Products
ADJ Startec Series Boombox FX1 Effects Light
$ 299.99 $ 399.99
Put some ‘BOOM’ into your lightshow! Create pure lighting excitement for any event with the 4-FX-IN-1 Boom Box FX1. Cover the room in light from the unique party dome or classic Derby effect, wash the dance floor in colors and mesmerize the crowd with the Galaxian style red and green laser!
The Boom Box FX1, part of the Startec Series, create’s an event to remember! With 4 different lighting effects in one from 9 built-in lightshows and 63 preset color combinations you have hours of fun built into one lighting fixture.
ADJ Boom Box FX1 Effect Light Features
- 9 Exciting built-in shows
- Produces 63 Preset Color Combinations
- Stand Alone or Master/Slave Set Up
- Linkable via 3-pin XLR cable
- 4-button DMX display on rear panel
- Strobe and Chase LED Effect
- DMX-512 Protocol
- NO Duty Cycles! - Run all night!
- IEC AC IN/OUT on rear to daisy chain power (8 Fixtures Max. @ 120V and 16 Fixtures Max. @230V)
- Safety Loop on rear panel
- UC IR Remote Control (Sold Separately) & Airstream IR Compatible
- Long life LEDs (Rated at approximately 50,000 hours)
- Light Source: Dome: 6 x 3W LEDs (1 Red, 1 Green, 1 Blue, 1 White, 1 Amber, & 1 UV); Wash: 8 x 1W LEDs (2 Red, 2 Green, 2 Blue, & 2 Amber); Derby Effect: 2 x 10W Quad LEDs (RGBW) + Red & Green Laser
ADJ Boom Box FX1 Effect Light Specifications
- High Output 4-FX-IN-1: One Dome effect, one Derby effect, one Strobe/Chase and one green & red Laser effect
- 2 DMX Channel Modes: 3 Channels and 22 DMX Channels
- 3 Operation modes: Sound Active, Show Mode or DMX Controllable
- Power Draw: 66W Max (Full On)
- Multi Voltage: 100V-240V, 50/60Hz
- Dimensions (LxWxH): 9.5 x 25 x 12.5 inches (239x634x319mm)
- Weight: 14.2 lbs. / 6.5kg.
AKG D12VR Reference Kick Drum Microphone
$ 499.00 $ 649.00
The D12 VR is a large-diaphragm cardioid dynamic microphone. Designed specifically for kick-drum recording applications, the microphone has a thin diaphragm to enhance the low frequency performance. Its predecessors have been the industry standard in kick drum mics for decades. The D12 and subsequently the D12E and the D112 have been the choice of drummers and the live sound engineers who love them since 1950.
Without phantom power, the microphone delivers the pure character of the sound source. With phantom power enabled, one of three switchable active-filter presets can be used to quickly adapt the microphone response to suit the desired kick-drum sound. The filter setting can be controlled using a switch on the microphone body. In this mode the output level is also reduced by 10 dB automatically.
Check it out. The latest version of a classic. It has retained the attributes of the original but taken advantage of modern innovations. Vintage and modern have just met up, and they have done so in front of the kick drum head.
D12VR Large-Diaphragm Cardioid Dynamic Kick Drum Mic
- Type: dynamic pressure gradient transducer
- Polar pattern: cardioid
- Frequency range: 17 - 17000 Hz (±2 dB)
- Sensitivity: 1,2 mV/Pa ± -58 dBV (at 1000 Hz passive)
- Max. SPL: 164 dB SPL (for 0,5 % THD)
- Impedance: <200 ohms (at 1000 Hz)
- Recommended load impedance: >1000 ohms
- Environment temperature range: -10 C - +70 C
- relative humidity at +20 C: 90 %
- Connector: three-pin male standard XLR
- Finish front grille: glossy galvanized nickel matte,
- rear grille: matte black paint
- Dimensions: 125 mm x 101 mm x 66 mm (4.9" x 3.9" x 2.6")
- Net weight: 500 g (1.1 lbs)
AKG D5 Supercardioid Handheld Dynamic Microphone
$ 99.99 $ 129.99
The D5 dynamic vocal microphone for lead and backing vocals delivers a powerful sound even on the noisiest stage. Its supercardioid polar pattern ensures maximum gain before feedback. The D 5 stands for a crisp sound that cuts through every mix.
AKG made the first microphone diaphragm ever whose thickness varies across its diameter. The Laminated Varimotion diaphragm deep-drawing process allows the diaphragm itself to be fine-tuned with no extra tuning resonators, leading to a quantum leap in audio performance.
The dual shock mount eliminates any kind of mechanical noise for trouble-free live use. The audience will hear nothing but the pristine sound of your voice!
