadworthy design also makes the P220 a perfect choice for on-stage applications.
The P220 represents the most popular and successful microphone within the actual Project Studio Line. It comes complete with a spider-type shock mount in an aluminum carrying case.
- Audio
- Frequency response: 20Hz to 20kHz
- Max SPL: 155 dB
- Sensitivity: 20 mV/Pa
- Pattern and type
- Capsule: Condenser
- Pattern: Cardioid
- Type: Mounted
- Applications
- Primary: Studio
- Secondary: Stage
- Other: Not applicable
- Physical
- L x W x (D): 6.3 x 7/8"
- Weight: 1lb. 2oz. (530g)
- Other
- Case: Metal
AKG WMS420 Ultra High Frequency Presenter Set Wireless Microphone System
$ 299.99 $ 389.99
The WMS420 wireless microphone system provides a highly flexible as well as easy to use solution. The ultra high frequency system is set up within seconds and is equally suitable on stage as well as in locations where a single- or multi channel solution is needed.
The entire WMS420 wireless system consists of the SR420 stationary receiver, HT420 handheld transmitter and the PT420 pocket transmitter. The HT420 handheld transmitter is available with the patented D5 dynamic microphone acoustic. This capsule guarantees maximum rejection against feedback, reduced handling noise and the famous AKG sound. Both transmitters are shipped with charging contacts that enable the use of rechargeable batteries. Moreover the transmitters offer exceptional eight hours of operation time from a single AA size battery, which dramatically reduces the operating costs in day-to-day use.
The detachable receiver antennas allow the use of professional accessories, such as antenna splitters and remote mounted directional antennas for multi channel systems. The WMS420 series includes three different bodypack sets. The head-worn set includes the high performance C555L condenser microphone. The presenter set includes the professional C417L lavalier microphone. The guitar set includes an instrument cable. With the AKG WMS420 system up to eight channels can be run simultaneously.
WMS420 Presenter Set is a professional multi-channel wireless microphone system. It includes the HT420 analog high-performance wireless handheld transmitter features a dynamic microphone capsule for demanding vocal performances, the PT420 wireless bodypack transmitter, the SR420 wireless stationary receiver and a Clip-on microphone C417 L.
The WMS420 Presenter Set package includes:
1 x Bodypack transmitter PT420
1 x Stationary receiver SR420
1 x Clip-on microphone C417 L
1 x Windscreen W407
2 x Receiver antennas
1 x AC adapter
1 x AA size battery
Audio-Technica 2000 Series ATW-2110a Wireless System
$ 329.99 $ 429.99
The Audio-Technica ATW-2110a Wireless UHF Body-Pack Microphone System bridges the gap between affordable wireless technology and professional level quality. The system operates on UHF frequencies over the 487.125 to 506.500 MHz band, and includes the ATW-T210 UniPak body-pack transmitter and ATW-R2100 diversity UHF receiver.
The ATW-R2100 receiver features True Diversity operation which selects between two receiver sections, reducing dropouts and radio frequency interference. The receiver features 10 user selectable UHF frequencies, allowing 10 systems to be used simultaneously. Single touch frequency scanning automatically selects clear frequencies in the area. The rear panel features a balanced XLR output and unbalanced 1/4" phone connection. A back-lit LCD provides channel, AF, RF and diversity status information.
The ATW-T210 UniPak transmitter is a lightweight body pack microphone transmitter that operates on the same frequencies as the receiver. The transmitter features a 4-pin Hirose connection input that is compatible with Audio-Technica "CW" lavaliers and head worn microphones, and select instrument cables. The transmitter operates up to 9 hours on two 1.5V AA batteries.
- Serious advances in affordable professional wireless
- Clear sound quality and rock-solid, dependable performance
- Automatic frequency scanning
- 10 compatible user-switchable channels in one of two UHF frequency ranges
- Antenna power available for powered antennas & other in-line RF devices
- True Diversity operation selects the better signal from the two receiver sections, reducing dropouts
- Tone Lock tone squelch system fights interference
- Rugged metal half-rack receiver with soft-touch controls and LCD display
- Balanced XLR and unbalanced 1/4" output jacks enable use with a wide variety of audio gear
- Switchable transmitter power output with high and low settings offered
- Includes rack-mount kit and detachable UHF antennas
- Ground-lift switch helps eliminate audible hum caused by ground loops between the sound system and receiver
- ATW-T220a Handheld Microphone/Transmitter features PRO 41 Capsule for maximum feedback rejection and consistent sound
Audio-Technica AE5400 Cardioid Condenser Vocal Microphone
$ 379.99 $ 529.99
The AE5400 is intended for use in professional applications where remote power is available. It requires 11V to 52V DC phantom power, which may be provided by a mixer or console, or by a separate, in-line source such as the Audio-Technica AT8801 single-channel or CP8506 four-channel phantom power supplies.
Output from the microphone's XLRM-type connector is low impedance (Lo-Z) balanced. The signal appears across Pins 2 and 3; Pin 1 is ground (shield). Output phase is "Pin 2 hot" - positive acoustic pressure produces positive voltage at Pin 2. To avoid phase cancellation and poor sound, all mic cables must be wired consistently: Pin 1-to-Pin 1, etc.
When using the AE5400 in settings with a stage monitor speaker, the speaker should be located 180° off axis (at rear of the microphone). This placement, in conjunction with the microphone's uniform cardioid pickup pattern, will virtually eliminate the possibility of undesired audio feedback.
An integral 80 Hz hi-pass filter provides easy switching from a flat frequency response to a low-end roll-off. The roll-off position reduces the microphone's sensitivity to popping in close vocal use. It also reduces the pickup of low-frequency ambient noise (such as traffic, air-handling systems, etc.), room reverberation and mechanically-coupled vibrations. Avoid leaving the microphone in the open sun or in areas where temperatures exceed 110° F (43° C) for extended periods. Extremely high humidity should also be avoided.
AE5400 Cardioid Microphone
- Element: Externally polarized (DC Bias) condenser
- Polar pattern: Cardiod
- Frequency Repsonse: 20-20,000Hz
- Low Frequency Roll-Off: 80Hz, 12dB/octave
- Open circuit sensitivity: -40dB (10mV) re 1V at 1Pa
- Impedance: 150ohms
- Maximum Input Sound Level: 147dB SPL, 1 kHz at 1% T.H.D.;
- 157dB SPL, with 10dB
- Noise: 14dB SPL
- Dymanic range: 133dB, 1kHz at Max SPL
- Signal-to-Noise ratio: 80 dB, 1 kHz at 1 Pa*
- Phantom Power Requirements: 11-52V DC, 4 mA typical
- Switches: High-pass filter; 10dB pad (nominal)
- Weight: 11.6 oz. (330 g)
- Dimensions: 7.05" (179 mm) long, 1.97" (50 mm) head diameter, 1.30" to 0.87" (33 mm to 22 mm) tapered body diameter
- Output connector: Integral 3-pin XLRM-type
- Accessories: AT8470 Quiet-Flex stand clamp for 5/8"-27 threaded
- stands; soft protective pouch
Audio-Technica AT2020 USB Condenser Microphone
Sold Out $ 249.99
The Audio-Technica AT2020 USB is a condenser microphone that offers you studio-quality articulation and intelligibility while plugging right into your computer's USB port and functioning seamlessly with your favorite recording software. Equipped with a USB digital output, the AT2020 USB microphone is perfect for home studio recording, field recording, podcasting, and voiceover use.
The AT2020 USB is based on the design of Audio-Technica's critically acclaimed AT2020 cardioid condenser microphone. Like the AT2020, it features a low-mass diaphragm, custom-engineered for extended frequency response and superior transient response.