D5 Supercardioid Handheld Dynamic Microphone
- Polar pattern: supercardioid
- Frequency response: 70-20,000 Hz
- Sensitivity: 2.6 mV/pa (-52 dbV re 1 V/Pa)
- Maximum sound pressure level: 147/156 dB SPL, (for 1%/3% THD)
- Equivalent noise level: 18 dB-A
- Signal/noise ratio (A-weighted): 76 db
- Impedance: <=600 ohms
- Recommended load impedence: >=2000 ohms
- Connector: 3-pin XLR
- Finish: matte grayish blue
- Dimensions (length x diameter): 7.3" x 2.0", (179.1 mm x 51 mm)
- Net weight: 8.2 oz, (340 g)
- Patent(s): Varimotion ” multiple-thickness diaphragm for dynamic transducer (Patent no. AT 403.751, US 6,185,809, EP 814.637) (DE, DK, FI, FR, GB, IT, NL)
- Standard furnished accessories: microphone bag, SA 45 stand adaptor
AKG K361 Closed Back Studio Headphones
$ 99.00 $ 123.75
Over-ear, closed back, oval studio headphones.
K361s are precision-engineered to reproduce natural, balanced audio in exceptional detail, so you can make more confident decisions when you’re mixing and editing. They deliver deeper bass and higher highs than any other model in their class, with a stunning frequency response of 15 Hz to 28 kHz.
Unveil the Detail
Robust Design
Comfort Meets Style
Versatile Accessories
- Closed-back, oval over-ear design
- Superior isolation, improved low-frequency response, ergonomic fit
- Largest-in-class, 50mm transducers with pure OFC voice coils
- Superior sensitivity (114 dB SPL/V @ 1kHz) and impedance (32 ohms) for use with professional and consumer devices
- Best-in-class frequency response: 15 Hz to 28 kHz
- Calibrated headbands with slow-retention oval foam pads offer precise fit, superior comfort
- Fully foldable design for compact storage with 90 degree swivel earcups for single-ear monitoring
- Ultra-light weight: 219 grams (7.7 ounces)
- Sleek, stylish design
- Accessories include carrying pouch and versatile detachable cables:
- 3m (9.8') and 1.2m (2.5’) straight cables; 3.5mm (1/8”) to 6.5mm (1/4”) adapter
Upgrade to AKG and hear what you’ve been missing.
- Type: Over-ear
- Operating principle: Closed dynamic
- Frequency response: 15 Hz - 28 kHz
- Driver size: 50 mm
- Noise cancelling: No
- Primary application: Tracking, mixing, monitoring
- Built-in mic: No
- Cable type: Detachable
- Cable Length: 9.8' and 2.5'
- Connector: 3.5 mm with 1/4" adapter
AKG K371 Closed Back Studio Headphones
$ 149.00 $ 186.25
AKG K371 Professional Studio Headphones strike the perfect balance between studio-quality sound, plush comfort, and a sleek, sturdy design that stands up to your mobile lifestyle.
A New Benchmark of Accuracy
Robust Design for Mobile Lifestyles
Supreme Comfort Meets Sleek Style
Versatile Accessories Have You Covered
Features
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Closed-back, oval over-ear design offers superior isolation, improved low-frequency response, ergonomic fitEngineered to match AKG’s Reference Response curve acoustic target for accurate, neutral soundLargest-in-class, 50mm transducers with pure OFC voicecoilsSuperior sensitivity (114 dB SPL/V @ 1kHz) and impedance (32 ohms) for use with professional and consumer devicesBest-in-class frequency response: 5 Hz to 40 kHzCalibrated headbands with slow-retention oval foam pads offer precise fit, superior comfortFully foldable design for compact storage with 90 degree swivel earcups for single-ear monitoringUltra-light weight: 255 grams (8.9 oz)Robust build quality with metal reinforcement for extra durabilityMini XLR connectionAccessories include carrying pouch and versatile detachable cables: 3m (9.8’) coiled cable; 1.2m (3.9’) and 3m (9.8’) straight cables; 3.5mm (1/8”) to 6.5mm (1/4”) adapterSleek, stylish design
- Type: Over-ear
- Operating principle: Closed dynamic
- Frequency response: 5 Hz to 40 kHz
- Driver size: 50 mm
- Noise cancelling: No
- Primary application: Tracking, mixing, monitoring
- Built-in mic: No
- Cable type: Detachable
- Cable Length: 9.8' and 2.5'
- Connector: 3.5 mm with 1/4" adapter
- Weight: 255 g
AKG K72 Closed Back Studio Headphones
$ 49.99 $ 59.99
Pro quality sound meets style and affordability with the AKG K72 over-ear, closed back headphones. Professional-grade 40mm drivers reveal even the subtlest nuances, so you can be confident your mix will translate accurately on any system. Whether you’re tracking the hook or mixing background harmonies, the self-adjusting headband and lightweight design will provide hours of comfort. Designed by the company whose mics and headphones have helped create some of the world’s most iconic recordings, the durable K72 headphones deliver great sound wherever your music takes you.