With low self-noise, the Audio-Technica AT2020 USB is a mic perfectly suited for sophisticated digital recording equipment. Audio-Technica's state-of-the-art design and manufacturing techniques ensure that the AT2020 USB microphone complies with the company's renowned consistency and reliability standards.
Requires phantom power.
AT2020USB USB Condenser Microphone
- Element: fixed-charge back plate, permanently polarized condenser
- Polar pattern: cardioid
- Frequency response: 20-16,000Hz
- Power requirements: usb power (5V DC)
- Weight: 13.2 oz (374 g)
- Dimensions: 6.38" (162.0 mm) long,
- 2.05" (52.0 mm) maximum body diameter
- Output connector: usb-type
- Accessories furnished: pivoting stand mount for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; soft protective pouch; tripod desk stand; 10' (3.1 m) usb cable
- Bit depth: 16 bit
- Sample rate: 44.1kHz
Audio-Technica AT899cW Subminiature Omnidirectional Condenser Microphone
$ 199.00
Audio-Technica’s omnidirectional AT899 is engineered for intelligible, accurate voice reproduction. Its low-profile design (a mere 5 mm in diameter) assures minimum visibility. The mic may be worn as a lavalier and is easily hidden in clothing or hair. It offers the convenience of battery or phantom power; its switchable low-frequency roll-off reduces popping.
- Maximum intelligibility and clean, accurate reproduction for vocalists, lecturers, stage and television talent, and houses of worship
- Low-profile design (a mere 5 mm in diameter) is ideal for applications requiring minimum visibility
- Operates on battery or phantom power
- All wireless models available in either low-reflectance black or beige
- Extensive array of provided accessories includes a clothing clip, viper clip, magnet clip and lanyard (black models only), windscreens, element covers, interchangeable single and double mic holders
- Accessories available separately include complete accessory kits, clothing clips, three-pack element covers and three-pack windscreens
- 9.8' (3.0 m) cable permanently attached to mic, TA3F connector at power module
| ELEMENT | Fixed-charge back plate, permanently polarized condenser |
| POLAR PATTERN | Omnidirectional |
| FREQUENCY RESPONSE | 20-20,000 Hz |
| LOW FREQUENCY ROLL-OFF | 80 Hz, 12 dB/octave |
| OPEN CIRCUIT SENSITIVITY | Phantom: -43 dB (7.0 mV) re 1V at 1 Pa Battery: -46 dB (5.0 mV) re 1V at 1 Pa |
| IMPEDANCE | Phantom: 200 ohms Battery: 250 ohms |
| MAXIMUM INPUT SOUND LEVEL | Phantom: 138 dB SPL, 1 kHz at 1% T.H.D. Battery: 116 dB SPL, 1 kHz at 1% T.H.D. |
| DYNAMIC RANGE (typical) | Phantom: 108 dB, 1 kHz at Max SPL Battery: 86 dB, 1 kHz at Max SPL |
| SIGNAL-TO-NOISE RATIO | 64 dB, 1 kHz at 1 Pa |
| PHANTOM POWER REQUIREMENTS | 11-52V DC, 2 mA typical |
| BATTERY TYPE | 1.5V AA/UM3 |
| BATTERY CURRENT / LIFE | 0.4 mA / 1200 hours typical (alkaline) |
| SWITCH | Flat, roll-off (recessed) |
| WEIGHT (MICROPHONE) | 0.02 oz (0.5 g) |
| WEIGHT (POWER MODULE) | 3.6 oz (102 g) |
| DIMENSIONS (MICROPHONE) | 0.63" (16.0 mm) long, 0.20" (5.0 mm) diameter |
| DIMENSIONS (POWER MODULE) | 5.71" (145.0 mm) long, 0.83" (21.0 mm) diameter |
| OUTPUT CONNECTOR (POWER MODULE) | Integral 3-pin XLRM-type |
| CABLE | 9.8' (3.0 m) long (permanently attached to microphone), 0.08" (2.0 mm) diameter, 2-conductor, shielded cable with TA3F output connector that mates with TB3M jack on power module |
| ACCESSORIES FURNISHED | AT8537 power module; AT8439 cable clip; clothing clip base; viper clip base; magnet clip base and plate with lanyard; three single mic holders; two double mic holders; two element covers; two windscreens; battery; protective carrying case |
| AUDIO-TECHNICA CASE STYLE | M29 |
Audio-Technica ATM250DE Dual Element Instrument Microphone
$ 549.99 $ 769.99
The Artist Series ATM250DE dual-element instrument microphone features cardioid condenser and hypercardioid dynamic capsules combined in a single housing.
Audio-Technica's innovative use of two polar patterns is ideal for kick drum: the hypercardioid dynamic element focuses tightly on the aggressive attack of the beater, while the condenser captures the round tonalities of the shell. The elements are positioned in a perfect phase relationship, something practically impossible to achieve with two separate microphones. Not just for kick drum, Metallica is now using the ATM250DE in concert, on all guitar cabs, and it's also stellar on bass amps.
Includes a professional isolation clamp to provide secure mounting, versatile positioning and effective dampening of unwanted mechanical noise.
ATM250DE Dual-Element Instrument Microphone
- ELEMENTS: Condenser, dynamic
- POLAR PATTERNS: Cardioid (condenser), Hypercardioid (dynamic)
- FREQUENCY RESPONSE: 40-20,000 Hz (condenser), 40-15,000 Hz (dynamic)
- LOW FREQUENCY ROLL-OFF: 80 Hz, 12 dB/octave (condenser)
- OPEN CIRCUIT SENSITIVITY: —49 dB (3.5 mV) re 1V at 1 Pa (condenser), —53 dB (2.2 mV) re 1V at 1 Pa (dynamic)
- IMPEDANCE: 50 ohms (condenser), 600 ohms (dynamic)
- MAXIMUM INPUT SOUND LEVEL: 148 dB SPL, 1 kHz at 1% T.H.D. (condenser)
- DYNAMIC RANGE (TYPICAL): 122 dB, 1 kHz at Max SPL (condenser)
- SIGNAL-TO-NOISE RATIO: 68 dB, 1 kHz at 1 Pa (condenser)
- PHANTOM POWER REQUIREMENTS: 11-52V DC, 3.5 mA typical (condenser)
- SWITCHES: Flat, roll-off; 10 dB pad (condenser only)
- WEIGHT: 320 g (11.3 oz)
- DIMENSIONS: 143.6 mm (5.65") long, 55.0 mm (2.17") diameter
- OUTPUT CONNECTOR: Integral 5-pin XLRM-type
- CABLE: 5.0 m (16.5') dual shielded, 8-conductor cable, 5-pin XLRF-type connector at microphone, two 3-pin XLRM-type output connectors
- ACCESSORIES FURNISHED: AT8471 isolation clamp for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 adapter; soft protective pouch
- AUDIO-TECHNICA CASE STYLE: R9
Audio-Technica ATM650 Hypercardioid Dynamic Instrument Microphone
$ 99.99 $ 169.99
The ATM650 is a versatile addition to the Artist Series featuring a new multi-stage flat grille design for precise positioning close to the sound source. Equipped with a neodymium magnet for high-output performance, the ATM650 has a frequency response tailored for clear sound reproduction of guitar cabinets, snare and percussion. A-T's innovative dual-wall floating construction banishes handling noise.