Precisely balanced response
provides reference-monitor accuracy
Professional drivers 40mm drivers
for extended 16Hz - 20kHz frequency response
Over-ear design and lightweight construction
for exceptional comfort
Closed-back design
maximizes isolation
Self-adjusting headband
ensures perfect fit
Professional build quality
3m (9.8’) cable
3.5mm (1/8") plug
with 6.3mm (1/4") screw-on adapter
AKG K92 Closed Back Studio Headphones
$ 59.99 $ 69.99
A STUDIO MAINSTAY
For live sound monitoring, rehearsal rooms and recording studios
Precisely balanced response
provides reference-monitor accuracy
Professional 40mm drivers
for extended 16Hz - 20kHz frequency response
Over-ear design and lightweight construction
for exceptional comfort
Closed-back design
maximizes isolation
Self-adjusting headband
ensures perfect fit
Professional build quality
3m (9.8’) cable
3.5mm (1/8") gold-plated plug
with gold-plated 6.3mm (1/4") screw-on adapter
AKG P170 Instrument Microphone
$ 99.99 $ 149.99
The P170 is a small-diaphragm condenser microphone for recording percussion, acoustic guitars and perhaps most typically, drum set from the overhead position. Its lightweight 1/2" true condenser transducer diaphragm delivers outstanding clarity and transient response. It is an affordable alternative to the revered 'pencil' microphones. They are often purchased in pairs for overhead applications.
P170 Project Studio Condenser Microphone
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General
Audio Frequency bandwidth: 20 to 20000 Hz
Sensitivity: 15 mV/Pa
Equivalent Noise Level: 19 dB-A
Signal to Noise: 75 dB-A
Preattenuation Pad: -20 dB
Electrical Impedance: <= 200 Ohms
Recommended Load Impedance: >=1000 Ohm
Polar Pattern: Cardioid
Powering Interface
Voltage: 44 to 52 V
Current: <= 3 mA
Audio Output
Type: Balanced XLR
Gender: Male
Contacts: 3-pin
Dimensions / Weight
Height: 160 mm
Diameter: 22 mm
Net Weight: 130 g
AKG P2 Dynamic Instrument Microphone
$ 99.99 $ 199.00
The rugged AKG P2 dynamic instrument microphone is recommended for instruments such as bass drums, trombones, or bass amplifiers. Part of the AKG Perception Live microphones series, the P2 bass microphone delivers powerful sound with a high-energy low end.
The AKG P2 microphone's electrical hum-cancelling coil effectively eliminates interfering noises. An integrated mic stand adapter is another of the P2 AKG microphones helpful features.
Perception Live Series
For onstage performances, AKG Perception Live microphones all boast indestructible metal casings, rugged spring steel microphone grilles, appealing and scratch-resistant finishes, high-maximum SPL, and powerful sound for any venue.
P2 Dynamic Instrument Microphone
- Polar pattern: cardioid
- Frequency range: 20 to 16,000Hz
- Sensitivity: 2.5 mV/Pa
- Recommended load impedance: 2,000 ohms
- Max. sound pressure level: 157dB SPL
AKG Perception 45 Instrumental Set Wireless System
$ 199.99 $ 359.99
The Perception Wireless Instrumental Set comprises an SR 45 receiver and PT 45 bodypack transmitter, the smallest and lightest transmitter in its class. It can be used with many AKG miniature microphones, and the battery compartment cover doubles as a convenient tool for setting input gain for the application at hand.
The system comes complete with a universal power supply with US/UK/EU adapter, MKG L cable with ¼" jack plug and mini XLR connector, and one AA size dry battery.
In combination with the C 519 ML (sold separately) also suitable for wind instruments.
SR 45 Stationary Receiver
The SR 45 Stationary Receiver delivers a diversity system, professional XLR and Jack outputs, and the SMPS solution. The audio level and squelch threshold are adjustable on the receiver. It is a stationary receiver for use with all transmitters of the Perception wireless system.
The SR 45 operates within a switching bandwidth of up to 30 MHz in the 500 to 560 MHz UHF carrier frequency range and offers up to 8 selectable carrier frequencies.
PT 45 bodypack transmitter
The PT 45 bodypack transmitter lets you use both dynamic microphones and condenser microphones operating on a supply voltage of approx. 4 V. Naturally you may also connect an electric guitar, electric bass or keytar.
The PT 45 operates within a switching bandwidth of up to 30 MHz in the 500 to 560 MHz UHF carrier frequency range and offers up to 8 selectable carrier frequencies.
Consumer Alert (for US users)
Most users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: The system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received from any other device.