ATM650 Hypercardioid Dynamic Instrument Microphone
- ELEMENT: Dynamic
- POLAR PATTERN: Hypercardioid
- FREQUENCY RESPONSE: 80-17,000 Hz
- OPEN CIRCUIT SENSITIVITY: —56 dB (1.5 mV) re 1V at 1 Pa
- IMPEDANCE: 300 ohms
- WEIGHT: 279 g (9.8 oz)
- DIMENSIONS: 164.2 mm (6.46") long, 38.8 mm (1.53") diameter
- OUTPUT CONNECTOR: Integral 3-pin XLRM-type
- ACCESSORIES FURNISHED: AT8470 Quiet-Flex stand clamp for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; soft protective pouch
- AUDIO-TECHNICA CASE STYLE: T5
Audio-Technica ATW-1102 Handheld Dynamic Vocal Wireless Microphone System
$ 299.99 $ 524.99
The Audio Technica ATW-1102 package includes ahandheld dynamic microphone.transmitter and a receiver. It comes with an ATW-R1100 receiver and ATW-T1002 handheld dynamic unidirectional microphone/transmitter. Includes AT8456a Quiet-Flex stand clamp.
Audio-Technica's System 10 is a digital high-fidelity wireless system designed to provide performing musicians and presenters with advanced 24-bit operation, easy setup and clear, natural sound quality. Operating in the 2.4 GHz range, far from TV and DTV interference, System 10 offers extremely easy operation and instantaneous channel selection. Up to eight channels may be used together without any frequency coordination problems or group selection issues. System 10 receivers and transmitters offer an easy-to-read digital ID display.
System 10 wireless ensures clear communications by providing three levels of diversity assurance: frequency, time, and space.
Frequency Diversity sends the signal on two dynamically allocated frequencies for interference-free communication. Time Diversity sends the signal in multiple time slots to maximize immunity to multipath interference. Finally, Space Diversity uses two antennas on each transmitter and receiver to maximize signal integrity.
System 10 2.4GHz Digital Wireless Handheld System
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Overall system specifications
Operating Frequencies: 2.4 GHz ISM band
Dynamic Range: >109 dB (A-weighted), typical
Total Harmonic Distortion: <0.05% typical
Operating Range: 30 m (100') typical
Open range environment with no interfering signals
Operating Temperature Range: 0 C to +40 C (32 F to 104 F)
Battery performance may be reduced at very low temperatures
Frequency Response: 20 Hz to 20 kHz
Depending on microphone type
Receiver specifications
Receiving System: Diversity (frequency/time/space)
Maximum Output Level: XLR, balanced: 0 dBV
1/4" (6.3 mm), unbalanced: +6 dBV
Power Supply 100-240V AC (50/60 Hz) to 12V DC .5A (center positive) switched mode external power supply
Dimensions: 190.0 mm (7.48") W x 46.2 mm (1.82") H x 128.5 mm (5.06") D
Net Weight: 290 grams (10.2 oz)
Accessory Included: Power supply
Handheld transmitter specifications
RF Power Output 10 mW
Spurious Emissions Following federal and national regulations
Batteries Two 1.5V AA
not included
Battery Life >7 hours (alkaline)
Depending on battery type and use pattern
Dimensions 254.8 mm (10.03") long,
50.0 mm (1.97") diameter
Net Weight 280 grams (9.9 oz)
without batteries
Accessory Included AT8456a Quiet-Flex stand clamp
Audio-Technica ATW-1302 System 10 Pro Handheld Wireless System
$ 449.99 $ 629.99
Audio-Technica’s System 10 PRO Rack-Mount digital wireless system provides the same interference-free operation in the 2.4 GHz range (outside TV bands) as the original System 10 wireless system but with expanded features and versatility. The durable half-rack chassis is equipped to house two receiver units that can be operated locally or released from the chassis and mounted remotely (up to 328 feet away) via Ethernet cable. Up to five chassis (10 receiver units) can be linked using the RJ12 cable included with each system, creating a stable, multichannel system with the simultaneous use of up to 10 channels.
Like all the products in the System 10 wireless family, the PRO Rack-Mount features 24-bit operation, easy setup, clear, natural sound quality, and three levels of diversity assurance: frequency, time, and space. Frequency Diversity sends the signal on two dynamically allocated frequencies for interference-free communication. Time Diversity sends the signal in multiple time slots to maximize immunity to multipath interference. Space Diversity uses two antennas on each transmitter and receiver unit to maximize signal integrity.