Purchasers should also be aware that the FCC is currently evaluating use of wireless microphone systems, and these rules are subject to change. For more information, call the FCC at 1-888- CALL-FCC (TTY: 1-888-TELL-FCC) or visit the FCC's wireless microphone website at www.fcc.gov/cgb/wirelessmicrophones
A wireless system ideal for an exceptionally wide range of applications.
- 30 MHz selection bandwidth (depending on local frequency plans)
- 8 hours of operation with a single AA size battery
- Compatible with all AKG MicroMics
- Low battery indicator
- Smallest and lightest bodypack transmitter in its class
- Complete with MKG L cable for direct connection to electric guitar or bass
- IncludedPT 45 bodypack transmitterAA batteryMKG L cableSR 45 receiverSMPS switched mode power supplyGuarantee cardFrequency tableManual supplement sheet
Order a wireless system that faithfully reproduces the sound of your favorite instrument.
SPECIFICATIONS
Perception Wireless Instrumental Set
- SR 45 Stationary Receiver
- Carrier frequency range: 500 - 560 MHz
- Modulation: FM
- Audio bandwidth: 40 - 20,000 Hz
- T.H.D. at 1 kHz: typ. 0.8%
- Signal/noise ratio: typ. 105 dB(A)
- Squelch threshold: 100 to -70 dBm adjustable
- Audio outputs: Balanced XLR and unbalanced 1/4" (6.3 mm) jack: adjustable from mic to line level. Output level at rated deviation: 500 mV RMS
- Dimensions: 7.87" x 7.48" x 1.73", (200 x 190 x 44 mm)
- Net weight: 12.69 oz, (360 g)
- PT 45 bodypack transmitter
- Carrier frequency range: 500 - 560 MHz
- Modulation: FM
- Audio bandwidth: 40 - 20,000 Hz
- T.H.D. at 1 kHz: typ. 0.8%
- Signal/noise ratio: typ. 105 dB(A)
- RF output: 10 mW
- Power requirement: 1x 1.5 V AA size battery
- Battery life: 10 hours
- Dimensions: 2.36 " x 2.91" x 1.18", (60 x 74 x 30 mm)
- Net weight: 2.11 oz, (60 g)
AKG WMS420 Ultra High Frequency Presenter Set Wireless Microphone System
$ 299.99 $ 389.99
The WMS420 wireless microphone system provides a highly flexible as well as easy to use solution. The ultra high frequency system is set up within seconds and is equally suitable on stage as well as in locations where a single- or multi channel solution is needed.
The entire WMS420 wireless system consists of the SR420 stationary receiver, HT420 handheld transmitter and the PT420 pocket transmitter. The HT420 handheld transmitter is available with the patented D5 dynamic microphone acoustic. This capsule guarantees maximum rejection against feedback, reduced handling noise and the famous AKG sound. Both transmitters are shipped with charging contacts that enable the use of rechargeable batteries. Moreover the transmitters offer exceptional eight hours of operation time from a single AA size battery, which dramatically reduces the operating costs in day-to-day use.
The detachable receiver antennas allow the use of professional accessories, such as antenna splitters and remote mounted directional antennas for multi channel systems. The WMS420 series includes three different bodypack sets. The head-worn set includes the high performance C555L condenser microphone. The presenter set includes the professional C417L lavalier microphone. The guitar set includes an instrument cable. With the AKG WMS420 system up to eight channels can be run simultaneously.
WMS420 Presenter Set is a professional multi-channel wireless microphone system. It includes the HT420 analog high-performance wireless handheld transmitter features a dynamic microphone capsule for demanding vocal performances, the PT420 wireless bodypack transmitter, the SR420 wireless stationary receiver and a Clip-on microphone C417 L.
The WMS420 Presenter Set package includes:
1 x Bodypack transmitter PT420
1 x Stationary receiver SR420
1 x Clip-on microphone C417 L
1 x Windscreen W407
2 x Receiver antennas
1 x AC adapter
1 x AA size battery
Audio-Technica 2000 Series ATW-2110a Wireless System
$ 329.99 $ 429.99
The Audio-Technica ATW-2110a Wireless UHF Body-Pack Microphone System bridges the gap between affordable wireless technology and professional level quality. The system operates on UHF frequencies over the 487.125 to 506.500 MHz band, and includes the ATW-T210 UniPak body-pack transmitter and ATW-R2100 diversity UHF receiver.
The ATW-R2100 receiver features True Diversity operation which selects between two receiver sections, reducing dropouts and radio frequency interference. The receiver features 10 user selectable UHF frequencies, allowing 10 systems to be used simultaneously. Single touch frequency scanning automatically selects clear frequencies in the area. The rear panel features a balanced XLR output and unbalanced 1/4" phone connection. A back-lit LCD provides channel, AF, RF and diversity status information.