Each System 10 PRO Rack-Mount system includes an ATW-RC13 receiver chassis with rack-mount adapters, one or two ATW-RU13 receiver units with corresponding AT8690 receiver unit mounting brackets, a joining plate (for dual-channel systems only), one RJ12 cable, one AC adapter, and one or two ATW-T1001 UniPak body-pack or ATW-T1002 handheld transmitters, or one of each. Both the receiver chassis and transmitters feature easy-to-read displays.
- Digital 24-bit/48 kHz wireless operation for ultimate sound quality and dependable performance
- Operates in the 2.4 GHz range – completely free from TV interference
- Receiver units can be docked in the chassis or mounted remotely (up to 328 feet away) via Ethernet cable for added versatility
- Up to five chassis (ten receiver units) can be linked and used simultaneously
- Each receiver unit can be paired with up to 10 transmitters, allowing users to instantly switch between different transmitter configurations
- Chassis’ System ID Display shows RF signal level, system ID, transmitter battery level, and system link status
- Automatic frequency selection for seamless, interference-free operation
- Extremely easy operation with instantaneous channel selection, sync, and setup
- Three levels of diversity assurance: frequency, time & space
- Ground-lift switch helps eliminate audible hum caused by ground loops
Audio-Technica ATW-2120 UHF Wireless Handheld Microphone System
$ 349.99 $ 499.99
Audio-Technica’s second-generation 2000 Series is a 10-channel frequency-agile UHF wireless system designed to suit a variety of applications, including MI/live performance, fixed installation, public address, A/V rental houses and places of worship. It offers all the advantages of a high-quality, professional wireless system at an extremely affordable price. New professional features include two available frequency bands and switchable antenna power. Also new to the 2000 Series, the optional ATW-CHG2 two-bay recharging station provides power to recharge NiMH batteries in two ATW-T220a handheld transmitters and/or ATW-T210a UniPak® transmitters in any combination.
Offering 10 selectable channels in one of two UHF frequency ranges and True Diversity UHF wireless technology, the 2000 Series features automatic frequency scanning. At the touch of a button, this function automatically determines and sets the best available frequency. Any of the 2000 Series’ 10 channels may be used together without any frequency coordination problems or group selection issues. The 2000 Series also incorporates Audio-Technica’s Tone Lock™ squelch plus an easy-to-read LCD information display.
- Serious advances in affordable professional wireless
- Clear sound quality and rock-solid, dependable performance
- Automatic frequency scanning
- 10 compatible user-switchable channels in one of two UHF frequency ranges
- Antenna power available for powered antennas & other in-line RF devices
- True Diversity operation selects the better signal from the two receiver sections, reducing dropouts
- Tone Lock™ tone squelch system fights interference
- Rugged metal half-rack receiver with soft-touch controls and LCD display
- Balanced XLR and unbalanced 1/4” output jacks enable use with a wide variety of audio gear
- Switchable transmitter power output with high and low settings offered
- Includes rack-mount kit and detachable UHF antennas
- Ground-lift switch helps eliminate audible hum caused by ground loops between the sound system and receiver
Audio-Technica ATW-901A/G System 9 VHF Wireless Unipak System
$ 149.99
Frequency-agile VHF wireless system with guitar microphone transmitter.
Audio-Technica's System 9 is a four-channel wireless microphone system designed to provide rock-solid performance along with easy setup and clear, natural sound quality. Featuring sleek, stackable, contemporary styling, System 9 is available in handheld, headworn, guitar, lavalier and body-pack configurations. The system offers four compatible user-switchable VHF channels.
This System 9 configuration includes the ATW-R900a receiver and a guitar microphone/transmitter. The ATW-R900a is a non-diversity, single-channel receiver with advanced dipole antenna design for extended operating range, which improves operation by providing a ground element in addition to the usual signal element. The ATW-R900a also offers volume control along with AF Peak, RF and Power indicator lights.