The ATW-T210 UniPak transmitter is a lightweight body pack microphone transmitter that operates on the same frequencies as the receiver. The transmitter features a 4-pin Hirose connection input that is compatible with Audio-Technica "CW" lavaliers and head worn microphones, and select instrument cables. The transmitter operates up to 9 hours on two 1.5V AA batteries.
- Serious advances in affordable professional wireless
- Clear sound quality and rock-solid, dependable performance
- Automatic frequency scanning
- 10 compatible user-switchable channels in one of two UHF frequency ranges
- Antenna power available for powered antennas & other in-line RF devices
- True Diversity operation selects the better signal from the two receiver sections, reducing dropouts
- Tone Lock tone squelch system fights interference
- Rugged metal half-rack receiver with soft-touch controls and LCD display
- Balanced XLR and unbalanced 1/4" output jacks enable use with a wide variety of audio gear
- Switchable transmitter power output with high and low settings offered
- Includes rack-mount kit and detachable UHF antennas
- Ground-lift switch helps eliminate audible hum caused by ground loops between the sound system and receiver
- ATW-T220a Handheld Microphone/Transmitter features PRO 41 Capsule for maximum feedback rejection and consistent sound
Audio-Technica AE5400 Cardioid Condenser Vocal Microphone
$ 379.99 $ 529.99
The AE5400 is intended for use in professional applications where remote power is available. It requires 11V to 52V DC phantom power, which may be provided by a mixer or console, or by a separate, in-line source such as the Audio-Technica AT8801 single-channel or CP8506 four-channel phantom power supplies.
Output from the microphone's XLRM-type connector is low impedance (Lo-Z) balanced. The signal appears across Pins 2 and 3; Pin 1 is ground (shield). Output phase is "Pin 2 hot" - positive acoustic pressure produces positive voltage at Pin 2. To avoid phase cancellation and poor sound, all mic cables must be wired consistently: Pin 1-to-Pin 1, etc.
When using the AE5400 in settings with a stage monitor speaker, the speaker should be located 180° off axis (at rear of the microphone). This placement, in conjunction with the microphone's uniform cardioid pickup pattern, will virtually eliminate the possibility of undesired audio feedback.
An integral 80 Hz hi-pass filter provides easy switching from a flat frequency response to a low-end roll-off. The roll-off position reduces the microphone's sensitivity to popping in close vocal use. It also reduces the pickup of low-frequency ambient noise (such as traffic, air-handling systems, etc.), room reverberation and mechanically-coupled vibrations. Avoid leaving the microphone in the open sun or in areas where temperatures exceed 110° F (43° C) for extended periods. Extremely high humidity should also be avoided.
AE5400 Cardioid Microphone
- Element: Externally polarized (DC Bias) condenser
- Polar pattern: Cardiod
- Frequency Repsonse: 20-20,000Hz
- Low Frequency Roll-Off: 80Hz, 12dB/octave
- Open circuit sensitivity: -40dB (10mV) re 1V at 1Pa
- Impedance: 150ohms
- Maximum Input Sound Level: 147dB SPL, 1 kHz at 1% T.H.D.;
- 157dB SPL, with 10dB
- Noise: 14dB SPL
- Dymanic range: 133dB, 1kHz at Max SPL
- Signal-to-Noise ratio: 80 dB, 1 kHz at 1 Pa*
- Phantom Power Requirements: 11-52V DC, 4 mA typical
- Switches: High-pass filter; 10dB pad (nominal)
- Weight: 11.6 oz. (330 g)
- Dimensions: 7.05" (179 mm) long, 1.97" (50 mm) head diameter, 1.30" to 0.87" (33 mm to 22 mm) tapered body diameter
- Output connector: Integral 3-pin XLRM-type
- Accessories: AT8470 Quiet-Flex stand clamp for 5/8"-27 threaded
- stands; soft protective pouch
Audio-Technica AT899cW Subminiature Omnidirectional Condenser Microphone
$ 199.00
Audio-Technica’s omnidirectional AT899 is engineered for intelligible, accurate voice reproduction. Its low-profile design (a mere 5 mm in diameter) assures minimum visibility. The mic may be worn as a lavalier and is easily hidden in clothing or hair. It offers the convenience of battery or phantom power; its switchable low-frequency roll-off reduces popping.