- Analog or digital: Digital
- Frequency response: 8 Hz - 13 kHz
- Width: 7.48 in.
- Height: 1.82 in.
- Depth: 5.06 in.
- Weight: 12 oz
- Type: Guitar Mic
Audio-Technica BP892cW-TH MicroSet Omnidirectional Condenser Headworn Microphone
$ 299.99 $ 439.99
Audio-Technica's high-SPL BP892C MicroSet headset mic offers you high-quality, low-profile, high-performance audio. Delivering clear-and-accurate sound in an inconspicuous package, the ultra-lightweight Audio-Technica BP892 headworn condenser mic hooks securely behind either ear and can be worn for hours without fatigue. For maximum stability and comfort, the included AT8464 dual-ear microphone mount converts the MicroSet to a dual-ear-worn mic.
The Audio-Technica BP892C condenser microphone features a flat, extended frequency response and other outstanding performance specifications, resulting in extremely intelligible, natural audio for stage and television talent, lecturers, and houses of worship. Protected by a highly durable Parylene coating, this Audio-Technica headworn mic is built to stand up to the rigors of day-to-day use.
The Audio-Technica MicroSet condenser headworn mic comes in beige.
Choosing a connector termination:
The connector type will correspond your style choice from the Select a Style dropdown menu on the product detail page. E.g., style Shure TA4F Black will have the mic terminated with a Shure TA4F connector for use with corresponding Shure transmitters; Lectrosonics TA5F Beige will be terminated with a Lectrosonics TA5F connector for use with correspoonding Lectrosonics transmitters, etc.
BP892C MicroSet Condenser Headworn Microphone
- Element: Fixed-charge back plate, permanently polarized condenser
- Polar pattern: Omnidirectional
- Frequency response: 20-20,000Hz
- Open circuit sensitivity: -49dB (3.5mV) re 1V at 1 Pa
- Maximum input sound level: 135dB SPL, 1kHz at 3% T.H.D.
- Signal-to-noise ratio: 63dB, 1kHz at 1 Pa
- Weight: Microphone, boom & earpiece - 2.6g/0.09oz.
- Dimensions:
- Microphone: 8.1mm (0.32") long, 2.6mm (0.10") diameter
- Boom: 98.4mm (3.87") long, 1.07mm (0.04") diameter
- Cable: 1.4m (55") long (permanently attached to microphone), 1.6mm (0.06") diameter, 2-conductor shielded cable with locking, 4-pin connector (or 3-pin connector depending on style you choose)
- Audio-Technica case style: M31
- Accessories furnished:
- AT8440 cable clip; AT8464 dual-ear microphone mount; two AT8157 windscreens; two AT8156 element covers; moisture guard; carrying case
Audio-Technica EP3 In-Ear Dynamic Headphones
$ 119.99 $ 139.99
In-Ear Dynamic Headphones for M2 and M3 Wireless In-Ear Monitor Systems. Includes Extension Cable/Adapter with 3.5mm Connector, Interchangeable Earpieces (Small, Medium & Large), Ear Conforming Foam Tips, Protective Carrying Case, Soft Pouch
Audio-Technica M2R UHF Stereo Receiver for In-Ear Monitoring System
$ 349.99 $ 479.99
The Audio-Technica M2R Wireless Receiver is intended for use with the Audio-Technica Wireless In-Ear Monitoring System. The transmitter features XLR & 1/4" phone combi-connector inputs and XLR loop-through outputs to feed an audio console. There are 100 selectable frequencies, and up to 10 systems can operate simultaneously on each band. An easy to read graphic LED display on the transmitter provides all necessary information, and defeatable limiter eliminates sudden peaks in audio signal.
- High-fidelity sound with clean, articulate mix allows you to hear yourself better at lower volume
- 100 selectable UHF channels
- Up to 10 simultaneous systems per frequency band
- Three receiver modes: Personal Mix, stereo, and mono
- Personal Mix Control allows volume and mix control of two independent signals at the receiver
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