- Maximum intelligibility and clean, accurate reproduction for vocalists, lecturers, stage and television talent, and houses of worship
- Low-profile design (a mere 5 mm in diameter) is ideal for applications requiring minimum visibility
- Operates on battery or phantom power
- All wireless models available in either low-reflectance black or beige
- Extensive array of provided accessories includes a clothing clip, viper clip, magnet clip and lanyard (black models only), windscreens, element covers, interchangeable single and double mic holders
- Accessories available separately include complete accessory kits, clothing clips, three-pack element covers and three-pack windscreens
- 9.8' (3.0 m) cable permanently attached to mic, TA3F connector at power module
| ELEMENT | Fixed-charge back plate, permanently polarized condenser |
| POLAR PATTERN | Omnidirectional |
| FREQUENCY RESPONSE | 20-20,000 Hz |
| LOW FREQUENCY ROLL-OFF | 80 Hz, 12 dB/octave |
| OPEN CIRCUIT SENSITIVITY | Phantom: -43 dB (7.0 mV) re 1V at 1 Pa Battery: -46 dB (5.0 mV) re 1V at 1 Pa |
| IMPEDANCE | Phantom: 200 ohms Battery: 250 ohms |
| MAXIMUM INPUT SOUND LEVEL | Phantom: 138 dB SPL, 1 kHz at 1% T.H.D. Battery: 116 dB SPL, 1 kHz at 1% T.H.D. |
| DYNAMIC RANGE (typical) | Phantom: 108 dB, 1 kHz at Max SPL Battery: 86 dB, 1 kHz at Max SPL |
| SIGNAL-TO-NOISE RATIO | 64 dB, 1 kHz at 1 Pa |
| PHANTOM POWER REQUIREMENTS | 11-52V DC, 2 mA typical |
| BATTERY TYPE | 1.5V AA/UM3 |
| BATTERY CURRENT / LIFE | 0.4 mA / 1200 hours typical (alkaline) |
| SWITCH | Flat, roll-off (recessed) |
| WEIGHT (MICROPHONE) | 0.02 oz (0.5 g) |
| WEIGHT (POWER MODULE) | 3.6 oz (102 g) |
| DIMENSIONS (MICROPHONE) | 0.63" (16.0 mm) long, 0.20" (5.0 mm) diameter |
| DIMENSIONS (POWER MODULE) | 5.71" (145.0 mm) long, 0.83" (21.0 mm) diameter |
| OUTPUT CONNECTOR (POWER MODULE) | Integral 3-pin XLRM-type |
| CABLE | 9.8' (3.0 m) long (permanently attached to microphone), 0.08" (2.0 mm) diameter, 2-conductor, shielded cable with TA3F output connector that mates with TB3M jack on power module |
| ACCESSORIES FURNISHED | AT8537 power module; AT8439 cable clip; clothing clip base; viper clip base; magnet clip base and plate with lanyard; three single mic holders; two double mic holders; two element covers; two windscreens; battery; protective carrying case |
| AUDIO-TECHNICA CASE STYLE | M29 |
Audio-Technica ATM650 Hypercardioid Dynamic Instrument Microphone
$ 99.99 $ 169.99
The ATM650 is a versatile addition to the Artist Series featuring a new multi-stage flat grille design for precise positioning close to the sound source. Equipped with a neodymium magnet for high-output performance, the ATM650 has a frequency response tailored for clear sound reproduction of guitar cabinets, snare and percussion. A-T's innovative dual-wall floating construction banishes handling noise.
ATM650 Hypercardioid Dynamic Instrument Microphone
- ELEMENT: Dynamic
- POLAR PATTERN: Hypercardioid
- FREQUENCY RESPONSE: 80-17,000 Hz
- OPEN CIRCUIT SENSITIVITY: —56 dB (1.5 mV) re 1V at 1 Pa
- IMPEDANCE: 300 ohms
- WEIGHT: 279 g (9.8 oz)
- DIMENSIONS: 164.2 mm (6.46") long, 38.8 mm (1.53") diameter
- OUTPUT CONNECTOR: Integral 3-pin XLRM-type
- ACCESSORIES FURNISHED: AT8470 Quiet-Flex stand clamp for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; soft protective pouch
- AUDIO-TECHNICA CASE STYLE: T5
Audio-Technica ATW-901A/G System 9 VHF Wireless Unipak System
$ 149.99
Frequency-agile VHF wireless system with guitar microphone transmitter.
Audio-Technica's System 9 is a four-channel wireless microphone system designed to provide rock-solid performance along with easy setup and clear, natural sound quality. Featuring sleek, stackable, contemporary styling, System 9 is available in handheld, headworn, guitar, lavalier and body-pack configurations. The system offers four compatible user-switchable VHF channels.
This System 9 configuration includes the ATW-R900a receiver and a guitar microphone/transmitter. The ATW-R900a is a non-diversity, single-channel receiver with advanced dipole antenna design for extended operating range, which improves operation by providing a ground element in addition to the usual signal element. The ATW-R900a also offers volume control along with AF Peak, RF and Power indicator lights.
- Analog or digital: Digital
- Frequency response: 8 Hz - 13 kHz
- Width: 7.48 in.
- Height: 1.82 in.
- Depth: 5.06 in.
- Weight: 12 oz
- Type: Guitar Mic
Audio-Technica BP892cW-TH MicroSet Omnidirectional Condenser Headworn Microphone
$ 299.99 $ 439.99
Audio-Technica's high-SPL BP892C MicroSet headset mic offers you high-quality, low-profile, high-performance audio. Delivering clear-and-accurate sound in an inconspicuous package, the ultra-lightweight Audio-Technica BP892 headworn condenser mic hooks securely behind either ear and can be worn for hours without fatigue. For maximum stability and comfort, the included AT8464 dual-ear microphone mount converts the MicroSet to a dual-ear-worn mic.
The Audio-Technica BP892C condenser microphone features a flat, extended frequency response and other outstanding performance specifications, resulting in extremely intelligible, natural audio for stage and television talent, lecturers, and houses of worship. Protected by a highly durable Parylene coating, this Audio-Technica headworn mic is built to stand up to the rigors of day-to-day use.
The Audio-Technica MicroSet condenser headworn mic comes in beige.
Choosing a connector termination:
The connector type will correspond your style choice from the Select a Style dropdown menu on the product detail page. E.g., style Shure TA4F Black will have the mic terminated with a Shure TA4F connector for use with corresponding Shure transmitters; Lectrosonics TA5F Beige will be terminated with a Lectrosonics TA5F connector for use with correspoonding Lectrosonics transmitters, etc.
BP892C MicroSet Condenser Headworn Microphone
- Element: Fixed-charge back plate, permanently polarized condenser
- Polar pattern: Omnidirectional
- Frequency response: 20-20,000Hz
- Open circuit sensitivity: -49dB (3.5mV) re 1V at 1 Pa
- Maximum input sound level: 135dB SPL, 1kHz at 3% T.H.D.
- Signal-to-noise ratio: 63dB, 1kHz at 1 Pa
- Weight: Microphone, boom & earpiece - 2.6g/0.09oz.
- Dimensions:
- Microphone: 8.1mm (0.32") long, 2.6mm (0.10") diameter
- Boom: 98.4mm (3.87") long, 1.07mm (0.04") diameter
- Cable: 1.4m (55") long (permanently attached to microphone), 1.6mm (0.06") diameter, 2-conductor shielded cable with locking, 4-pin connector (or 3-pin connector depending on style you choose)
- Audio-Technica case style: M31
- Accessories furnished:
- AT8440 cable clip; AT8464 dual-ear microphone mount; two AT8157 windscreens; two AT8156 element covers; moisture guard; carrying case
Audio-Technica EP3 In-Ear Dynamic Headphones
$ 119.99 $ 139.99
In-Ear Dynamic Headphones for M2 and M3 Wireless In-Ear Monitor Systems. Includes Extension Cable/Adapter with 3.5mm Connector, Interchangeable Earpieces (Small, Medium & Large), Ear Conforming Foam Tips, Protective Carrying Case, Soft Pouch
Audio-Technica M2R UHF Stereo Receiver for In-Ear Monitoring System
$ 349.99 $ 479.99
The Audio-Technica M2R Wireless Receiver is intended for use with the Audio-Technica Wireless In-Ear Monitoring System. The transmitter features XLR & 1/4" phone combi-connector inputs and XLR loop-through outputs to feed an audio console. There are 100 selectable frequencies, and up to 10 systems can operate simultaneously on each band. An easy to read graphic LED display on the transmitter provides all necessary information, and defeatable limiter eliminates sudden peaks in audio signal.
- High-fidelity sound with clean, articulate mix allows you to hear yourself better at lower volume
- 100 selectable UHF channels
- Up to 10 simultaneous systems per frequency band
- Three receiver modes: Personal Mix, stereo, and mono
- Personal Mix Control allows volume and mix control of two independent signals at the receiver
Audix OM6 Vocal Microphone
$ 219.00 $ 239.00
The OM6 is a full-range microphone capable of reproducing tones down to 63Hz. An extremely pure and accurate sounding mic, the OM6 has a more studio-like sound and appeals to vocalists wanting minimal coloration. The OM6 is a great choice for use in high-level concert performances.
OM6 Dynamic Vocal Microphone
- Off-axis rejection: >30dB
- Impedence: 150&Omega:
- Output Impedence: 200&Omega:
- Pattern: Broad hypercardiod
- Impedence: 150&Omega:
- Maximum SPL: 144dB
- On-Off Switch: No
- Output Impedence: 200 ohms
- Transducer type: Dynamic, VLM Type D - Transformerless
- Frequency response : 40Hz- 19kHz
Beyerdynamic Opus 51 Professional Instrument Microphone
$ 439.99
The Piano is an expressive instrument with a wide dynamic range and multiple sound sources coming from the strings and frame into which it is constructed. All of these subtle sounds and nuances have to be captured to make the Piano sound natural and to transfer the emotion with which it is played. The Opus 51 is purpose built for this type of instrument. Using the ™boundary effect™ it captures direct and reflected sounds from all parts of the instrument in perfect balance and at an equal level taking some of the guesswork out of microphone placement. As the Opus 51 effortlessly captures low frequency audio as well as the high frequency detail it also can be used perfectly for Kick Drums.
Beyerdynamic Opus 88 Condenser Clip-On Microphone
$ 219.99
The Beyerdynamic Opus 88 condenser microphone is a perfect choice for close miking toms and snare drums, and is designed to excel at professional sound reinforcement or recording. The snare drum is hit most often, the hardest, and produces a very complex sound pattern. The Opus 88 mic has been optimized for the snare, both electrically and physically, to capture a precise sound. With its patented microphone clamp with integrated preamplifier and 3-pin XLR plug the Opus 88 can easily and quickly be mounted to the rim. The short flexible gooseneck and the horizontal swivel joint ensures optimal positioning.
Requires phantom power.
Opus 88 Condenser Clip-On Microphone
- Transducer type: Condenser (back electret)
- Operating principle: Pressure gradient
- Polar pattern: Cardioid
- Open circuit voltage at 1 kHz (0dB = 1V/Pa) : 5 mV/Pa = -46 dBV
- Nominal impedance: 200 Ohms
- Load impedance: > 1 k Ohms
- Frequency response: 30 - 20,000 Hz
- Max. SPL at 1 kHz: 136 dB (at 48 V phantom power) / 126 dB (at 12 V phantom power)
- S/N ratio rel. to 1 Pa: 64 dB
- A-weighted equivalent SPL: 22 dB
- Current consumption: < 6 mA
- Connection: 3-pin XLR, male
- Supply voltage: 11 - 52 V phantom (recommended phantom power: 48 V)
- Clamp (W x H) : 85 x 118 mm
- Gooseneck length: 20 mm
- Total length: 120 mm
- Weight incl. Clamp: approx. 145 g
CAD C195 Condenser Cardioid Microphone
$ 99.00 $ 199.00
The CAD C195 is a superior low-noise, electret condenser cardioid microphone designed for professional vocalists and musicians. It provides the performance and features to satisfy today's most demanding professionals.
The C195 mic has a wide, flat-frequency response that provides unsurpassed natural transparent sound. The cardioid pickup pattern minimizes annoying feedback and reduces the pickup of unwanted off-axis sounds. A transformerless electronic design provides optimum low-frequency response and low distortion. An effective internal multistage pop filter minimizes wind and breath noise.
The CAD C195 has a Flex-Form hardened steel grille screen that dramatically resists deformation while greatly reducing any risk of adverse performance caused by a bent or dented ball screen. This unique ability to retain its original shape assures that the CAD C195 will maintain its attractive appearance.
The C195 features the CAD exclusive (I.N.R.-3) Impact Noise Rejection system. A proprietary rubber shock mount isolates the transducer from the barrel, thus dramatically reducing cable, stand, and handling noise. The need for any external shock mounting device is virtually eliminated.
The low-frequency response of the CAD C195 may be enhanced by increasing or decreasing the distance from the sound source. This phenomenon is technically known as "proximity effect". Nominal or "flat" response is generated at a distance of 24 inches or more. However, as the distance to the sound source decreases, the bass sensitivity increases, providing a solid, robust character.
Requires phantom power.
C195 Cardioid Electret Condenser Microphone
- Generating Element: Electret condenser (Phantom Powered)
- Polar Pattern: Unidirectional (Cardioid)
- Frequency Response: 50Hz-18kHz
Output Level:
- Open Circuit Voltage: -55 dB (0 dB = 1 volt per microbar)
- Impedance: 500 ohms
- Dynamic Range: 110 dB
- Equivalent Noise Level: Less than 22 dB, A weighted
- Maximum SPL: 132 dB (1% THD, open circuit)
Powering:
- Supply Voltage: 9 - 52 Vdc, positive pins 2 & 3 reverse polarity protected
- Current Required: Less than 5 mA over operating voltage range
- Phasing
- Positive pressure on diaphragm generates a positive voltage on pin 2 relative to pin 3
- Grille Screen: Hardened Steel Mesh
- Case: Steel and die-cast zinc alloy
- Finish: Durable soft feel, non-slip, titanium gray body, midnight black screen
Cad D90 Supercardioid Dynamic Handheld Microphone
$ 99.99 $ 129.99
The CADLive D90 supercardioid dynamic handheld mic is outfitted with a Trueflex diaphragm and PowerGap high- gauss neodymium magnets creating a hot and articulate live performance vocal microphone.
- Pattern: Superardioid
- Principle: Dynamic moving coil motor
- Frequency Response : 50 “ 16kHz
- Sensitivity : -51.0 dBv (2.8mV) @ 1PA
- Impedance : 500 Ohm
- Max SPL >150dB
- UPC : 631922107289
- Weight : 1.5Lbs
- Dims : 10 X 6.5 X 3
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